Satire

Thursday

Toby Young

Is satire a dying art?

I appeared on Radio 4 a couple of weeks ago to discuss the age-old question of whether political satire is dead. I don’t think it is, but it has lost a good deal of vitality in recent years and the role of satire in the general election campaign is a case in point. There has been no shortage of ‘satirical’ television programmes, but none of them have cut through. The only sign of life has been the flurry of photoshopped images on Twitter that have followed each misstep of the parties’ campaigns, such as Ed Miliband’s decision to carve Labour’s election pledges on to an eight-foot stone slab. If Stanley

Thursday

James Walton

Channel 4’s The Coalition reviewed: heroically free of cynicism

In a late schedule change, Channel 4’s Coalition was shifted from Thursday to Saturday to make room for Jeremy Paxman interviewing the party leaders. With most dramas, that would mean I’d have to issue the sternest of spoiler alerts for anybody reading before the programme goes out. In this case, though, you know the story already — because Coalition was a dramatisation of what happened in Westminster in the days after the last general election. Fortunately, one of the programme’s many qualities was its Day of the Jackal ability to keep us gripped even though we were always aware of the outcome — largely by reminding us that the characters

Thursday

The Spectator

Spectator letters: Why rural churches are so important, and the best use for them

The presence of a church Sir: The challenge for the Church of England and the wider community is to ensure that our village churches are a blessing and not a burden (‘It takes a village’, 21 February). The Church of England has approximately 16,000 churches, three-quarters of which are listed by English Heritage. Most of these church buildings are in rural areas. There are around 2,000 rural churches with weekly attendance lower than ten. It can be a significant responsibility for those small congregations to look after that church, and one has to recognise that this is a burden that falls on thriving parishes. There is no ‘one size fits

Thursday

William Cook

The Heckler: how funny really was Spitting Image?

Hold the front page! Spitting Image is back! Well, sort of. A new six-part series, from (some of) the team behind Fluck and Law’s puppetry satire show, will be broadcast on ITV this spring. Called Newzoids, it promises to provide a ‘biting look at the world of politics and celebrity’. Cue ecstatic reports in all the papers about how hilarious the original was, and how much we’ve all missed it. There’s only one problem with this analysis. Whisper it on Wardour Street, but Spitting Image wasn’t actually all that funny. Yes, the voices were pin-sharp (shout-outs for Rory Bremner, Steve Coogan, Hugh Dennis, Harry Enfield, Alistair McGowan and a host

Thursday

Ismene Brown

The Associates at Sadler’s Wells reviewed: another acutely inventive work from Crystal Pite

The prodigious streetdancer Tommy Franzén pops up everywhere from family-friendly hip-hop shows by ZooNation, Boy Blue and Bounce to serious contemporary ballet by Russell Maliphant and Kim Brandstrup, but he’s a bit of a Macavity. He ought to be recognised as a star, but he effaces himself award-winningly in others’ work. That chameleon quality is a problem with his venture into the solo limelight, a Charlie Chaplin tribute, SMILE, on the Sadler’s Wells triple bill of associate choreographers last week. Franzén’s mercurial moves are always thrilling to watch, and his creative extension of Chaplinesque capering into some acrobatic popping and b-boying does OK in making the Little Tramp a street

Saturday

Douglas Murray

I don’t want to live under Islamic blasphemy law. That doesn’t make me racist

I have spent most of the last fortnight debating Islam and blasphemy and wanted to take the opportunity to put down a few unwritten thoughts. In the immediate aftermath of the Paris atrocities most of the people who thought the journalists and cartoonists in some sense ‘had it coming to them’ kept their heads down.  I encountered a few who did not, including Asghar Bukhari from the MPAC (Muslim Public Affairs Committee).  In the aftermath of the atrocity Asghar was immediately eager to smear the cartoonists and editors of Charlie Hebdo as racists.  From what he and others of his ilk have been sending around since, they appear to have

