The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Vincent Van Gogh has been airbrushed by the secular arts media. I have not yet seen the new exhibition at Tate Britain about his London years, so I can only comment on the publicity I have read and heard. This arts chatter downplays, or even ignores, the central feature of his life at this time:
There was a moment more than 20 years ago when Bankside Power Station was derelict but its transformation into Tate Modern had not yet begun. I remember thinking, on a visit to the site, how beautiful and impressive the huge rusting generators looked — like enormous real-life sculptures by Anthony Caro. Nothing that has since
Which of the Beatles would you most like to have been? Not either of the dead ones, presumably. Nor the one continually derided for his alleged lack of talent. Definitely not the embarrassing, gurning, two-thumbs-up uncool one… Anyway, it’s a trick question. The correct answer, at least it is for me after watching The Beatles:
To stage Verdi’s Il Trovatore, they say, is easy: you just need the four greatest singers in the world. The Royal Opera has applied this principle to La forza del destino. Jonas Kaufmann sings Alvaro, Anna Netrebko is his beloved Leonora, and Ludovic Tézier her brother Carlo, with the mighty Ferruccio Furlanetto completing the set
Bruce Norris is a firefighter among dramatists. He runs towards danger while others sprint in the other direction. His Pulitzer-winning hit Clybourne Park studied ethnic bigotry among American yuppies and it culminated in a gruesomely funny scene in which smug liberals exchange racist jokes in public. The play was morally complex, dramatically satisfying and an
As the ravens circle around Broadcasting House in London’s West End, presaging difficult times ahead for BBC Radio, with less money to play with at a time of increased competition from its commercial rivals, a very different kind of listening experience was on offer last week in an upstairs room above a café in Canterbury.
If western philosophy is no more than ‘footnotes to Plato’, so, arguably, is the myth of its founding hero, Socrates. While there is good evidence for certain aspects of Socrates’ life — his preoccupation with ethics, question-and-answer technique and his trial and death in 399 BC — most of it is shrouded in uncertainty. His
In this careful study of the sacred texts of Judaism and Christianity, John Barton, former Oriel and Laing professor of the interpretation of holy scripture at Oxford University, tells us that the OUP sells a quarter of a million Bibles in the King James or Authorised version every year. He doubts if many of them
‘This seems to be in your rough area. I mean, it contains wooden legs and everything…’ my commissioning editor at The Spectator emailed. He was requesting a review of Sonia Purnell’s excellent A Woman of No Importance, a biography of the remarkable Virginia Hall, the only second world war agent to serve not only with
Like someone who has bought a first computer, then reads the manual from front to back but never actually gets around to switching the thing on, Robert A. Heinlein appears in his late fifties to have come across a how-to book about sex. Thereafter an instant expert, he wrote novel after novel brimming with it,
Near the start of Fleur Jaeggy’s extraordinary novel Proleterka, the unnamed narrator reflects: ‘Children lose interest in their parents when they are left. They are not sentimental. They are passionate and cold.’ Passionate and cold is also an apt description of Jaeggy’s writing: the fierceness of her words erupts from the seams of her tiny,
Philip Kerr’s first Bernie Gunther novel, March Violets, was published 30 years ago. From the start, the format was a winner: take a cynical, wisecracking private eye modelled on Philip Marlowe and Sam Spade and transplant him to Nazi Germany. Metropolis is the 14th in the series and unfortunately, since the untimely death of its
Ordinarily, I love books that answer questions I’ve never asked, but Simon May’s baffling book has blown my mind. The self-deprecator in me wants to tell you I’m too stupid to understand a word of it. The rest of me suspects that this is a sneaking yet sparkling satire on what a university education will
‘Why would anyone write a historical study of it?’ asks Gavriel Rosenfeld about the Fourth Reich at the start of this rather confusing, but at times entertaining, book. His answer is that the phrase has been used as a metaphor since the earliest days of the Third Reich to mean a wide variety of things.
