Richard Bratby

Florid flummery: ETO’s Il viaggio a Reims reviewed

You'll be more moved, gripped and entertained by ETO's Giulio Cesare. Plus: in praise of the Bournemouth Symphony Orchestra

The cast did their best to make something out of the general nonsense: ETO's Il viaggio a Reims. Photo: Richard Hubert Smith

Already a subscriber? Log in

This article is for subscribers only

Subscribe and get your first month of access for free. After that it’s just £10.99 a month.

There’s no commitment, you can cancel any time.

  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

A blooming good offer

Join the conversation with other Spectator readers by getting the next 3 months for £3.

Already a subscriber? Log in