Thursday

Andrew Watts

Send in the clowns – how comedy ate British politics

Something funny is happening in this country. Our comedians are becoming politicians and our politicians are becoming comedians — and public life is turning into an endless stream of jokes. Last week, the comedian Al Murray announced that he would be standing at the next general election in the constituency of South Thanet, the same seat that Nigel Farage is contesting. Al Murray performs in the persona of ‘The Pub Landlord’. A sexist reactionary, never pictured without a beer in his hand, forever declaiming ‘common-sense’ solutions to Britain’s problems, Nigel Farage has welcomed the additional competition. Murray has refused to say what, if any, serious intentions lie behind his announcement

Thursday

Ross Clark

Objecting to Charlie Hebdo cartoons doesn’t make you a terrorist

The French liberal-left and George W Bush are not natural bedfellows, but today the former are sounding just a little bit like the latter. The ‘Je suis Charlie’ banners they are carrying in reaction to yesterday’s murders at the offices of the satirical magazine Charlie Hebdo are effectively saying, to borrow the former US president’s slogan: you are either with us or you are with the terrorists. The terror attack, of course, deserves universal condemnation. It is an act of cold-blooded murder. That it was carried out against a targeted group makes it neither better nor worse than 9/11 or the London tube bombings which were conducted against random victims.

Wednesday

Nick Cohen

Charlie Hebdo: the truths that ought to be self-evident but still aren’t

Religious murderers gunned down European freedom in Paris today. Tonight everyone is defiant. I am just back from a ‘Je suis Charlie’ vigil in Trafalgar Square, and the solidarity was good to see. I fear it won’t last. I may be wrong. Perhaps tomorrow’s papers and news programmes will prove their commitment to freedom by republishing the Charlie Hebdo cartoons. But I doubt they will even have the courage to admit that they are too scared to show them. Instead we will have insidious articles, which condemn freedom of speech as a provocation and make weasel excuses for murder without having the guts to admit it. Tony Barber, Europe editor

Thursday

Andy Miller

A brief, witty look at the coming of the e-book

Paul Fournel is a novelist, former publisher and French cultural attaché in London, and the provisionally definitive secretary and president of the select literary collective known as Oulipo, whose fellows have included Raymond Queneau, Georges Perec and Italo Calvino. Members of Oulipo remain members after their deaths. In this respect, it is the French literary equivalent of the Hotel California, a comparison I suspect its followers would neither welcome nor necessarily understand. But playful and defiant obscurantism is all part of Oulipo’s raison d’être. Dear Reader is set in the world of publishing and tells the tale of a middle-aged editor, Robert Dubois, struggling to adapt to the rise of

Thursday

Christopher Booker

Profumo. Chatterley. The Beatles. 1963 was the year old England died

Shortly before his death, David Frost rang to ask me to take part in a radio series he was making to mark the 50th anniversary of ‘the year, Chris, that I know is closest to your heart, 1963’. This was not because 1963 was the year when he and I worked together on the BBC satire show That Was The Week That Was (TW3), which overnight made Frost a television superstar. It was because he remembered the importance I had given to the events of that year in The Neophiliacs, a book I wrote long ago analysing the tidal wave of change which swept through British life in the 1950s

Thursday

Wynn Wheldon

Six Bad Poets, by Christopher Reid – review

Is poetry in good enough health to be made fun of in this way? The irony is that this long, funny poem describing the incestuous peccadilloes of contemporary poetry’s social purlieus deserves to be read, and almost certainly will be read — and purchased — by far more readers than all but a few collections of poetry, even those by rather good poets. Christopher Reid was known originally as a poet of the ‘Martian’ school, which sought to find new ways of looking at the familiar: ‘Splitting an apple, / I find a cache of commas.’ More recently he gained wider attention as the author of the award-winning A Scattering,

Sunday

Fraser Nelson

David Frost 1939-2013: a video tribute

Sir David Frost died of a heart attack this morning, aged just 74 Here are a few videos from his truly extraordinary career – starting with his own take on satire: His famous Richard Nixon interviews – highlights: With Margaret Thatcher:- With Mohammed Ali: And John Lennon: The exiled Shah of Iran:- With Brian Clough, two months after being sacked from Leeds United:- Giving Prince Charles his first television interview:- ‘Trial by television’ with Emil Savundra: Paul McCartney

