The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
It doesn’t have anything new to say, which is right. If you could figure Dylan out, it would all be over A Complete Unknown is the Bob Dylan biopic from James Mangold, who also made Walk The Line about Johnny Cash. It stars Timothée Chalamet, who is astonishing, and does his own singing. He may
The Tempest is Shakespeare’s farewell, his final masterpiece or, if you’re being cynical, the play that made him jack it all in. Some actors admit that it can be hard to stage and dull to perform. What is it exactly? A children’s fairy tale and a soppy romance with snatches of drunken farce and political
Relive with me and enjoy again the downfall of Armand Douglas Hammer. If you remember, Hammer’s Hollywood career had been going as smoothly as anything: there was his 2010 breakthrough playing the Winklevoss twins in The Social Network, his turn as Leonardo DiCaprio’s no. 2 in Clint Eastwood’s J. Edgar, the 2018 Golden Globe for
When Cicely Mary Barker’s Flower Fairies of the Spring was published in 1923, a post-first world war mass wishful belief in fairies was at its height in Britain. Just over two years previously, Sir Arthur Conan Doyle, writing in the 1920 Christmas issue of the Strand Magazine, had stated that the ‘Cottingley Fairies’ (tiny winged
For artists lacking any obvious feel for the style, ‘going country’, similar to mainstream white artists dabbling in reggae in the 1970s following the breakthrough of Bob Marley, tends to elicit the sour whiff of a morning after the last chance saloon. Particularly at a time when a slick multi-hyphenate brand of country music is
American Primeval should really be called Two Incredibly Annoying Women In The Wild West. Yes, the first title is more clickbaity, whetting the prurient viewer’s appetite for the savage, primitive violence that splatters over every other scene. But the second is more accurate. Not since Lily Dale in Trollope’s Chronicles of Barsetshire have I rooted
James Birch is a somewhat mysterious art dealer and curator, whose first great triumph was mounting a Francis Bacon exhibition in Moscow in 1988. He wrote a gripping book about that adventure, Bacon in Moscow, and has now written an even more gripping follow-up, about taking Gilbert and George to Moscow, Beijing and Shanghai. Mounting
A.J. Ayer and other thinkers linked to the Vienna Circle famously contradicted themselves. A claim such as ‘all truths are scientific truths’ cannot itself be verified scientifically. So whether the assertion is true or false, it follows that there is at least one fact which isn’t a physical fact. Thus metaphysics buries its own undertakers.
A commercial publisher bringing out a book of old academic essays on Austrian writers, some completely unknown to English readers, might need an explanation. In this case the author is W.G. Sebald, who produced a series of cogitative books that made his name in the 1990s. Before he acquired the worldwide authority of The Emigrants,
At around 9 p.m. on 5 March 1953 Sergei Prokofiev died of a brain haemorrhage on the sofa of his Moscow flat. He was 61, and had struggled for years with ill health. He had long complained of pain in his soul. Less than an hour later, the source of that pain, Joseph Stalin, died
I was on the phone to a friend recently, who asked me what I was reviewing. ‘It’s a book by a lady intellectual,’ I began. ‘Oh my God,’ she said, ‘I hope you don’t put that in your review.’ ‘I’m not that stupid,’ I replied, ‘but it is very important that she’s a woman.’ A
Is this what it felt like in the months before August 1914? Or during the years leading up to September 1939? The discussion around artificial intelligence produces a deep foreboding that we are in the grip of forces largely beyond our control. Are we sleepwalking towards disaster? That is the feeling I have after reading
This multitudinous chronicle is not the story of the folk music revival. Rather, it’s not only the story of the folk scene in Greenwich Village from the late 1950s through the early 1980s. Ambitiously, sometimes overwhelmingly, but always fascinatingly, David Browne – a senior editor at Rolling Stone – composes his book of interconnected stories
I suspect Adam LeBor and his publishers must have struggled to come up with the title The Last Days of Budapest: Spies, Nazis, Rescuers and Resistance, 1940-1945. The book certainly does what it says on the cover, but its pages contain other Magyar-themed subjects. We are offered a wide-ranging reflection on Hungary in the first
David McCloskey, whose Damascus Station was a brilliant debut, has followed it in quick succession with a Russian-based story, Moscow X, and now The Seventh Floor. The pace of all three books is matched by the speed with which they have been produced; and for all The Seventh Floor’s strengths,the haste is beginning to show.
