The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
On the face of it, the two new big drama series of the week don’t have a great deal in common, with one set in a determinedly present-day Britain, the other in a dystopian American future. What they do share, though, is a general air of classiness, some impressively understated central performances and, above all,
Pop’s counterfactuals tend to be built on questioning mortality: what if Jimi Hendrix had lived? Or Buddy Holly? Rarely does geopolitics enter into the speculation. Nevertheless, there’s a case for arguing that the landscape of British pop would have been markedly different had Harold Wilson acceded to the wishes of President Lyndon Johnson and sent
Georg Büchner, a justly neglected German playwright, died at the age of 23 leaving a half-finished script about a mad soldier and his cheating girlfriend. This relic has fascinated dramatists ever since because Büchner is regarded as a visionary left-wing artist cruelly stolen before his time. (Not a moment too soon, if you ask me.)
The ancient Greeks had a word for it —katabasis, descending into the depths, to the underworld itself, in search of answers. To cross the threshold between life and death, innocence and knowledge, the everyday and what lies beyond, is an act woven through art, resurfacing in each generation. For Orpheus, and for Monteverdi, the journey
In The Growing Pains of Adrian Mole, Sue Townsend’s hapless teenage diarist, reeling from the news that Argentina has just occupied the Falkland Islands, fails to locate the archipelago on his world map. Eventually, his mother comes to the rescue and discovers it ‘hidden under a crumb of fruitcake’. If general awareness of the Falklands
In this week’s Books Podcast, I’m joined by the novelist, broadcaster and serial user of arcane words Will Self. He has just published Phone, the third and final volume of the difficult but brilliant trilogy he began five years ago with the Man Booker shortlisted Umbrella. He talks to me about recurring characters, modernism, hating
Some 30 summers ago we were staying at a famously beautiful villa outside Turin; our hostess was — indeed is — renowned for her superb taste and distilled perfection of every aspect of douceur de vivre. Each night we dined in a different sylvan setting — under inky trees, in flower-filled gardens and in 18th-century
In his biography of Gaudí, published in 2001, Gijs van Hensbergen opined that ‘we should never try to finish the Sagrada Família, otherwise we undo the web of power that is elaborately woven into this mysterious religious spell’. But he now appears to take the view that it should, and will, be finished by 2026,
Arundhati Roy has published only one previous novel, but that one, The God of Small Things, won the Booker Prize. That was 20 years ago. Early success did not, however, block Roy into neurotic silence: instead, it offered her a platform for verbally intemperate political activism. She is an impassioned campaigner against globalisation, industrialisation and
Beyond the patricide and even the incest, the horror of the Oedipus myth lies in its insistence that our fates are not ours to change. And yet the story itself is far from unalterable, having been handed down in multiple variants — something that Natalie Haynes knows very well as a classics scholar. Now Haynes
I like Bella Pollen for her open-mindedness, self-deprecation and verve. Given her early success as a fashion designer — top client Princess Diana — her memoir is extraordinarily modest. Now in her mid-fifties, she has also published five novels — one, Hunting Unicorns, a bestseller. Unusually, this had a dead narrator, and Meet Me in
The group of kidnapped women were terrified. They had been brought back to the camp as booty and were being urged to convert to Islam with machetes pressed to their necks. They did their best to gabble words that sounded like the prayers they were being taught before one fighter noticed a captive with a
Seven years ago I ripped the CD off the front of a music magazine and found myself in the thick of a Poulenc concerto that was being played as if life depended on it. Now Poulenc is the acme of laid-back and the solo instrument, the harpsichord, had been consigned to the junkshop before young
The end, whenever it came, was always going to be too soon for Katsushika Hokusai. There was still so much to see. So much he had not painted. On his deathbed, Hokusai, attended by his doctor, said a prayer. ‘If heaven will extend my life by ten more years…’. He paused and made a private
