Podcasts

One of the stranger things that happened in the period just before lockdown was the sudden disappearance of audiences from TV and radio shows. Late-night hosts told jokes to silent rooms in front of a white background, dutifully pausing for a laugh that never came; panel shows were broadcast without so much as the sound of tumbleweed. Punchlines flopped, charisma evaporated. It was as if Earth’s comedians had been banished to some purgatorial realm, where they would be forced to tell jokes to no one as a form of penance. Comedy needs an audience. It’s not clear that the same is true of short stories. In Selected Shorts, well-known actors

Wilhelm Nero Pilate Barbellion, real name Bruce Frederick Cummings, earned his living measuring the legs of lice in the Natural History Museum. ‘To the lay mind how fantastic this must seem!’ he exclaimed in his journal, before enumerating his enthusiasms for Burton’s Anatomy of Melancholy, names like ‘Mr. Hogsflesh’ and ‘Pickle Herring Street’, and Petticoat Lane on Sunday mornings. The young naturalist had a habit of landing himself in embarrassing situations. He once spotted a pretty woman at the theatre and composed a notice for the classifieds in a bid to find her. The editor sent his missive back supposing he was a white-slave trafficker. Another time, a new mother

How do you tell a great story? According to Craig Mazin, you have to be a sadist. ‘As a writer, you are not the New Testament God who turns water into wine,’ Mazin chuckles on his long-running podcast Scriptnotes. ‘You are the Old Testament God who tortures Job because, I don’t know, it seems like fun.’ Mazin wrote HBO’s horrifying, incandescent miniseries Chernobyl, and so knows of what he speaks. In the episode of this podcast titled ‘How to Write a Movie’, he describes how screenwriters build plot out of suffering. He outlines a scenario, making the stakes higher each time. Suppose our main character is a single father desperate

‘To be recognised and accepted by a peregrine,’ wrote J.A. Baker in 1967, ‘you must wear the same clothes, travel by the same way, perform actions in the same order. Like all birds, it fears the unpredictable.’ Sitting around in the same old clothes, performing chores in the same order, travelling by no way at all, I’ve found comfort in Baker’s assurance that I may at least prove attractive to birds in my slovenly purdah. Sir David Attenborough read The Peregrine beautifully on Radio 4 just before Christmas, but if you were too busy steaming puddings to listen, you may find this a good time for enjoying the series online.

Last month, just before coronavirus conquered the airwaves entirely, millions of Americans gave up two hours to hear a professor of epidemiology discuss the emerging pandemic. Despite its huge reach, not to mention its quality, the interview wasn’t broadcast on any of the news networks. Rather it was the work of a former martial-arts pundit and hallucinogenic-drug enthusiast who also happens to be one of America’s most popular — and influential — podcasters. Although it racks up some 190 million downloads a month, The Joe Rogan Experience tends to fly somewhat under the cultural radar — particularly in Britain. Even worse, his brash style and predominantly male fan base means

With theatres shut, radio must lighten the darkness. The Guilty Feminist is a wildly popular podcast performed by Deborah Frances-White and guests. In the episode of 23 March, the presenter hoped the superbug would cure our mania for business trips to ‘Philadelphia for a meeting about key performance indicators… Don’t fly to see people you hate. Fly to see people you love.’ She was probably unwise to dabble in medical predictions. ‘I hope Boris catches coronavirus so badly he needs to be sequestered on a desert island with no loo roll.’ Her co-presenter, Sindhu Vee, mocked her children’s frailties and her own. One of her young daughters announced her intention

Kevin Katke was quite a man. He had no military training, no political background and no espionage experience. Nonetheless, his hatred of communists and can-do attitude made him the pre-eminent idiot savant of private American intelligence throughout the Reagan administration. It was a peripatetic career that culminated with him spearheading a bungled plot to oust a leftist regime in Grenada while holding down a full-time job at Macy’s. Call it the American dream. I learnt this — along with dozens of other things to make you say, ‘I’m sorry, did I hear that correctly?’ — listening to Fiasco (Luminary), a political-history podcast whose second season retells the bizarre and shambolic

