The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
I remember my first trip to the theatre. I was about eight, and I got hit in the face by a finger of fudge thrown from the stage by a particularly overzealous am-dram Widow Twankey. It was an inauspicious start to what would become a lifelong passion. Despite the confectionary-based assault, I’m now a theatre
Seeing the great and the good, from Edward Fox to Edward Balls, play Schumann on the piano in front of a packed house at King’s Place was rather like watching a live pitch for a bourgeois version of I’m a Celebrity Get Me Out of Here. Instead of reality stars (Joey Essex), or people from
For a man who’s about to celebrate his 60th birthday, Sir David Chipperfield looks remarkably fresh-faced. His pale blue eyes are bright and piercing, his thick white hair is cut in a fashionable short crop. Clad in a dark polo neck, he looks almost boyish. This youthful vitality is reflected in his work. At an
There hasn’t been a decent Daumier exhibition in this country for more than half a century, so art lovers have had to be content with the handful of pictures in national collections and books of reproductions. This works all right for the lithographs, which were after all made to be reproduced, and it is on
Here the homeless queue for motherly nuns to dish out meat and veg, for showers, clothes, central heating, company, conversation, medical attention, to use computers to apply for jobs, to borrow blankets against the cold, suits for interviews, an address for housing waiting lists: economic migrants, demobbed soldiers, the divorced, mad, alcoholic, unemployed, unlucky from
I have a new party piece. I can explain, with a degree of clarity and precision, how the Hadron Collider at Cern works and what it is looking for. I can’t claim credit for this feat of exposition myself; as any science teacher who had the misfortune to encounter me at school would testify. I
Just in time for Advent, that season of preparation, of getting ready, of making sure we are in the right mind to weather the excitements of Christmas, the World Service gave us a short programme designed to get us in the mood. In Heart and Soul on Sunday, Jane Little talked to Joshua Dubois who
Does love run out when life runs out? Or does it intensify, touching and changing all around it? Two series now on our screens make a strong case for the latter — one is about love striking in old age, the other about young lovers struck by Aids. Both pack a wallop. Since its Bafta-winning
While the airwaves resonate with celebrations of Britten’s birth, I cannot help thinking that what was happening in Paris at that very moment was light-years away, not only from Lowestoft, but also from London. The cultural distance between the two metropolises can never have been greater than it was in 1913, and one can only
Powder Room is a small British film all about women and starring only women — boo-hoo, men; my heart bleeds for you all — yet it is almost entirely set in a nightclub, so whether you enjoy this film may depend on how willing you are to spend 90 minutes in such a club along
In 1992 Quentin Tarentino gave us Reservoir Dogs. At a stroke he reinvented the gangster genre and turned it into a comedy of manners with a deadly undertow. This new mutation looked as if it might be easy to copy. Many tried. Among them was Jez Butterworth, whose 1995 play Mojo takes Tarantino’s zany-macabre format
There aren’t many operas from which you can extract a single act and make a concert of it, in fact I can’t think of any except ones by Wagner. I’ve been to Act I of Die Walküre, Act III of Die Meistersinger¸ Act III of Parsifal at the Proms, Act II of Lohengrin, and several
Marianne Moore’s poems are notoriously ‘difficult’ but her personality and the circumstances of her life are as fascinating today as they were to the avant-garde writers and artists of 1920s New York. Much of the fascination lies in the contrast between what Linda Leavell calls Moore’s ‘maiden-aunt persona’ and her position as a ground-breaking modernist,
The New Yorker has always had a peculiar affinity with cats, perhaps because they have a lot in common — an elegance, an abhorrence of sentimentality and an innate sense of superiority. The Big New Yorker Book of Cats is full of cats and owners, each holding one another at arm’s length and peering through
Good news for the festive season — the inexorable rise of the virtual image on our computer screens, tablets, and mobile phones would appear to have done nothing to diminish the flood of gorgeously produced art books being published. This year’s selection ranges in time from the third century AD to now, and reaches all
‘Nothing’s funny any more’ has become the daily mantra of this magazine’s cartoon editor, Michael Heath. Thanks to Leveson, political correctness, taste and common decency, lampooning public figures in particular has become more difficult than ever. Hugo Rifkind still has the right idea. From the despair of trying to conjure up a column for the
The Death of Ivan Ilyich is a story for the older reader. One might go so far as to suggest that local authorities should give ‘seniors’ a copy free with their euphemistically named ‘Freedom Pass’ as a reminder of the longest journey they will ever take. Boris’s memento mori. Perversely, because it is short and
In Cooking People Sophia Waugh describes, with dash and wit, the personalities of five important women cookery writers: two Hannahs (Woolley from the 17th century and Glasse from the 18th), Eliza Acton and Isabella Beeton from the 19th, and Elizabeth David from the 20th. And she illustrates their merits with recipes for the home cook
It’s important not to be too immediately dismissive of poor Craig Raine. Book reviewers and editors like him, who invent rigid literary principles and then dismiss anything that fails to embody them, have been on the decline since the 1970s. It’s true that one would probably sooner go for guidance to a generous reader who
Historians still argue over whether the regime of the GDR can be called a totalitarian one. Some say that the definition reduces the difference between the Socialist Unity Party and National Socialism —that the Nazis left millions dead while the SED left millions of Stasi files. It’s a loaded question, and one that will occur
The French authorities are investigating Bob Dylan after some Croats were offended by something he said in an interview with Rolling Stone last year. The singer had said: ‘If you got a slave master or [Ku Klux] Klan in your blood, blacks can sense that. That stuff lingers to this day. Just like Jews can
Let’s imagine for a minute that the Turner Prize is cancelled next year. Would anyone care? A few members of the artistic elite and a handful of artists perhaps, but beyond that? I don’t think they would. There are plenty of other valuable art prizes out there, after all. And no one has really taken
Spectator literary competition No. 2828 As the New Year hurtles towards us, it’s time for a retrospective commentary, in verse, on 2013. Please email entries of up to 16 lines to lucy@spectator.co.uk by midday on 9 December (the shorter deadline is because of our seasonal production schedule). The recent competition to supply a poem for
I recently met an A-level English student who had never heard of Pontius Pilate. How is it possible to reach the age of 18 — to be applying to university to read English and European Literature — and never to have come across the man who asked the unanswerable question: what is truth? This student
The current exhibition in the Sainsbury Wing claims to be a portrait of Vienna in 1900, but in fact offers rather an interesting survey of portraits made there from the 1830s to 1918. The gallery layout has been usefully adapted to display the work thematically rather than chronologically, which is more dynamic but stylistically confusing.
Black swifts in the sky ascend, soar and glide. They turn all about, seem not to collide. When feeling great joy they scream and they sing. They swoop and they love to mate on the wing. And we on our flight are feeling the same. We eye up the crowd and drink our champagne. With
You can’t go home again, as the Americans say. It’s worth running that adage, taken from Thomas Wolfe’s unfinished novel of 1938, past those zealots who snapped up 20,000 tickets for Monty Python’s reunion at the O2 Arena in 43 seconds when they went on sale this week. Four more dates were immediately inked in,
Why should a portrait of a Flemish painter by a Flemish painter be considered so important to Britain that the culture minister Ed Vaizey has slapped a three-month export delay on it, and the National Portrait Gallery has announced a £12.5 million campaign to keep it in the country? Moreover, why is it so important
If you were in a bathtub for 25 years, don’t you think you’d get a little bit psychotic? Well, yes, probably. But this is how captive killer whales live. Tilikum is no different from many of these. A 31-year-old orca who was scooped out of the North Atlantic in 1983, aged two, he has spent