The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
This elfin child was taken into care, And maintenance devolved upon the State. His whimpering mother was inadequate, His father vanished into empty air. Life came unfurnished – nobody was there To dress his wounds and make the pain abate. It was too much to ask and far too late To find another mother anywhere.
Journalist, novelist, broadcaster and figurehead of British feminism Caitlin Moran, who writes most of the Times and even had her Twitter feed included on a list of A-Level set texts, is now bidding to break into the sitcom business. Can one woman shoulder this ever-increasing multimedia load, along with the fawning tide of adulation that
Brecht/Weill’s Rise and Fall of the City of Mahagonny was premièred in 1930, Auden/Stravinsky’s The Rake’s Progress in 1951. Twenty-one years separate them, but it seems, as one looks back, enormously more than that. Think of 1994 and now, no time at all, and not only for an ageing opera reviewer. Both works tend to
If ever I found myself at a pretentious literary party obliged to play David Lodge’s ‘Humiliation’ game and to confess to the great books I’ve never read, I’d only escape the ignominy of winning (by being the most ignorant) because of the radio and the almost weekly possibility of hearing yet another classic adapted as
My moment of the week was stumbling into the shocking, fantastical Cabinet of Curiosities in the Alexander McQueen show at the V&A. On the walls were tier upon tier of dresses, shoes and headdresses, feathered, leathered, beaded, painted, razored, or tenderly embroidered with a fairy needle. Rotating at the centre of the room was the
I came out in a rash when I heard that Emma Thompson was to star in Stephen Sondheim’s Sweeney Todd at the Coliseum. Sondheim has that effect on me. And it’s an allergy I bear with pride. I’ve been the victim of a Sondheim evening only once in my life and I emerged feeling as
The Voices is ‘a dark comedy about a serial killer’, which is not an overcrowded genre, and I think we can now plainly see for why. I was up for it, initially. The buzz around the film had been good. ‘Unexpectedly pleasurable’, GQ. ‘Wild and hilarious’, Hollywood Reporter. Which just goes to show: never, ever
Philip Ridley is best known as the screenwriter of The Krays, in which Gary and Martin Kemp played Ronnie and Reggie as a pair of tanned and lisping choirboys. Ridley loves to bang his own gong. And he’s got enough gongs to raise quite a racket. The Smarties Prize, the W.H. Smith Mind-Boggling Book Award,
No, let’s not look at the old photographs any more: our hair was so full and shiny then, and anyway we can’t tell all those babies apart now. And who was the woman in the lace blouse sitting on our sofa, with that basilisk stare? I don’t remember ever seeing her before. Let’s put the
My father was always arguing and falling out with people in the neighbourhood, but when he clashed with Mister Jones, our friendly, cheerful greengrocer, I remember my brother shouting in dismay, ‘Oh not Mister Jones as well!’
John Hemming is our greatest living scholar-explorer. He is best known for his extraordinary first book The Conquest of the Incas, published in 1970 when he was 35 — a work of vivid, monumental scholarship that is still unsurpassed. His love for the peoples of the Amazon produced a remarkable historical trilogy: Red Gold (1978),
Before I read this book about vitamins, I thought I knew what it would be like. It would be vaguely reassuring. It would tell me that I was consuming the right vitamins, but perhaps in the wrong quantities. Medically speaking, I expected it to point me in a certain direction. There would be chapters about
The most successful newspapers have a distinct personality of their own with which their readers connect. In Britain, the Daily Mail and the Guardian are perhaps the best examplars of that. In Ireland, the decent, if slightly smug, denizens of Dublin 4 know exactly where they are with the Irish Times, and that it will
Patrick Gale’s first historical novel is inspired by a non-story, a gap in his own family record. His great-grandfather Harry Cane spent the first part of his life as a gentleman of leisure among the Edwardian comforts of Twickenham. What then suddenly prompted him to abandon his wife and small daughter and emigrate to the
Julian is clever, handsome and spoiled, a gilded youth who has all the girls wanting to mother him, and a mother who wants to mother him even more than they do. Part of his appealing vulnerability is that he has no father; another part is that he has a potentially fatal allergy to wasps. One
