The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
‘C’ is for Caul, Chute, Crash and Call, the titles of the four sections of Tom McCarthy’s new novel; for Serge Carrefax, its protagonist; and for, among other things, coordinates, communication technology, crypts, cryptography, Ceres, carbon, cocaine and Cartesian space, motifs that trellis this book. ‘C’ is for Caul, Chute, Crash and Call, the titles
Both of these books aim, in their different ways, to cater for Britain’s long-standing obsession with espionage and other forms of political and military intelligence. Both of these books aim, in their different ways, to cater for Britain’s long-standing obsession with espion- age and other forms of political and military intelligence. But they have virtually
The Escorial, as a monastery and a royal palace, was the brain child of Philip II of Spain. Built in the latter half of the 16th century, about 30 miles north-west of Madrid, the huge granite complex with 4,000 rooms, 16 courtyards, a basilica, a library and picture gallery as well as the king’s private
Undeniably the Hawker Hurricane has suffered the fate of the less pretty sister. It is the Spitfire, at once beautiful and deadly, that is forever the star of 1940, firmly lodged in the British military pantheon, beside the longbow and HMS Victory, and the Hurricane is in the shadow. Yet it did more of the
If you want to know all about Andy Warhol, just look at the surface: of my paintings and films and me, and there I am. There’s nothing behind it. Much the same thing has been said by many artists and writers, but seldom has this proposition been so tested as it is by ‘32 Campbell’s
In my many years as a judge for the J. R. Ackerley Prize for Autobiography, I have been constantly surprised by the high proportion of books that deal with the subject of adoption. It is usually a melancholy story of young people who, as their 18th birthdays approach, become obsessed with the need to meet
Next to his photographs of 40 women who have spent time in Low Newton prison, Adrian Clarke has juxtaposed short accounts from each of how she got there. Low Newton, near Durham, built in the 1960s and 1970s, holds 360 women, including lifers. Of the 85,000 in prison, 4,400 are women. Is there a face
Tom Scott – who I’m pretty sure I saw taking part in BBC4’s spiffing quiz show Only Connect – has been waging a mini-guerilla war against mediocre journalism. He explains his mission here and this is the kind of sticker he’s taken to leaving in copies of spare newspapers he finds on the Tube… Plenty
William Cook goes to Skegness and watches Cannon & Ball attract an adoring audience It’s August and Edinburgh is full of fashionable young comedians, but here in Skegness the Festival Fringe seems a million miles away. With its amusement arcades and fish and chip shops, this unpretentious place feels forgotten by the metropolitan arts establishment.
Arcade Fire’s third album The Suburbs is in a long, glorious tradition of pop lyricism inspired by everyday life, writes Christopher Howse Arcade Fire’s first album Funeral was not about a funeral. But, goodness, when we saw Régine Chassagne hammering away at her keyboard in red elbow-gloves with her husband Win Butler singing one of
Sargent and the Sea Royal Academy, until 26 September John Singer Sargent (1856–1925) is an artist whose name arouses hopes of dazzling technical virtuosity even when his subjects are fairly run-of-the-mill. Famed as a portrait painter, his art (at its finest) has great glamour and stylishness, backed up by exuberant brushwork which can be truly
Die Walküre Longborough Not having been to Longborough and its opera festival before, I was bowled over by it in all respects. The much-referred-to extended garage is an extremely comfortable theatre, with more than 400 seats, and with plenty of space in the foyer to make intervals a far more agreeable affair than they are
The Prince of Homburg Donmar, until 4 September Danton’s Death Olivier, in rep until 14 October Welcome to London. This month we’re hosting the world’s very first, but probably not its last, Useless German Playwright Festival. Here’s a scribbler you may not have heard of. Heinrich von Kleist, born in 1777, angered his Prussian family
Regular readers may have noticed an embarrassing lacuna in this column. Having urged you to come up with your top ten albums of all time, to which you responded in such numbers, and with such entertaining and illuminating results, the sadist who set you the task has so far failed to deliver a selection of
