Satire
Letters: How to squash a Speaker
No special protection Sir: Rod Liddle’s joke that the election might be held on a date when Muslims cannot vote,…
Ian McEwan’s anti-Brexit satire is a damp squib
Kafka wrote a novella, The Metamorphosis, about a man who finds himself transformed into a beetle. Now Ian McEwan has…
Earth dying in five billion years I can deal with, but not a world-weary Brian Cox
When you see the opening caption ‘4.6 billion years ago’, it’s a pretty safe bet that you’re watching a programme…
A tease for #MeToo
Titania McGrath is the alter ego of the schoolteacher Andrew Doyle. A perpetually enraged ‘activist, healer and radical intersectional poet’,…
Fun at the EU’s expense: The Capital, by Robert Menasse, reviewed
Stendhal likened politics in literature to a pistol-shot in a concert: crude, but compelling. When that politics largely consists of…
From ancient Egyptian smut to dissent-by-currency: I object at the British Museum reviewed
Ian Hislop’s potted history of dissent at the British Museum shows that the impulse to do a two-finger salute is universal, says Tom Slater
Sacha Baron Cohen isn't funny – especially when he's mocking the powerless
Sacha Baron Cohen’s latest series Who Is America? isn’t funny. But then, nor was his terrible 2016 movie The Brothers…
What’s the point of Philomena Cunk?
Because I’m a miserable old reactionary determined to see a sinister Guardianista plot in every BBC programme I watch, I…
A chance to see the Moomins’ creator for the genius she really was: Tove Janssons reviewed
Tove Jansson, according to her niece’s husband, was a squirt in size and could rarely be persuaded to eat, preferring…
Not quite as funny as I’d hoped: Death of Stalin reviewed
Armando Iannucci’s The Death of Stalin is nearly two hours of men in bad suits bickering, but if you have…
Bin Laden the pin-up, a Tory singalong and comedy magic: Edinburgh Fringe roundup
Brexit the Musical is a peppy satire written by Chris Bryant (not the MP, he’s a lawyer). Musically the show…
Elizabeth Day’s veiled satire of the Chipping Norton set is a delight
Arriving at boarding school with the wrong shoes and a teddy bear in his suitcase, the hero of Elizabeth Day’s…
Worthless as entertainment, priceless as platitudes-to-avoid-at-all-costs: Obsession reviewed
Obsession at the Barbican has a complicated provenance. The experimental Belgian director Ivo van Hove adapted the show from a…
Donald Trump is beyond satire
I think we’re all agreed about Donald Trump — by which I mean all of us who read the literary…
Jack Whitehall does Waugh proud: BBC1's Decline and Fall reviewed
Jack Whitehall could have been perfectly awful as Paul Pennyfeather in Decline and Fall (BBC1, Fridays). He has spent most…
A memorable evening, though not one I’d want to repeat: Le grand macabre reviewed
The Barbican website warns us that Ligeti’s opera Le grand macabre ‘contains very strong language and adult themes’. The strong…
Fierce indignation
Dean Swift’s biting satire is as necessary today as it was 300 years ago, according to Daniel Swift (no relation)
A terrifically good nose job: Royal Opera's The Nose reviewed
The Royal Opera’s latest production is Shostakovich’s The Nose and to paraphrase Mark Steyn, whatever else can be said about…
Andrey Kurkov’s The Bickford Fuse is a satirical masterpiece
Whimsy, satire and deadpan humour: welcome to the world of Andrey Kurkov. If you know Kurkov’s work, The Bickford Fuse…
A literary lap dance: Doctor Faustus reviewed
Great excitement for play-goers as a rare version of a theological masterpiece arrives in the West End. Doctor Faustus stars…
An Egyptian comedy of errors
The Yacoubian Building, the first novel of the Egyptian writer Alaa Al Aswany, sold well over a million copies in…
Osbert Lancaster: a national treasure rediscovered
True to his saw that ours is ‘a land of rugged individualists’, Osbert Lancaster, in his self-appointed role of popular…
Jonathan Coe’s raucous social satire smoulders with anger
When Rachel, one of the unreliable narrators of Number 11, wants to ‘go back to the very beginning’, she starts…
A broad farce about banking’s dirty secrets in post-Celtic-Tiger Dublin
It’s not Paul Murray’s settings or themes — decadent aristocrats, clerical sex abuse, the financial crisis — that mark him…
Welcome to the world of Big Byz
The title of Victor Pelevin’s 2011 novel stands for ‘Special Newsreel/Universal Feature Film’. This product is made by the narrator,…
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