Rossini

Musically superb but there isn’t a moment where one feels for anyone: Semiramide reviewed

25 November 2017 9:00 am

The late arch-Rossinian Philip Gossett regarded Semiramide as a neoclassical work, vaguely and alarmingly suggesting to me a musical equivalent…

Not so Super Mario: Vito Priante as Figaro in ‘Il barbiere di Siviglia’ at the Royal Opera House

Near-ideal première from our boldest opera company: WNO’s Merchant of Venice reviewed

24 September 2016 9:00 am

Alas, poor André Tchaikowsky. A survivor of the Warsaw Ghetto, with an assumed name that probably did his musical career…

Vocal authority: Mandla Mndebele as Mandela and Siphamandla Yakupa as Winnie in ‘Mandela Trilogy’

For a good man, Nelson Mandela has inspired a lot of really bad art – here’s some more

10 September 2016 9:00 am

They say that the devil gets all the best tunes, and on the basis of this week’s opera-going it would…

Visual whipped cream and cheoreographic sprinkles at Garsington fail to disguise the festering horror underneath Rossini’s ‘L’italiana in Algeri’

Why are Rossini’s comedies so hard to pull off?

11 June 2016 9:00 am

Rossini is the meat-and-two-inappropriately-shaped-veg of summer opera; he’s the wag in the novelty bow tie, the two satyrs shagging enthusiastically…

Nicholas Lester as Figaro and Nico Darmanin as Count Almaviva

Cruel and absurd: WNO’s Barber of Seville reviewed

20 February 2016 9:00 am

‘Forget Downton Abbey!’ exhorts David Pountney in the programme for Figaro Forever, Welsh National Opera’s season of Beaumarchais operas, The…

The gang rape was the least offensive thing about Royal Opera's new William Tell

4 July 2015 9:00 am

There’s no such thing as a tasteful rape scene — or there certainly shouldn’t be. It’s an act of grossest…

Il Turco in Italia (Photo: Tristram Kenton)

Il turco in Italia, Royal Opera House, reviewed: bring sunglasses

25 April 2015 9:00 am

Big slats of orange, burning yellows, an Adriatic in electric blue: I wish I’d bought my sunglasses to the Royal…

La Donna del Lago, Metropolitan Opera, review: Colm Toibin on a night of masterful singing

21 February 2015 9:00 am

La Donna del Lago, based on a poem by Sir Walter Scott, is one of the nine serious, dramatic operas…

ENO’s The Girl of the Golden West is irresistibly seductive

11 October 2014 9:00 am

Puccini’s La fanciulla del West is, one suspects, one of those works that modern audiences struggle to keep a straight…

Robo-Tell hits Welsh National Opera

27 September 2014 9:00 am

Is there a fundamental, insuperable problem with staging Rossini’s Guillaume Tell on a budget, without the resources to conjure up…

Mariinsky’s Les Troyens — a bad night for Berlioz and Edinburgh

6 September 2014 9:00 am

I wonder whether grand opéra really takes war as seriously as this year’s Edinburgh Festival wanted it to. These vast…

Dialogues des Carmélites brings out the best in Poulenc – and the Royal Opera House

7 June 2014 9:00 am

Poulenc’s Dialogues des Carmélites is an audacious work, much more so than many others that advertise their audacity. It deals…

Opera review: La donna del lago, Dido and Aeneas, The Lighthouse

25 May 2013 9:00 am

Rossini’s La donna del lago, based on Sir Walter Scott’s poem, is a relatively late work in his brief and…