Bolshoi Ballet Royal Opera House, until 8 August At the beginning of the second week of its new London season, the Bolshoi Ballet presented the classic Giselle, a ballet which, not unlike other 19th-century works, underwent myriad changes, cuts and choreographic adaptations. It was only after Mary Skeaping attempted to restore the original text in
‘I wish I knew,’ said the doctor in a rare moment of candour when asked, ‘What do you do with children who don’t want to take the tablets? ‘I wish I knew,’ said the doctor in a rare moment of candour when asked, ‘What do you do with children who don’t want to take the
‘As I write, highly civilised human beings are flying overhead, trying to kill me.’ So began one of the most famous essays in the English language, George Orwell’s ‘The Lion and the Unicorn’, written almost 70 years ago. It’s a much-loved essay thanks to its lyrical invocation of ‘English civilisation’: red pillar boxes, bad teeth,
What I thought I’d do this summer holidays is catch up with all those classics I’ve been meaning to read for ages: A la recherche du temps perdu, Moby-Dick, David Copperfield, Crime and Punishment, Madame Bovary, Vanity Fair, everything by the Brontës, anything German, Metamorphosis, the Odyssey, the Iliad, most Balzac, anything by P.G. Wodehouse,
The phrasing of the subtitle is exact: a memoir in blindness, not of blind- ness. Like a portrait in oils — blindness being not just the subject, but the stuff of which this painfully stumbling, uncertainly reaching book is made. And not of, because it’s not something looked back on, like the memoir of a
As a five-year-old in the Arab quarter of Jerusalem in the 1950s, Kai Bird overheard an elderly American heiress offering $1 million to anyone who could solve the Arab-Israeli conflict. Tugging on his father’s sleeve, he said: ‘Daddy, we have to win this prize.’ Crossing Mandelbaum Gate, Bird’s memoir of growing up in the Middle
Thriller writers, like wolves and old Etonians, hunt in packs. In the summer months, roaming from city to city, we can be found at assorted festivals and crime fiction conventions, gathered on panels to discuss the pressing literary issues of the day: ‘Ballistics in the Fiction of Andy McNab’, for example, or ‘The Future of
Jonathan Raban left Britain and moved to Seattle in 1990, when he was 47. He sold his Volkswagen on his way to Heathrow airport. He bought a Dodge with Washington state plates the next day, and in this second-hand car he would, over the years, travel through and write about his new country. ‘The Pacific
Write what you know. Isn’t that what aspiring novelists are told? Write what you know. Isn’t that what aspiring novelists are told? While two first-timers have taken the advice this summer, there is also an exception to prove the rule. In The Imperfectionists (Quercus, £16.99), Tom Rachman draws on his time at the International Herald
Julius Caesar’s deputy, Cleopatra’s second lover, Marcus Antonius is the perennial supporting act. Julius Caesar’s deputy, Cleopatra’s second lover, Marcus Antonius is the perennial supporting act. In books about Caesar (like Adrian Goldsworthy’s recent biography) or about Cleopatra (mine among them), he appears as a partner, in the ballet-dancing sense of a burly chap whose
If ever there was a novel to which that old adage about not judging a book by its cover could be applied, it’s this one. If ever there was a novel to which that old adage about not judging a book by its cover could be applied, it’s this one. What you’d expect, picking up
Hugh Trevor-Roper might have been a great historian, taking his place in the Pantheon alongside the great historians of the past, from Xenophon to Macaulay. But the mark of a great historian is that he writes great books, on the subject that he has made his own. By this exacting standard [Trevor-Roper] failed. Adam Sisman’s
This is good: the Daily Telegraph has published Simon Heffer’s back-catalogue of style notes in which, with exasperated patience, he points out the paper’s mistakes. Read too many of them and you might form the impression that the Telegraph no longer employs sub-editors. Nevertheless, Heffer’s advice is mostly good and, I’m pleased to see, the
Nina Conti appears convinced that her puppets are real. Freddy Gray investigates Isn’t Nina Conti too good-looking to be a ventriloquist? One thinks of blokes in working-men’s clubs with frazzled hair, not Nina with her smiling face and big brown eyes. It’s hard not to look at her, which must be a professional disadvantage: isn’t
Cornwall is looking beautiful under summer sun and outdoor pursuits beckon, but St Ives provides the perfect alternative when the beach palls or rain threatens. Besides the Tate, there are a number of commercial galleries, and chief among them is Wills Lane, which offers a stimulating variety of fine and applied art. For the summer