Size, of course, matters a great deal in art; so does scale — which is a different matter. The art of Alberto Giacometti (1901–66) illustrates the distinction. There are very few major artists who have produced objects so physically minuscule. But the smaller and thinner his people are, the vaster the space they seem to
How about some queercore garage punk? PWR BTTM — the name means something empowering to do with buggery — are a young, gay, two-piece band from New York State who live apparently hectic lives. Their new album, Pageant, was released last week and a couple of days later they were kicked off their record label
Anyone who thinks they have experienced absolute boredom, or even doubts that such a state can exist, should go to Glyndebourne’s first offering of the season, Cavalli’s Hipermestra. The first two acts, played without any break, last for 130 minutes, the third for a mere hour. The audience broke into its normal rapturous applause at
The Olivier describes Salomé by Yaël Farber as a ‘new’ play. Not quite. It premièred in Washington a couple of years ago. And I bet Farber was thrilled at the chance to direct this revival at the National’s biggest and best equipped stage. She approaches the Olivier’s effects department like a pyromaniac in a firework
Oh, Pirates of the Caribbean, I have given you every chance down the years. Every chance. I am always hopeful. This may be the one that has a proper story I can follow, I have told myself. This may be the one in which Johnny Depp even bothers to act, I have told myself. This
The concert began with a flourish and a honk. Well, of course it did. Telemann wrote his last Ouverture-Suite in F major for the Landgrave of Darmstadt. The Landgrave loved hunting, and in the 18th century hunting meant horns. And horns mean honks. If you’ve ever played the horn — applied 12 feet of coiled
‘Hell is better than what I personally witnessed,’ says Ben Ferencz, who was one of the American troops sent in to the Nazi death camps to collect vital evidence. ‘Dead bodies mingled with those alive. Piles of bones waiting to be buried. The smell of burning flesh. Those who were still alive pleading with their
Harpsichordists are supposed to make love, not war: Sir Thomas Beecham famously compared the sound they make to ‘two skeletons copulating on a tin roof’. But now two masters of the instrument, the Iranian-American Mahan Esfahani and the German Andreas Staier, are locked in mortal combat. For connoisseurs of finely tuned insults, it’s riveting stuff.
Birds have been giving me a lot of grief of late. There’s Tappy — the blue tit who has built his nest just underneath my bedroom window and makes rat-like scuffling noises that bother me at night and wake me early in the morning. And Hoppy, a mistle thrush fledgling who can’t quite fly yet,
The symptoms of the Spanish flu could be ghastly. Perhaps Laura Spinney should have chosen her title with more care because rather than becoming pale and interesting, as with tuberculosis, frequently the flu’s victims turned completely black before dying. ‘It is hard,’ one US army doctor observed, ‘to distinguish the colored men from the white.’
In this week’s Books Podcast, we honour the five hundredth anniversary of the nailing of that business with the 95 Theses, the church door and the mad monk by discussing Martin Luther and his legacy. Was he a Protestant? Was he a monk? Was there even a church door? And what did the Reformation mean for Henry VIII and the generations of English
J.L. Carr’s classic novel How Steeple Sinderby Wanderers Won the FA Cup (1975) contains a character named Arthur Fangfoss. Mr Fangfoss is a rural tyrant who, when standing for the local council, limits his election address to a pithy eight words: ‘If elected, I will keep down the rates.’ No such brevity, alas, attends the
In 2015 a pair of linen drawers belonging to Queen Victoria sold at auction for over £12,000. In old age Queen Victoria swathed herself in wraps and loose gowns which artfully concealed her figure, and her official photographers were ordered to photoshop her outline. But these knickers with their 45” waistband make plain that the
I once spent an evening, back in the mid-1980s, with William Colby, the legendary spy and director of the CIA. I was an undergraduate at the time, and the CIA’s Iran–Contra debacle was in the news. Lured by the agency’s mystique, I was eager to ask him about the fabled Phoenix programme he directed —