Friday

David Blackburn

Tom Sharpe nearly killed me

I was on a train when it happened. I was bent double with my head between my knees, gasping for air and unable to speak. The Surrey matriarch sitting opposite leant forward to ask me if she could help. I imagine she thought that I was choking, or perhaps suffering cardiac arrest. In fact, I was laughing. Laughing so hard I couldn’t stop. And the more I wanted to stop, the worse it got. It was painful. My lungs rasped and the muscles in my sides contracted of their own free will. I was no longer master of myself, so you might say that I was in ecstasy. It was

Thursday

Christopher Booker

Timothy Birdsall – the greatest cartoonist you’ve never heard of

Few people under the age of 65 will have heard of the cartoonist Timothy Birdsall, who died 50 years ago on 10 June 1963, having produced his finest work in the last months of his life here in The Spectator and  in Private Eye. But had his career not been cut cruelly short by leukaemia at the age of only 27, he would today be revered as one of the outstanding cartoonists of our time. Tim was part of that talented late-1950s Cambridge generation, along with a galaxy of others later to become famous, from Peter Cook to Ian McKellen. On coming down in 1960 he was employed to do pocket

Wednesday

The Spectator

Shelf Life: Anne Enright

Winner of the 2007 Man Booker Prize, Anne Enright is on this week’s Shelf Life. She tells us which book qualifies as the first satisfying satire on the Irish boom, gives us a long list of the parties in literature she would like to have attended and reveals which is the only book by Norman Mailer that wouldn’t make her run for the hills. Her latest novel is The Forgotten Waltz and she will be appearing at the Edinburgh International Book Festival on Sunday 19th August at 18:30. www.edbookfest.co.uk 1) What are you reading at the moment? Graham Greene, would you believe: A Burnt Out Case. Also A.M. Homes May

Monday

Austen Saunders

The delights of sin

Epigram 7 from The letting of humours blood in the head-vaine ‘Speak gentlemen, what shall we do to day? Drink some brave health upon the Dutch carouse? Or shall we to the Globe and see a play? Or visit Shoreditch for a bawdy house? Let’s call for cards or dice, and have a game. To sit thus idle is both sin and shame.’ This speaks Sir Revel , furnished out with fashion, From dish-crowned hat unto the shoe’s square toe, That haunts a whore-house but for recreation, Plays but at dice to cony catch or so, Drinks drunk in kindness, for good fellowship, Or to a play goes but some

Wednesday

Alex Massie

Darth Vader 1 Goldman Sachs 0

Much twittering today about the New York Times op-ed in which a Goldman Sachs executive announces his resignation. Iain Martin, for instance, suggests it is “a devastating knee in the nuts” for the world’s leading infamous financial institution. Perhaps so, though I rather suspect most people who think about these things are already pretty sceptical about Goldman Sachs and other insitutions of that ilk. Still, Greg Smith’s article is unintentionally amusing. To wit: It might sound surprising to a skeptical public, but culture was always a vital part of Goldman Sachs’s success. It revolved around teamwork, integrity, a spirit of humility, and always doing right by our clients. The culture

Wednesday

Alex Massie

Everything Changes and Yet Everything Remains the Same

Today’s commentary on the independence referendum kerfuffle is out-sourced to the Daily Mash: As Scottish first minister Alex Salmond set out his timetable for an independence referendum, he was dealt a devastating blow after research showed separation from the UK would make absolutely no difference whatsoever. Professor Henry Brubaker, of the Institute for Studies, said: “It will still be damp, windy and miles from everywhere.” “The Scottish people will continue to shop, drink, complain, work for the council, eat beige food and hate each other because of football, religion or some bastard hybrid of the two.” […] “They will also retain their baffling sense of entitlement and the government will

Saturday

Patrick Marnham

Funny old world

The most remarkable thing about this book is that it should have been published at all. No one could have imagined in 1961 that Private Eye — a blotchy reproduction stapled together on what looked like yellow scrap paper — would still be going 50 years later, selling hundreds of thousand of copies every fortnight and apparently employing about 50 people. Adam MacQueen has not written a history of the paper but has compiled a biographical album of contributors, staff, stories and various dramas in its history. The author suggests that it could be read from cover to cover, but that would be hard work even for a satirical anorak.