Ww1

Holy visions and dustbins

Woolworth’s spectacles. Pudding-basin haircut, rather sparse. Norfolk jacket. Pyjama cuffs below trouser legs and sleeves. Paints and brushes in an old black perambulator. And a sign propped up on a gravestone: ‘As he is anxious to complete his painting of the churchyard Mr Stanley Spencer would be grateful if visitors would kindly avoid distracting his attention from the work.’ This was Spencer in his Cookham dotage, a picture of wilful eccentricity, painting the church, cottages, meadows and Thames banks he had known since childhood. An odd little fellow, with the emphasis on little. He was 5ft 2in, by his family’s estimation, and better suited to the ambulance service than he

Barometer | 22 June 2016

Big game hunt Wales beat Russia 3–0 to finish above England in their group at the European Football Championships. Which is bigger in Wales, football or rugby? — The Football Association of Wales was founded in 1876, five years earlier than the Welsh Rugby Union. However, rugby then took off rapidly in south Wales while football remained stronger in the north. — Wales lost their first matches to England in both football (2–1) and rugby (8–0). — Rugby and football matches have both filled Cardiff’s Millennium Stadium (capacity 76,000), though in a recent Wales Online poll, rugby was still reckoned more important, by 56% to 44%. Tall poppies A group

Who is this again?

From ‘English or British?’, The Spectator, 25 June 1916: We wish that this question of ‘England’ or ‘Britain’ could be settled satisfactorily, for the outbursts of the touchy champions of ‘Britain’ rather overwhelm us at times. Besides, it is always disagreeable to find that one has offended friends when no offence was intended. Peace and security might be attained, people tell us, by making an absolute rule never to say ‘England’ and ‘English’ (except, of course, when we are talking of England as a geographical area distinct from Scotland, Wales, and Ireland) when we mean ‘Britain’ and ‘British’…  But an absolute rule is not practicable. ‘British’ is not always interchangeable with ‘English’.

Against armistice

From ‘President Wilson and the Lessons of History’, 2 June 1916: Emphatically it is not a war of what we may call the old eighteenth-century pattern, where any one could step in and say, as if speaking to a couple of duellists: ‘You have had a good honest fight. Honour is satisfied. Now don’t you think the sensible and the humane plan would be to shake hands and try to forget all about your unfortunate quarrel?’ There is nothing whatever of that nature about the present struggle. The peoples of Europe are not arrayed upon what used to be called the field of honour, but engaged in a death-struggle in

The dogs of peace

From ‘Food dictatorship’, The Spectator, 27 May 1916: Nobody would like to see the whole race of dogs exterminated, but there are undoubtedly more dogs maintained in this country than can reasonably be justified, and a substantial addition to the Dog Tax would diminish the number, and pro tanto economise the consumption of food.

Bus battles

From ‘The softening of street manners’, The Spectator, 20 May 1916: Generally the public opinion of the ’bus entirely upholds the conductor. The influence of the tyrant is too strong to allow of protest, but now and then cases of rebellion occur, and bold females who consider themselves slighted vow that they will write to the company. But an ordinary ’bus-load contains no such heroines…. Sometimes, however, the will of the passengers prevails by reason of unanimity. A few nights ago a drunken soldier got, late at night, into a West End ’bus. The conductor civilly asked him to get out. The man began to argue, and a number of elderly

Speech impediment | 19 May 2016

‘So you’re going to see the gay sex opera?’ exclaimed my friend, open-mouthed. People certainly seem to have had some odd preconceptions about Mark Simpson’s new chamber opera Pleasure. The distinguished critic of the Daily Telegraph let it be known that he awaited ‘with trepidation, something set in the lavatories of a gay nightclub’. And to be fair, the news that Pleasure was to star Lesley Garrett — last seen in Welsh National Opera’s Chorus! ascending to the heavens aboard an enormous pair of lips — didn’t exactly dampen suspicions that we were about to see some sort of camp spectacular: Adès’s Powder Her Face meets RuPaul’s Drag Race. In

Churchill’s return

From ‘Colonel Winston Churchill’, The Spectator, 13 May 1916: The return of Colonel Churchill to the House of Commons, which we are told is to be permanent, has set going a number of rumours as to the future of the most audacious and brilliant figure in our public life. Colonel Churchill, it is alleged, is to come back into the Cabinet, and to come back as Irish Secretary… What is wanted in the Ministry just now is a man who can he trusted. But who dare say that Colonel Churchill has the quality of political trustworthiness? Be his political genius what it may, he is above all things a mauvais coucheur.

What to do in Ireland

From ‘Reconstruction’, The Spectator, 5 May 1916: What Ireland wants just now is firm and judicious military government. The rebellion of last week has been put down, but undoubtedly the embers of the fire are still red-hot, and a very little might fan them into flame again. All students of Irish history know that rebellions in Ireland do not run the course that they run in other countries. The fact that they have become hopeless seems, indeed, sometimes to act as a stimulus to the race which specialises in lost cases. Unless, therefore, a very firm hand is kept in Ireland, and kept till the end of the war, there is a

Duty calls

From ‘The Volunteer Training Corps’, The Spectator, 8 April 1916: If we were the Government, we would state plainly that in the opinion of His Majesty’s advisers no man over military age of good physique will be doing his duty to the nation who does not join a Volunteer battalion… it should be clearly understood that he was not performing his proper duties as a citizen, and that even if the state did not think it worth while to compel him to perform them, he would be a proper object of public censure and contempt.

