Restaurants

I have been waiting, like a heroine in fiction, for the specialist lasagne restaurant. London has long been heading this way for the benefit of the consumer-simpleton who can only process one piece of information at a time. It is clearly a response to the glut of choice in late capitalism, and so close to Karl Marx’s home in Dean Street that I can almost feel his cackling shadow. Less choice for your aching head, child, but isn’t it really more choice? The choice not to choose? That phenomenon brought us the pop-up Cadbury’s Creme Egg restaurant, which only served food made with Cadbury’s Creme Eggs. Because people are mad,

The Keeper’s House sits in the basement of Burlington House, a restaurant in disguise. It is quite different from the grand cafés of St James’s and Mayfair, which are raging exhibitionists with banquettes splayed like limbs. It is secretive and it knows, consciously or not, the tricks of children’s literature: the looking-glass, the wardrobe and the door. It is an 18th-century basement transformed, by magical whimsy, into a restaurant. To visit the loo is a quest for which you need a Gandalf, a hobbit and a lamp. Burlington House looks like an English mansion that stared at Palladio, had a panic attack and exploded. It is clever-clogs land, home to

Miracles are not ceased. A few years ago, a kindly educational therapist took pity on John Prescott and set out to devise a way to reconcile the Mouth of the Humber and his native tongue. He came up with Twitter. That explains the restriction to 140 characters, barely room for Lord Prescott to commit more than three brutal assaults on the English language. A hundred and forty was too much. Twitter did not cure John Prescott. But it did gain pace among the young — and, the miracle, with Nicholas Soames. Nick is one of the funniest men of this age. With Falstaff, he could say (he could say a

It is summer and the listless metropolitan thinks of grass. It cannot afford to stay at Durslade Farmhouse, Somerset, a branch of the Hauser & Wirth art gallery that serves food and plays cow noises in a former barn as authentic country folk rip their eyeballs out. Locals talk about Durslade Farm as a child that died. I think it is a Holocaust memorial for cows, but oblivious. Babington House is the country branch, and it is open to members, their friends, and hotel guests. There is a a spa called the Cowshed that sells ‘Lazy Cow’ and ‘Moody Cow’ beauty products (misogyny masquerading as irony), a restaurant and a

Batman owned the Criterion in The Dark Knight, but could he do anything about British Telecom? Savini at Criterion, an Italian restaurant, waited four months for an internet connection and telephone line as they prepared to launch this year; when it arrived they gave BT what must be the worst review in the history of telecommunications: ‘This wouldn’t happen in Italy.’ It ruined the launch, they said. They couldn’t invite actors, except by pigeon post. And because actors are, in restaurant marketing terms, signposts — and they do look like signposts, specifically Monagasque signposts — no one knew Savini was there. It has no constituency. It is George Galloway, who

Wheeler’s is such a dreadful restaurant that I wonder if Marco Pierre White even knows his name is on it. I suppose, for legal reasons, we must assume he does, and was not held hostage in a cellar while they built and fretted and hung inflated photographs of their prisoner all over it, like the bedroom of a starlet in full madness. We must assume that White knows that Wheeler’s of St James’s, which was a famous restaurant, was closed, and reopened inside the Thread-needles hotel in Bank, and it does have his name on it, and this is the worst thing he has ever done; worse than promoting Knorr

Pharmacy 2 is the reanimated child of Damien Hirst; it lives inside the Newport Street Gallery in a forsaken patch of Lambeth by the railway arches. This makes it look, inevitably, like the set of The Bill, but with a painting of Damien Hirst on a nearby wall, which would surely confuse the Bill. Pharmacy 1 was, for five years until 2003, in Notting Hill. So we are already doing better. It is said that the Royal Pharmaceutical Society of Great Britain complained about Pharmacy 1, and worried it would confuse people looking for a real pharmacy, but I do not know if this was true. If it was, they were too stupid

Sartoria is a pale grey restaurant on Savile Row. As evidence that this is London’s destination street — if menswear is your compulsion — Bill Nighy walked past me as I searched for Sartoria; I had walked, obliquely, into his film and I was not dressed for it. But when am I ever? I wore Gap to the Valentino couture show in Paris, out of sheer spite. Sartoria — a preening name which I dislike — wafts on reams of praise. Male critics love it; and it is a masculine restaurant. It is long and wide, with dark woods, expensive lamps and what here are called ‘neutral colours’. There is a

