Podcasts

Let me give you a free piece of relationship advice: just break up. If it’s more work than pleasure, if your heart sinks when they call, if you catch yourself writing ‘have sex’ on your to-do list, break up. Life is short, death is certain, relationships are for loving in, and if you can’t be with the one you love, you can at least leave the one you’re with. I give this advice because I know that people in bad relationships don’t take it. They are like those evacuation refuseniks, stumping around on the volcanic hillside, saying they’ve lived there 20 years and they’ll be damned if the whole thing

When it comes to history programming, television’s loss is increasingly audio’s gain. People moan to me most weeks over the lack of really good, rigorous, eye-opening documentaries on the screen, and I can only nod along in agreement. Oh for a Kenneth Clark-style lecture! More Michael Wood! There’s an especially strong appetite for the adventurous commissions of the 1990s and 2000s. It’s principally podcasts, now, that are pouring into this void. Stephen Fry’s Edwardian Secrets, a 12-episode sequel to his previous series on the Victorians, even sounds like an extended BBC4 documentary, replete with talking heads, choral background music and just a dash of Horrible Histories. Unfortunately, it also suffers

The interview podcast is a genre immoderately drawn to gimmicks, as the logical space of possible formats is gradually exhausted. The interviewee, quite often themselves a podcaster, might be, for example, invited to noisily eat lunch while nominating their top-five deceased childhood pets. The theory is that fanciful formats encourage the interviewee to open up. Under such conditions, the interview itself can come to seem incidental to the main event, the atmosphere chummy, comfortable, back-scratching, but fundamentally uninterested: you do my interview, I’ll do yours, no real questions asked. The moderately fanciful premise of The Poet Laureate has Gone to his Shed sees the poet Simon Armitage solitary and at

Work is our new religion. There are people whose primary job is writing listicles of celebrity gossip, illustrated with gifs from the Fast & Furious franchise, who refer to being a writer as a ‘calling’. If I think about this for too long my brain simply shuts down to protect itself. What we used to do for God we now do for our work. In a secular culture, it seems totally normal — admirable, even — to sacrifice the possibility of having a family, to give up all leisure time, to starve yourself or live on insane, totally made-up diets like intermittent fasting or paleo for the sake of your

Listening to Trees A Crowd, a podcast exploring the ‘56(ish) native trees of the British Isles’, solved one of childhood’s great mysteries for me. Why, when you plant a pip from one type of apple, does it grow into a completely different type of apple tree? The answer — one kind of apple tree will typically cross-pollinate with another variety to pass on a different set of genes — is less interesting than the next bit. Which is that if you do plant, say, a Braeburn seed, and it takes, you’re likely to end up with crab apples. The reason, as explained on the podcast, is that the wild crab

All the world’s on stage again so where to go to for insight into what to see and why? Podcasts, of course. Lowe’s ‘luck’ is that he happens to be friends, neighbours, or have starred, with everyone he interviews Let’s start with Literally! With Rob Lowe. An hour-long conversation between the most swoonable actor in the world who we’ve all forgotten, and everyone he knows and likes, from Alec Baldwin and Oprah Winfrey to St Elmo’s Fire co-star Demi Moore. It’s a wonderful and eye-opening listen. Lowe combines the enthusiasm and curiosity of the best interviewers with a knowledge and experience that makes conversation flow until the cup spilleth over.

Pity the aesthete, the flâneur and the opera-goer. Those who find the contents of their own heads so dull and mundane they must fill them instead with the fantastical inventions of our most extravagant lunatics. They have been locked out of the theatres and cinemas and public spaces that make them feel at their most alive and abandoned to the content programming of Netflix and whatever Tenet was supposed to be. They’ve been deprived, sheltered, cut off from the only thing that gives their lives meaning. I’m describing me. I’m asking you to feel sorry for me. If I don’t, at least twice a week, have a reason to wear

Passenger List opens with a carefully structured ripple of breaking news bulletins: a mysterious catastrophe, an unconvincing official explanation, the repetitive stupidity that surrounds disaster. A plane has disappeared, no wreckage has been found. A woman whose brother was on board begins to search for the truth. The authorities say it was a bird strike: a flock of geese was shredded in the engines and 200 passengers crumpled on impact with the Atlantic ocean. Of course, the authorities’ story doesn’t make sense. So we follow our hero, Caitlin, a lone citizen searching indefatigably for answers in a shadow world of half-truth and paranoia. It seems that we never tire of

You have to hand it to Ed Miliband. After bacon sandwich-gate, he might never have eaten in public again, but there he was, wolfing down cod and chickpeas, eggs and Za’atar on the chart-topping podcast Table Manners with Jessie Ware. Presumably he thought that audio would be a fail-safe medium in which to redeem himself. No cameras, no aggressive questioning (the show is co-hosted by singer Jessie Ware and her mum Lennie), no risk. Suffice it to say he underestimated this one. An early part of the conversation, in précis, ran like this: ‘What’s your go-to dish?’, ‘I’m a recipe-box follower and a recipe follower.’ ‘Which recipe books?’, ‘That’s a

Now that all of the billionaires are going into space, the night sky holds a special new kind of allure. We see a little twinkle in the distance and we can think to ourselves, there they are, out there, far away, away from us. It’s not clear whether Jeff Bezos and Elon Musk spent their childhoods looking up at the stars, fantasising fervently about joining them at some future date, or if they are now just bored. But perhaps their sense of identification and belonging in the vast night sky can be understood in another way. Humans have always told stories about the stars, and many of these myths could

