The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
The only halfway festive offering in this year’s crop of art books is Laurence Kanter and Pia Palladino’s Fra Angelico. Even in these secularised times, Angelico is still a favourite in the Christmas card stakes. First and foremost, however, this is a major scholarly reassessment of the artist’s career, but it also doubles as the
Coming as I do from a long line of hairless wonders, baldness has fascinated me since childhood. One of my earliest memories is of my father harvesting and boiling nettles to produce a concoction which he then spread on his pate in the hope of checking the premature departure of his hair. What was more
Would-be artists clinging to the belief that they are in possession of strangely unrecognised genius draw comfort from the thought of Van Gogh. For struggling writers, the biography of Herman Melville is almost equally potent. In some ways, indeed, it is even more poignant, for it is one of early success; early glamour, after the
A few years back I had an argument with Ned Sherrin (now, but not then, a friend), which I have to say he won. Reviewing the first edition of his Oxford Dictionary of Humorous Quotations — now reissued in a third edition — I complained that there were too many old chestnuts in it. Varying
Answers to Cancer (1962)by William Gaddis The William Gaddis canon is limited to five novels (The Recognitions, J. R., Carpenter’s Gothic, A Frolic of his Own and Agapé Agape), now recognised to be among the most distinguished in American literature. His career got off to a bad start, though. His first novel The Recognitions (1955)
Take a pile of bilge, add a bucket of drivel, stir in a few dead babies’ heads and you’ve got Coram Boy. The Olivier’s big Christmas production is a version of a kids’ book about abducted orphans in the 18th century. It’s certainly lavish. A huge cast, acres of costumes, enough lights to land the
There seems to be a problem with the way some modern-day dance-makers deal with music. Twice in a fortnight, I have been confronted by works in which the score had no relevance to the choreography, and performers seemed to dance to a different tune. I am referring to Rafael Bonachela’s Curious Conscience, reviewed last week,
Suddenly the word craft has resonance. While not exactly on everyone’s lips, it has certainly won unexpected allies. Take the fashionable sociologist Richard Sennett. In his book Respect: the Formation of Character in an Age of Inequality (2003) Sennett seizes on what he calls ‘craftwork’ as a defence against a world dominated by audits and
Watercolour, that quintessentially British medium and form of expression, is currently enjoying a revival of interest among contemporary artists and academics alike. Following on from Tate Britain’s riveting Thomas Girtin exhibition and Hockney’s forays into the Nordic and Yorkshire landscapes come two exciting and enchanting shows, a short bus journey between the two. Both offer
André Derain (1880–1954) has a somewhat mixed reputation. He is widely praised for his early paintings, done when he worked alongside Matisse and Vlaminck and they took the art world by the throat with their Fauve extremism, but his later work is largely dismissed. To quote the Yale Dictionary of Art & Artists, it ‘combined
My favourite programmes this week were Cold Steel: Ray Mears’s guide to the knife-fighting techniques of Anders Lassen VC (Channel 4, Monday); Das Reich: From Poland to the Ardennes with 2nd SS Panzer Division (BBC2, Wednesday); Richard Holmes’s Kohima and Imphal: the Untold Story (Channel 4, Thursday); and Götterd
I’m still trying to get on with the blasted novel, over which I have been procrastinating for several years now. Though there are occasional exhilarating hours when it proceeds apace, there are others when I sit at my desk, drinking cold coffee and smoking roll-ups, when I conclude that, on balance and all things considered,
Now that Georgia is independent again — it was annexed by Russia in 1801 and broke free from the Soviet Union in 1990 — it is keen to reassert its identity and encourage visitors. But there is a PR problem with its three best-known celebrities: in ancient times the murderous Medea and in modern times
One of these anthologies (Late Youth) is small and sprightly, with a pretty, jaunty cover depicting one cheery old person cavorting on a pony and a second catching a fish. The other (The Long History) is large and substantial and uses a detail from an 18th- century self-portrait by Jean Etienne Liotard on its glossy,
Long after I had any need of it, I discovered one of the best pieces of advice on surviving one’s schooldays. Of course, it came from Cyril Connolly, though not from Enemies of Promise. I found it while at university in Connolly’s brilliant pastiche Where Engels Fears to Tread: In every group there are boys
Born in New Orleans in 1924, Truman Capote wrote his first fiction at the age of eight. Or so he claimed. Rarely has a writer so elaborated his own legend; not only could Capote make the wildest nonsense about himself credible, he encouraged others to add to it. Drink was no doubt partly to blame.