Le Caprice is a monochrome patch of the 1980s behind the Ritz Hotel, in the part of St James’s that looks like Monaco. (There is a car park.) It was, along with Langham’s and the Ivy, the most fashionable restaurant of the Thatcher years, beloved of media slags and wankers; also of Princess Diana (the night after she died, her table was kept empty, which is a unique elegy), Princess Margaret, Mick Jagger and Jeffrey Archer, who ate his first meal here after he left prison, because he too is unique. Even so, Le Caprice, now 35, the age at which the pragmatic woman becomes a feminist, cannot compete with

The Feng Shang Princess is a floating Chinese restaurant on the Regent’s Canal in north London, which flows from Little Venice to the Guardian to Limehouse, and in which they quite often find corpses in shopping trolleys and vice versa. I do not know if the restaurant moves, and could theoretically travel to Paddington. I hope it does. The Regent’s Canal is an ugly stretch of water, which reeks of sexual violence and cheap alcohol and cyclists, and it is desolate; place it near London Zoo and you have a peculiar cognitive dissonance that could only happen in London: a tapir near a canal featuring a floating Chinese restaurant. It

Center Parcs Longleat is a holiday village in a forest in Wiltshire, on Lord Bath’s estate, so you can never be entirely sure that you will not see a man dressed as a wizard having sex up against a tree. I thought it would be a fake forest, like the pines you see wilting from the M25, but it is a proper forest, with shrubs, deer, puddles and lakes. But for the looming presence of Center Parcs, which operates five ‘villages’ in England as emergency respite care for people with young children, it would be paradise. The centrepiece — the altar — is the ‘subtropical swimming paradise’ which floats, like

Sexy Fish is a ludicrous restaurant with a ludicrous name in a ludicrous town. It is the latest venture from Richard Caring, major Tory donor and Asian fusion’s very own Bond villain. The more I insult Caring in these pages, the better I like him. He is certainly vivid, and the swiftness with which he expands his empire demonstrates a truism — the more often you order a £15 million restaurant interior in the service of propping up the Conservative party’s decimation of liberal civilisation, the better you will get at it. So, Sexy Fish. It is, in homage to its stupid name, a tank on Berkeley Square, where no birds

Forty-five Jermyn St lives in the left-hand buttock of Fortnum & Mason (F&M), a shop whose acronym is slightly too close to FGM (female genital mutilation) for this column to be able to relax there for long periods, even though its Diamond Jubilee Tea Salon is excellent. Its name is part of a vogue for naming restaurants after postal addresses, and even street numbers (Richard Caring’s 34 in Mayfair). This is one of the more idiotic, if less gritty, consequences of the London housing crisis: an address — or even a house number — is a brand. The restaurant named after a postcode — and I suggest TW11 0BA in

Penny is an all-day café in the former Pit Bar in the basement of the Old Vic, a famous and charismatic theatre on the road to south London. I love the Old Vic on its pavement peninsula on The Cut by Waterloo. Sirens screech past; after a particularly calamitous accident, you can hear them from the stalls. (Best to see a musical here; A took me to Kiss Me, Kate when we married, to show he understood me.) It feels — although this may be a lie — like theatre for The People, as they might be but almost never are. It is fierce, shabby and rigorous, although during the

Pedro’s Tex-Mex Cantina is a fantastical shack near a ring road in Norwich. It was recently asked to stop handing out sombreros at the University of East Anglia Freshers’ Fair, because anti-racist activists (henceforth known as ‘morons’) at the UEA Freshers’ Fair reckon the sombrero is racist, and gave the staff of Pedro’s Tex-Mex Cantina a lecture about ‘cultural appropriation’, which they took well; that is, they did not set fire to the UEA Freshers’ Fair, which is what I would have done. This is where we are with progressive politics, Spectator reader, although I think you knew that anyway. Anyone who thinks wearing a sombrero is racist — rather