The best thing on the radio last week was, without question, Kind Hearts and Coronets. You may have missed it because it was on Radio 4 Extra, the poor, forgotten relation of the BBC’s main channels, which many regard as merely a Radio 4+1 for yesterday’s replays, when it is in fact home to the drama and comedy archive. Like the BBC4 TV channel, which is sadly ceasing commissioning, it hosts the sort of intelligent programmes people really enjoy, to the consternation of those who dismiss them as ‘old’. Fittingly, for Radio 4 Extra, Kind Hearts is all about a poor, forgotten relation who strives to reclaim his place within

It’s interesting that we have decided shaming and yelling are the easiest ways to change people’s minds. Which is not to say I do not think there are people in this world who deserve to be shamed and yelled at: people who use the term ‘cancel culture’ sincerely, people who are deeply invested in the marriage and divorce cycles of celebrities, Meryl Streep. But do I think yelling at Ms Streep will accomplish what I fervently wish for, which is for her to stop ruining perfectly fine movies with her barely adequate performances? No. Every issue in our cultural lives is politicised right now. Just searching through various podcasts I

The narrative podcast remains a form in search of a genre. The template set by the hit show Serial — enterprising American journalists with janky piano theme tune shed new light on tantalising murder — still predominates seven years on. To this we can add the format pioneered by S-Town (initial murder investigation subsides into rich human detail) and, more recently, the excellent Wind of Change (intriguing what-if maps cultural and macropolitical shifts, with bonus CIA window-dressing). I remain sceptical about the form’s usefulness as a way of breaking hard news. Caliphate, the New York Times jaw-dropper on the Islamic State, is less gripping now its key source has been

Prison-based podcast Banged Up, now in its second series, is far more uplifting — and less soapy — than its name suggests. It begins with the tacit assumption that, if you haven’t personally been incarcerated, you probably have at least a dozen questions you’d want to ask someone who had. Is the food really awful? How likely are you to be beaten up? Is there a lending library? (I’d start with the last.) Banged Up has the answers to plenty more besides. The podcast is hosted by a prison lawyer named Claire Salama and two ex-inmates, a former footballer, Mike Boateng, known as ‘Boats’, and university-educated Rob Morrison, who describes

Truly we are living in the golden age of the grifter. From Fyre Fest to the WeWork empire to Theranos to the personal development cult NXIVM, we see a charismatic person promising us endless growth, pleasure or wealth and we give them all our money. The con-man economy doesn’t just stop at the men and women leading these frauds and profiting wildly from them. (Some of them go to jail, yes, but WeWork leader/charlatan Adam Neumann was paid many millions of dollars just to go away.) There is also now a podcast, usually sponsored by a security system, for every con. Barbara Kruger’s shopping bag indicting shopping has become a

I’d forgotten what a rich and deep and characterful voice John le Carré had. Listening to author and lawyer Philippe Sands’s Archive on 4 programme on him last week, I was struck by how much more engaging it was than almost every other male voice on the radio these days. Le Carré’s weren’t simply the measured tones of a mid–century public schoolboy. There was a real spirit in his voice, something melodic, which, in a world of Nick Grimshaws and Greg Jameses, stopped me in my tracks. Le Carré’s voice was undoubtedly part of the armoury that enabled him to win people over, even ‘to manipulate crowds’. This, his youngest

Last Saturday on Radio 2 Claudia Winkleman was inaugurated as the host of what was formerly Graham Norton’s mid-morning spot. She announced her arrival by playing ‘Help!’ by the Beatles and offering a line-up comprised solely of fellow Saturday-night TV presenters. Here was Sir Tom Jones, calling in from ‘a terrace overlooking the Thames’ and repeating more or less the same interview he had delivered on Graham Norton’s TV show last month. Half an hour later came David Walliams, and to round things off Ant & Dec were prevailed upon to talk about their ‘jampacked’ ITV show later on that day. ‘How do you not unravel doing it?’ gushed Winkleman,

It was something a friend said to me about The Revenant, Leonardo diCaprio’s bloody-minded and brutal Oscar vehicle: ‘The problem with the film is once you start laughing, you can’t stop. And for me, that moment was the second time he fell off a cliff.’ I thought about this a lot listening to Into the Grey Zone, a new podcast hoping to educate its audience about the new forms of constant pseudo-warfare that modern states engage in. This is the world of nerve poisoning in Salisbury, airspace incursions over Taiwan, cyberattacks, mass disinformation and remote interference. None of these things can be considered open warfare but taken together, the podcast

This year marks three decades since Robert Maxwell fell naked to his death from the deck of his yacht, The Lady Ghislaine. Power: The Maxwells is the latest contribution to the never-ending autopsy of Maxwell’s character and the circumstances of his death. It follows a now well-established formula, juxtaposing the lives of Ghislaine and her father, marvelling at how against seemingly unbeatable odds she can have managed to disgrace the good name of Maxwell, and throwing in the occasional Trump soundbite as a garnish of relevance. The Maxwell family iconography is simply irresistible — she, the ‘international party girl’, ‘friends with princes and presidents’, now languishing ‘in a Brooklyn jail

With the arts world still largely in hibernation, the launch of a big podcast is as close as we get to a big cultural event these days. Such is the case with The Apology Line, the latest serial podcast from Amazon-owned Wondery, which shot to the top of the ‘most downloaded’ charts last week and has sat there comfortably since. The Apology Line tells the story of a 1980s experimental art project in which a Manhattan-based provocateur, Allan Bridge, issued an open invitation to the city’s criminals (‘amateurs, professionals, white collar, blue collar’) to record their anonymised confessions to an unmanned phone line. He intended for the recordings to become