When first considering architects for the new Louvre in 1981, Emile Biasini, the project’s head, liked that I.M. Pei was both ‘Chinese as well as American: Chinese in his respect of the past, and American in the way of radical solutions’. His controversial glass pyramid ignited much debate about which side won out. These entanglements,
Maria is a film by Pablo Larrain, who appears to have a soft spot for the psychodramas of legendary women (Spencer, Jackie) and has turned his attention to the prima donna Maria Callas. It stars Angelina Jolie, who trained as an opera singer for the role, God bless her, and while her voice is sometimes
Farming Today airs at an undignified hour each morning on Radio 4. On the few occasions I’ve caught it live I have felt, first of all, relief that I am not a farmer; second, inadequacy; and finally, a surge of evangelism for the farmer’s way of life. I am now reaching the conclusion that getting
Liszt’s compositions tend to have descriptive titles – ‘Wild Chase’; ‘Dreams of Love’ – whereas Chopin avoided titles. Thomas Wentworth Higginson wished titles on Emily Dickinson’s poems, opposed by his fellow editor Mabel Loomis Todd. They didn’t stick. Maybe this is why Dickinson is acclaimed but unread. ‘I heard a Fly buzz’ is easier to
The Invention of Love opens with death. Tom Stoppard’s play about A.E. Housman starts on the banks of the Styx, where the recently deceased poet is waiting for Charon, the boatman, to ferry him across the water. Charon has been told to pick up ‘a scholar and a poet’ and he’s expecting two souls, not
The Natural History Museum is one of the most beautiful buildings in London, but its gardens have long been a bit boring – just a pavement on the way in to Alfred Waterhouse’s ornate ‘cathedral to nature’. Most people noticed them solely when the ice rink appeared at Christmas. There was a wildlife garden in
There must have been a time when slow-burn psychological thrillers didn’t start with a scene of high drama followed by a caption that reads ‘Three months earlier’ – but if so, it’s getting hard to remember it. The latest programme to deploy the tactic was Playing Nice, which began with James Norton running towards the
Don Bradman, the greatest cricketer of all time, was once asked if he reckoned he could have maintained his batting average of 99.94 against the fearsome West Indian bowling attack of the time. Oh no, he said. Not a chance. He’d probably be hitting in the 50s, like the very best batsmen of the time.
The travel writer Norman Lewis, the son of a Welsh psychic medium, died in Essex in 2003 at the age of 94. In his darkly comic autobiography, Jackdaw Cake, he relates how, in 1937, his mother built a spiritualist church in the north London suburb of Enfield as a sort of Taj Mahal memorial to
Richard Price’s tenth novel follows four characters in the wake of a tenement building collapse in Harlem that kills six people and leaves others missing. Detective Mary Roe is on a mission to find a missing resident whose wife was among the dead. Royal Davis is a funeral home director hoping to drum up much-needed
In 1948, Natalia Ginzburg, then an editor at the Italian publishing house Einaudi, received an 800-page brick of a manuscript from an acquaintance, Elsa Morante. Ginzburg read it in one sitting and declared Morante was going to be ‘the greatest writer of the century’. More recently, Elena Ferrante credited Morante with showing her ‘what literature
Alexander Pushkin was brought to ruin by his letters more than once. When the Russian postal police intercepted a letter suggesting that atheism was ‘the most plausible’ philosophy, he was exiled to his mother’s bleak estate in the rural north-west. But his own temper was far more dangerous. In the autumn of 1836, he received
‘We don’t want a James Bond adventure here,’ warns a jumpy spymaster as he grapples with an anti-state conspiracy in Oromay. Among other strands, that’s precisely what this fabled Ethiopian novel of 1983 delivers. Which is remarkable, given that Baalu Girma’s semi-autobiographical thriller of rebellion and repression, love and war, has been translated from Amharic.
Eva, the protagonist of Clare Sestanovich’s debut novel, is a young woman struggling to find her place in the world. Over an unspecified period, anchored by references to the Occupy Wall Street movement and Donald Trump’s first election victory, we follow her from her adolescence in Brooklyn, through friendships and heartbreak at an ‘excellent college’,