The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
In his closing pages, Chris Evans delivers his verdict on his subject: That’s what Gary Lineker is: human. As his story shows, it’s possible to accomplish seemingly impossible things while staying grounded and true to your roots. I hate to be cruel about a diligently researched book by a freelance journalist. But unthinking writing cannot
What does it take to bury an outdated argument? The thought occurred while reading Motherland, one of a series of recent books seemingly haunted by the ghost of Hugh Trevor-Roper. Back in 1964, Trevor-Roper, an expert on the English Civil War and the Third Reich, made the mistake of opining on African history. There was
It is rare to read a book about Cicero that likens its hero to a demagogue. Rome’s prosecutor of conspiracy and corruption in the last years of the Republic is seen more commonly as a toga-draped crusader for virtue. Was he also a ranter steeped in violence, crude character-assassination, tendentious storytelling and racial stereotypes? Yes,
‘Immersive’ exhibitions get a bad rap. And it’s not hard to see why. But if, like me, you find yourself hard-pressed to concentrate on Important Art when troubled by the cares and complexities of life, then digitally amplified sensation and spectacle might be a decent alternative if your museal itch needs scratching in stressful times. There
London, June 1877. Beneath a cloudy sky, the celebrated art critic John Ruskin strode along Bond Street towards the newly opened Grosvenor Gallery. Inside, he viewed a smash-hit show of beautiful and progressive art. At least that was the popular opinion. With a few exceptions, Ruskin dismissed the works on display as eccentric, impertinent and
Whenever a new study of the Nazi regime appears, it is taken as a given that after Adolf Hitler seized power and became dictator of Germany in 1933 an egalitarian society emerged, very different to previous decadent, backward-looking generations. In this modern era, it is assumed, the concerns of the Kaiser and the German elite
My cat can smell depression. Another family cat could smell my stepfather’s dementia. They both became more affectionate and tactile: the dementia-smelling cat would gently paw my stepfather, when he hadn’t even liked her when he had been well. My cat comes in close when my mood is darker. Perhaps both cats were using other
Winston Churchill hoped and expected his autobiography, My Early Life, to be read as much as literature as history, and also as an adventure story. He dedicated it ‘To a New Generation’, and it was especially intended to inspire people in their early twenties. ‘Twenty to 25, those are the years,’ he wrote. ‘Don’t be
Maeve Brennan (1917-93) was a supremely gifted Irish/American writer, whose work is periodically rediscovered, only to vanish again. It’s as if her literary reputation (she has been compared with Joyce, Flaubert and Chekhov among others) won’t stay fixed and is as homeless as she herself became. Arriving home to Dublin, Anastasia expects a warm welcome
When José Saramago denounced the Bible as a ‘catalogue of cruelties’ at the launch of his novel Cain in 2009, the response from the Catholic church in Portugal was fast and frosty. The country’s conference of bishops labelled his comments ‘offensive’, adding: ‘Insults do no one any good, particularly from a Nobel prizewinner.’ Saramago might
When passions are aroused, all of us are liable to overstate our case. Dan Hicks, a curator at Oxford’s extraordinary Aladdin’s Cave of anthropology, the Pitt-Rivers Museum, is perhaps a case in point. A Swedish academic, Staffan Lunden, has convincingly argued that Hicks is guilty of ‘distortion’ when writing about the British raid on Benin
It’s a right mess, the classical piano trio; the unintended consequence of one of musical history’s more frustrating twists. When the trio first evolved, in the age of Haydn, the piano (or at any rate, its frail domestic forebear) was the junior partner, and the two string instruments, violin and cello, were added to make
It doesn’t have anything new to say, which is right. If you could figure Dylan out, it would all be over A Complete Unknown is the Bob Dylan biopic from James Mangold, who also made Walk The Line about Johnny Cash. It stars Timothée Chalamet, who is astonishing, and does his own singing. He may
The Tempest is Shakespeare’s farewell, his final masterpiece or, if you’re being cynical, the play that made him jack it all in. Some actors admit that it can be hard to stage and dull to perform. What is it exactly? A children’s fairy tale and a soppy romance with snatches of drunken farce and political