They lived in barrels, they camped on top of columns, or in caves: the lives of the sages are often inconceivable to the modern reader. Seneca, however, that rich, compromised sophisticate of the first century AD, is instantly kin, his voice weary with consumerism, his problems definitively first-world. ‘Being poor is not having too little,’
Early in the second section of Aatish Taseer’s The Way Things Were we are presented with a striking description of Delhi. The city’s bright bazaars and bald communal gardens, among them ‘the occasional tomb of a forgotten medieval official’, are ‘stitched together with the radial sprawl of Lutyens’s city’. Taseer acknowledges the landscape’s beauty, but
In a 2008 essay Zadie Smith held up Tom McCarthy’s austere debut Remainder as a bold exemplar of avant-garde fiction, comparing it favourably to Joseph O’Neill’s lush Netherland, which she deprecated as incarnating the worst delusions of realism. Funny how rapidly Smith’s distinction has disintegrated: McCarthy’s latest, Satin Island, bears an uncanny similarity to O’Neill’s
In recent years there has been a fashion for so-called ‘new nature writing’, where the works are invariably heavy with emotion, while the descriptions of place and wildlife often serve as a hazy green backcloth against which the author depicts the main subject —their own personalities. It comes as something of a shock, therefore, to
With the odd exception — I think principally of Charles Moore’s life of Margaret Thatcher — the genre of political biography has known hard times lately. There are few faster routes to the remainder shop, other, of course, than the political memoir, most of which I presume are now written to create a tax loss
Jeremy Clarkson has been getting it in the neck from Twitter’s (I was going to say) tricoteuses — but social media is both thicko mob and gleeful, literal-minded public executioner. A couple of weeks ago it was George Galloway; and the week before that — oh, I can’t remember. I had a theory about 21st-century
Los Angeles ghetto life — thrashed, twisted and black — is not a world that most Americans care to visit. Black Angelinos can be — and for a period in the 1980s and early 1990s, were — murdered for a trifle. The slightest act of ‘disrespect’ may call for a tit-for-tat killing, where an entire
My father was handed over a shop counter when he was a day old. His aunt had tried to pass him off to a hospital and couldn’t find any takers so she brought him into a draper’s shop, put him down on the counter and declared she didn’t know what she was going to do
In England, walking about at night was a crime for a very long time. William the Conqueror ordained that a bell should be rung at 8 p.m., at which point Londoners were supposed to put their fires and candles out and their heads down. Again and again, until modern times, Matthew Beaumont tells us, specifically
In the BBC’s Sherlock, Mark Gatiss plays Sherlock Holmes’s sly older brother Mycroft. Now the actor has revealed in an interview with the Radio Times that the person who inspired his performance is none other than Peter Mandelson. ‘I based Mycroft on Peter Mandelson. It was explicit even before I was going to play him. Steven Moffat and I talked
Early last month I tripped on up to the British Library for the ‘Magna Carta Unification Event’. Manuscripts had been choppered in from Salisbury, Lincoln, and indeed (x2) from the British Library’s own collection. It was my chance to catch ‘all four surviving original 1215 Magna Carta Manuscripts in one place for the first time’. Now, I don’t have
I was at the hall of Swedish Church in Marylebone last night to watch the final of Melody Festival – the bar was selling dill crisps, pear cider and plenty merriment. As I expected, ‘Heroes’ won. But the show itself was a masterpiece of entertainment, an example of how Swedish TV is now vastly superior
Alexander McQueen famously claimed to have stitched ‘I am a c***’ into the entoilage of a jacket for Prince Charles. The insult was invisible behind the lining and his tailor master later investigated and found nothing. So what was this? An invention, an embroidery of the truth? It certainly became a good source of publicity
It is not impossible to create good art that makes a political point, just highly unusual. Goya’s ‘Third of May’ is the supreme example of how to pull it off. It is a great picture with a universal message — the terrible suffering of the innocent victims of war — and one echoed, with fresh