Long life | 14 April 2016

The Royal College of Nursing (founded in 1916 with 34 members, but now with 440,000) is busy celebrating its centenary; and, at its grand headquarters in London’s Cavendish Square, there was another little celebration last week. This was to mark the centenary of a small, short-lived and generally unremembered medical institution, the Anglo-Russian Hospital of St Petersburg, at which some 6,000 wounded Russian soldiers were treated by British doctors and nurses during the last two years of the first world war. These were only a tiny fraction of the millions of Russians killed and wounded in that dreadful conflict, and the hospital was so completely forgotten that it didn’t even

All quiet on the Western Front

From ‘Observing: an average day’, The Spectator, 15 April 1916: 5.10 a.m. The signaller on duty at the telephone has just said cheerfully, ‘5.30, Sir.’ I agree, and ask him if the wires are all right. They are! 5.50 a.m. Unroll the mufflers round my head and the blankets and kick off the sandbags. Then get off the bed sideways into the water. 8.30 a.m. They have begun. Four ‘whizz-bangs’ have just burst very prettily over a communication trench to our right. Then silence again. 10.25 a.m. We have just had a little excitement. I suddenly saw a German — a rare thing — through the telescope. 2.15 p.m. They are shelling

Rebel angels

This is the first exhibition I’ve been to where the Prime Minister joined the hacks at the press view. A week after the Irish general election, the Taoiseach, Enda Kenny, came to the biggest show in Ireland devoted to the centenary of the Easter Rising. Kenny’s presence at the press launch just goes to show how the Irish rebellion against British rule at Easter 1916 is still the defining story of modern Ireland. In fact, the Easter Rising was a pretty good failure, although I didn’t suggest that to the Prime Minister at the press view. The rebellion lasted only six days before it was put down by the British

Pride and prejudice | 10 March 2016

Jonathan Lynn, co-author of Yes Minister, has excavated the history of France during the two world wars and discovered dramatic gold. He presents us with pen portraits of eminent Frenchmen we think we know. Marshal Pétain (Tom Conti) is a humane pragmatist who refuses to risk speculative assaults on the Western Front. He evolved his strategy from a single motto: never attack until victory is certain. That worked fine at Verdun but in 1940 the same doctrine entailed capitulation to the all-conquering Germans. Pétain’s young protégé during the Great War is a surprise and a delight. We imagine Charles de Gaulle as a monumental slab of garlic-scented arrogance with the

What to do with Syria?

From ‘The future of Syria’, The Spectator, 5 February 1916: We say with all the emphasis at our command, and without the slightest fear of contradiction, official or otherwise, not only that we do not want Syria for ourselves, but that nothing would induce us to take it. Englishmen of all parties; or political schools of thought — as we ought now perhaps to call them — are agreed that the British Empire is quite big enough already, and that at the close of the war the danger will be, not of our getting too little, but of our getting too much — of getting, that is, more territory than we

Next year’s war

From ‘The Military Situation’, The Spectator, 1 January 1916: The opening of a new year is a time for taking stock of our situation. When we look back upon the beliefs and predictions of a year ago, we have to admit that there have been many disappointments and that unforeseen things have happened; but war would not be war if it were not full of surprises. We have as much to be thankful for as to deplore, and on the whole we think there is a good balance to our credit. We are a visibly winning people. If we were a losing people, we should be lamenting by this time all

In a class of their own

Painters and sculptors are highly averse to being labelled. So much so that it seems fairly certain that, if asked, Michelangelo would have indignantly repudiated the suggestion that he belonged to something called ‘the Renaissance’. Peter Blake is among the few I’ve met who owns up to being a member of a movement; he openly admits to being a pop artist. The odd thing about that candid declaration is that I’m not sure he really is one. A delightful exhibition at the Waddington Custot Gallery presents Blake in several guises, including photorealist and fantasist, but — although one of the exhibits is an elaborate shrine in honour of Elvis Presley

The still point

Lewis Grassic Gibbon’s Sunset Song is the best-remembered title of a short career. Born in 1901, he was dead by 1935. The novel hymned the rhythms of rural life in north-east Scotland in prose that to modern ears sounds as if it comes from a museum of Grampian folklore. At its heart is Chris Guthrie, a spirited young woman whose dream of bettering herself as a teacher is thwarted by tragedy. The world of Sunset Song is a bull’s-eye for Terence Davies, the British director who has always been nostalgically drawn to the travails of unlucky women. Leadings actresses form an orderly queue to emote in his gorgeously lit interiors.

Ian Rankin’s diary: Paris, ignoring Twitter and understanding evil

After ten days away, I spent last Friday at home alone, catching up on washing, shopping for cat food, answering emails. Quotidian stuff. An early dinner with one of my sons, and I was in bed at a decent hour. Checking Twitter, I began to realise that a grim spectacle was unfolding in Paris. Soon enough, on-the-ground reportage was joined by rumour, inaccuracy and blatant misinformation. That’s the problem with ‘rolling news’ — and Twitter has become part of that industry. On the TV, the reports were more measured but far less immediate, with repetitious footage of police cars and emergency workers. Twitter was the more immersive and pulsating place

From the archives: the liberty of the battlefield

From ‘Soldiers for the land’, The Spectator, 13 November 1915: It is certain that, when the war is over, tens of thousands of soldiers will not want to return to their former urban occupations. No man who has enjoyed the liberty of a greater world and a freer life will be reconciled easily to resuming his job of, say, working a lift, or enduring stuffy hours in a shop, or addressing envelopes in an office. The nearest reproduction of the campaigner’s life which will be normally possible for him will be settlement on the land. There he will campaign, against all the pests which try to cheat the farmer of his