You don’t read Nadine Gordimer without knowing it will be about Africa and its manifold problems of which you will know too little and even if you did know more could do little about. Her new book is no exception, though I think it will trouble our conscience less than usual. Paul Bannerman is a
For his fifth travel book, Philip Marsden has returned to his roots; not to his native Cornwall, but to the country that gave birth to his travel writing. Marsden first visited Ethiopia in the early 1980s when he was 21, when Emperor Haile Selassie was long in his grave and when the country was ruled
If one was shot through the head in the battle of Stalingrad or the battle of Alamein, the sensation, presumably, would be much the same, but there the similarity would end. The second world war on the Russian front was fought on a catastrophically different scale from that in the West. In the course of
The Passing Show (1937)by Captain W. E. Johns The story behind this one-off by the author of the ‘Biggles’ books is probably best told by the editor of My Garden magazine in 1937, Theo A. Stephens: ‘The offices of My Garden were next door to those of Popular Flying, of which paper Captain Johns was,
The bookshop shelves are stacked with the usual bewildering array of children’s books this Christmas, and the first striking fact is what good value they have become, largely because, like almost everything else, most of them are now produced in the Far East, from Thailand to Cochin. The average price of a lavishly illustrated book
A good cookery book is for life, not just for Christmas. Fifty years ago many people had just one cookery book, and in Italy it would have been The Silver Spoon (Phaidon, £24.95). Now translated into English (with an appendix of recipes by modern celebrity chefs) it is the vast cookery book that almost every
More than a year since its re-emergence from oblivion, Frederick Ashton’s Sylvia keeps eliciting thunderous ovations. Not surprisingly, one might add. The restored three-acter is not just a shimmering tribute to Ashton’s genius; it is sheer fun, too. Indeed, ‘fun’ more than ‘artistic pleasure’ is what should be expected, for Sylvia is not one of
Formula gets a bum rap from critics, but I’m rather partial to it myself. In the Bond movies, it’s pretty much the best bits — take out the flirting with Moneypenny, Q going ‘Pay attention, 007’, Shirley Bassey bellowing the theme song over silhouettes of dolly birds gyrating round giant pistols, and what’s left isn’t
Glyndebourne on Tour has discovered outreach and access, etc. In an attempt, which I desperately hope will be vain, to ingratiate themselves with young audiences, they have conceded, in their mendacious publicity, that ‘traditional’ opera is a matter of fat ladies singing, drawn-out death sequences and the rest of the anti-elitist claptrap, and state that
‘The state is ruined, but mountains and rivers remain,’ wrote the Chinese poet Du Fu in the 8th century AD during a rebellion that temporarily overthrew the Tang Emperor. Four centuries later, ‘Give us back our mountains and rivers!’ was the slogan of Chinese nationalists after the conquest of northern China by the J
It was towards 11 o’clock on the 11th that I approached Paul McCarthy’s exhibition. The Two Minutes’ Silence caught up with me on Monument station and was properly observed apart from the distant wailing of a busker in one of the tunnels and the giggling chatter of a couple of youths. But as I walked
Concern for the English language is one thing but diehard pedantry is another. It seems that Stephen Fry has started shouting at the radio when Radio Four listeners write to or email Feedback to complain about grammatical errors and solecisms they’ve heard on the network. There are certainly more mistakes than there used to be,