V&a

English embroidery: the forgotten wonder of the medieval world

Think of an art at which the English have excelled and I doubt you would come up with the word ‘embroidery’. As I muttered when my agent asked whether I should like to make a film for BBC4 about the golden age of this forgotten but brilliant native art form: ‘Embroidery? What, like sewing?’ But no, not like sewing. Or, actually, only a little bit. During the ‘high’ Middle Ages, English embroidery was one of the most desired and costly art forms in Europe. It was known as opus anglicanum or ‘the work of the English’ — a generic name that instantly conjured notions of craftsmanship, beauty, luxury and expense

Royal bling with the Tudors at the Queen’s Gallery and the V&A

As soon as the battle of Bosworth was won, Henry VII’s politically astute mother sent him appropriate clothing for his state entry into London. A king was expected to look like a king, having ‘a prerogative is his array above all others’. Sumptuary laws policed the system under the Tudors, with everyone — in theory — wearing only as much glitter and flash as their rank permitted. You really were what you wore. The Great Wardrobe Accounts of Henry VII and Henry VIII offer numerous unexpected insights into contemporary events. One sinister detail I spotted during my research on the period is a warrant issued in November 1498 for black