For 500 years the State Oracle of Tibet has worked as a kind of angry immortal advisor to the Dalai Lama, a Tibetan hybrid of Dominic Cummings and John Dee. The current incumbent, like all previous ones, alternates between his human incarnation and his spirit version. ‘In Tibetan Buddhism, the unseen parallel world of spirits is not to be taken lightly,’ explains anthropologist David Sneath on Heart and Soul (BBC World Service). ‘There are so many other living species,’ the Minister of Religion and Culture tells Sneath, ‘many of which we don’t even see.’ Sneath interviews the cheerful sixty-something State Oracle (living in exile in Dharamsala), various government ministers, sincere

Every so often an idea for a show will come along that is perfect, and therefore should never be made. A sitcom based on Julian Assange’s time in the Ecuadorian embassy. Or a gender-flipped version of What Women Want. These are concepts to treasure, to return to, to discuss with friends. Once made flesh though, they disappoint. And this is what happened with the podcast My Dad Wrote A Porno. Here’s the concept. One Christmas Jamie Morton is asked to review a self-penned manuscript by his dad, which turns out to be astonishingly bad erotica written under the pen-name Rocky Flintstone. Morton recruits two old friends — BBC Radio 1

One of the advantages that podcasts have over the scheduled array of programmes is the space that can be given to a subject, turning what would have been a one-off into a whole series sometimes three or four hours long. This can be offputting. Who has the time to give so much to one programme? Even more so now when there’s so much else on offer to distract and entertain. But in the case of the new podcast ‘dropped’ this week by the Beyond Today team those three hours (in six half-hour episodes) have been used to best effect, allowing the story to build, the voices to become clearer, the

You may have noticed the flood of podcasts that’s been pouring out of the BBC since the launch of its BBC Sounds app. This is supposed to give us easier access to the programme archive but actually has been an excuse to show off the podcasts now made by the corporation, from the specially made How to be a Muslim Woman to Turbulence, a clever series of linked short stories by David Szalay, which was commissioned by Radio 4 and released as a podcast at the same time as being broadcast on the network. Podcasts are not bound by time and the demands of a schedule. They can last for

You may have noticed that BBC iPlayer (for radio programmes) has been replaced this week with the new BBC Sounds platform. Instead of simply finding your favourite programmes on playback, BBC Sounds will offer you the chance to personalise your listening, discover programmes recommended ‘just for you’, catch up with the latest podcasts. On Monday, James Purnell, director of radio and education at the BBC, talked up the new venture with Martha Kearney on the Today programme. ‘All of BBC audio will be at your fingertips,’ he promised. ‘We will do the hard work of getting the right programmes to you at the right time.’ ‘Won’t this involve taking money

How very odd of Radio 4 not only to release The Ratline as a podcast before broadcasting it on the schedule in the conventional manner, but also to give its network listeners an edited-down version. It’s as if the podcast of Philippe Sands’s programme, which investigates war crimes by the Nazis, fuelled by his own family history and what he discovered while writing his book East West Street, has been given priority, and anyone who listens in the old-fashioned, switch-of-a-button way is somehow second-best and doesn’t deserve the full monty. The first episode of the ten-part series was six minutes longer online than on-air. What’s in those missing minutes, I

Here’s a thought. Matthew Bannister, former Radio 1 controller turned presenter of programmes such as Outlook on the World Service and Radio 4’s The Last Word, has just announced that he’s leaving Outlook, which goes out several times a week, to ‘join the world of podcasting’. In fact, he’s already launched his own podcast, Folk on Foot. It’s as if he now believes that podcasting is where the exciting new challenges in audio (note, not broadcasting) can be found. We wireless-lovers should pay attention. Bannister is a radio man through and through. Does he really believe that podcasting is the future? We’re still waiting for the podcast that truly challenges