Relive with me and enjoy again the downfall of Armand Douglas Hammer. If you remember, Hammer’s Hollywood career had been going as smoothly as anything: there was his 2010 breakthrough playing the Winklevoss twins in The Social Network, his turn as Leonardo DiCaprio’s no. 2 in Clint Eastwood’s J. Edgar, the 2018 Golden Globe for
When Cicely Mary Barker’s Flower Fairies of the Spring was published in 1923, a post-first world war mass wishful belief in fairies was at its height in Britain. Just over two years previously, Sir Arthur Conan Doyle, writing in the 1920 Christmas issue of the Strand Magazine, had stated that the ‘Cottingley Fairies’ (tiny winged
For artists lacking any obvious feel for the style, ‘going country’, similar to mainstream white artists dabbling in reggae in the 1970s following the breakthrough of Bob Marley, tends to elicit the sour whiff of a morning after the last chance saloon. Particularly at a time when a slick multi-hyphenate brand of country music is
American Primeval should really be called Two Incredibly Annoying Women In The Wild West. Yes, the first title is more clickbaity, whetting the prurient viewer’s appetite for the savage, primitive violence that splatters over every other scene. But the second is more accurate. Not since Lily Dale in Trollope’s Chronicles of Barsetshire have I rooted
James Birch is a somewhat mysterious art dealer and curator, whose first great triumph was mounting a Francis Bacon exhibition in Moscow in 1988. He wrote a gripping book about that adventure, Bacon in Moscow, and has now written an even more gripping follow-up, about taking Gilbert and George to Moscow, Beijing and Shanghai. Mounting
A.J. Ayer and other thinkers linked to the Vienna Circle famously contradicted themselves. A claim such as ‘all truths are scientific truths’ cannot itself be verified scientifically. So whether the assertion is true or false, it follows that there is at least one fact which isn’t a physical fact. Thus metaphysics buries its own undertakers.
A commercial publisher bringing out a book of old academic essays on Austrian writers, some completely unknown to English readers, might need an explanation. In this case the author is W.G. Sebald, who produced a series of cogitative books that made his name in the 1990s. Before he acquired the worldwide authority of The Emigrants,
At around 9 p.m. on 5 March 1953 Sergei Prokofiev died of a brain haemorrhage on the sofa of his Moscow flat. He was 61, and had struggled for years with ill health. He had long complained of pain in his soul. Less than an hour later, the source of that pain, Joseph Stalin, died
I was on the phone to a friend recently, who asked me what I was reviewing. ‘It’s a book by a lady intellectual,’ I began. ‘Oh my God,’ she said, ‘I hope you don’t put that in your review.’ ‘I’m not that stupid,’ I replied, ‘but it is very important that she’s a woman.’ A
Is this what it felt like in the months before August 1914? Or during the years leading up to September 1939? The discussion around artificial intelligence produces a deep foreboding that we are in the grip of forces largely beyond our control. Are we sleepwalking towards disaster? That is the feeling I have after reading
This multitudinous chronicle is not the story of the folk music revival. Rather, it’s not only the story of the folk scene in Greenwich Village from the late 1950s through the early 1980s. Ambitiously, sometimes overwhelmingly, but always fascinatingly, David Browne – a senior editor at Rolling Stone – composes his book of interconnected stories
I suspect Adam LeBor and his publishers must have struggled to come up with the title The Last Days of Budapest: Spies, Nazis, Rescuers and Resistance, 1940-1945. The book certainly does what it says on the cover, but its pages contain other Magyar-themed subjects. We are offered a wide-ranging reflection on Hungary in the first
David McCloskey, whose Damascus Station was a brilliant debut, has followed it in quick succession with a Russian-based story, Moscow X, and now The Seventh Floor. The pace of all three books is matched by the speed with which they have been produced; and for all The Seventh Floor’s strengths,the haste is beginning to show.
When first considering architects for the new Louvre in 1981, Emile Biasini, the project’s head, liked that I.M. Pei was both ‘Chinese as well as American: Chinese in his respect of the past, and American in the way of radical solutions’. His controversial glass pyramid ignited much debate about which side won out. These entanglements,
Maria is a film by Pablo Larrain, who appears to have a soft spot for the psychodramas of legendary women (Spencer, Jackie) and has turned his attention to the prima donna Maria Callas. It stars Angelina Jolie, who trained as an opera singer for the role, God bless her, and while her voice is sometimes