In his first book, published in 1977, Tim Mackintosh-Smith described mentioning the idea of travelling to Yemen while studying Arabic at Oxford because he had heard that Yemenis spoke the purest form of Arabic. ‘They all say that, you stupid boy,’ his tutor replied, suggesting he go ‘somewhere respectable’ instead. The student went to Yemen
The Way We Eat Now begins with a single bunch of grapes. The bunch is nothing special to the modern eater: seedless, one-note sweet. It appears to be unchanged from those which might have been dropped into the mouths of Roman emperors. But, Bee Wilson explains, the grapes’ sweetness, their lack of seeds, their sheer
The ethics of the private patronage of arts institutions has never been straightforward issue. But as the preoccupation with transparency and corporate responsibility has grown, wealthy benefactors can nowadays turn from pillars of respectable society to moral pariahs in the blink of an eye. Such is the fate of the fabulously rich Sackler family, major
In this week’s books podcast I’m joined by one of the doyennes of crime writing, the brilliant Donna Leon. She talks about her latest Commissario Brunetti novel, Unto Us A Son Is Given, about what Venice gives her as a setting, why she welcomes snobbery towards crime writers, and why she never lets her books
In March 1968, Frank Zappa released an album called We’re Only in it for the Money. Presumably, then, Zappa — who died a little over a quarter of a century ago — would be delighted to discover that he begins his latest tour next month, with a series of shows in the US followed by
Early in the 16th century, Fra Bartolomeo painted an altarpiece of St Sebastian for the church of San Marco in Florence. Though stuck full of arrows, the martyr was, according to Vasari, distinctly good-looking in this picture: ‘sweet in countenance, and likewise executed with corresponding beauty of person’. By and by the friars of San
Us is a second feature from Jordan Peele after his marvellous debut Get Out, which was more brilliantly satirical than scary and may well be the best ever horror film for non-horror people (i.e. me). Us has also garnered five stars everywhere, as well as, at the time of writing, a 100 per cent rating
A few years ago, I hooked up with a BBC team in Berlin to record a programme with Daniel Barenboim. We were shown in to his spartan offices at the Staatsoper and, without preliminaries, I conducted an interview with him across a low table for 45 minutes. When our time was up, Barenboim rose and
You can see Graham Vick’s work at La Scala or the New York Met. But if you want to be directed by him, you need to go to Birmingham. The Tower Ballroom is a sticky-floored former nightspot out by Edgbaston Reservoir, artfully trashed by Block9, the people behind Banksy’s Dismaland. You crunch across the tarmac,
OK, Archers fans out there. All five million of you. Ask yourselves a straightforward question. Why on earth do you — do we — listen to this show full of completely awful people? Why do we subject ourselves to this 13 minutes of daily torment, not to mention the Sunday omnibus, wallowing in the lives
‘You’re thinking these girls all wrong,’ Miss Mai tells Enid in Winsome Pinnock’s play Leave Taking, adapted from the recent Bush Theatre revival for Radio 3 (and produced by Pauline Harris). ‘They don’t know where they come from.’ Miss Mai continues: ‘These girls got Caribbean souls,’ but they’re living in south London. Viv and Del
What can parents do about the avalanche of pornography available to their children on tablet, phone and laptop? This question was the starting point for a documentary series that began on Wednesday — and the answer proved unexpected. Having gathered five mothers together and shown them a hair-raising selection of online filth, the programme blithely
No menace, no Venice. This new production of Pinter’s Betrayal is set on a bare stage with scant regard for the play’s physical requirements. The script specifies a handful of furnished locations: a pub, a study, a flat, a hotel bedroom, a living room. But instead we get an off-white void where three youngish actors
Carried on monsoon winds across the Red Sea, vast swarms of desert locusts have posed a deadly threat to the people of the Horn of Africa for millennia. One swarm can number billions of insects, cover a 1,000-square-mile area and consume 30–40,000 tonnes of food per day — all of which makes the desert locust