The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Our love affair with the 1950s has been going on for years and shows no sign of abating. Pangolin London, the city arm of the Gloucestershire foundry, has cleverly used the visceral appeal of Fifties design — if ever a period merited the term gay in its original sense, this one does — to show
The Turner Prize shortlist has been announced, and includes a video artist who uses YouTube clips, an artist who pairs spoken word with slide shows and photography, and a historical documentary about African art. Among the four nominees for the most ‘prestigious and provocative’ contemporary art prize, not one of them is a traditional painter
You don’t expect to find a slice of Eton College in deepest Dalston, but tonight a distinctly posh Waiting for Godot opens at the Arcola Theatre. The Beckett play is being directed by Eton’s former head of theatre, Simon Dormandy, and his Vladimir and Estragon are Tom Palmer and Tom Stourton, two of his past
There are those to whom the word ‘volare’ means nothing. But for us Eurovision enthusiasts, it’s all starting with the opening ceremony tonight. Two semi-finals this week, then the big one on Saturday. It’s transmitting live in China, New Zealand and Canada this year – making Eurovision the most-watched non-sporting television event on the planet.
Last week, Tate Britain was one of six museums across the UK to be nominated for the Art Fund’s Museum of the Year award, an annual prize in which the winner receives the not inconsiderable sum of £100,000. A couple of weeks earlier, Waldemar Januszczak, the Sunday Times’s ‘cor blimey’ art critic (don’t get me wrong,
‘America,’ said John Updike, ‘is a vast conspiracy for making you happy.’ If that’s true, there have been few more successful conspiracies than the Broadway musical — that is, the ‘book’ (meaning ‘play’) musical — a dramatic form that blends drama of character and narrative with song and dance. ‘Words make you think thoughts, music
This exhibition examines a loosely knit community of artists and their interaction over a decade at the beginning of the last century. It is centred around the marriage of Ben and Winifred Nicholson (which began to split up in 1931), involves their crucial joint-friendship with Christopher Wood and a fruitful exhibiting relationship with William Staite
I was pleased to see that June Sarpong had added her weight to Kathy Lette’s petition to get a woman to present the BBC’s remake of Civilisation. I’ve often wondered what became of her after Five Go Dating, a show I used to watch religiously, and one which – if you’re listening, Channel 4 –
Every so often, John Deakin, jug-eared chronicler of Soho and hanger-on at the Colony Rooms, is breathlessly rediscovered as the unknown giant behind Bacon and the forgotten man from Soho’s generation of genius. All that is so much tosh: Deakin is no genius and he has not been forgotten. In fact, he can never be
Did you hear those bloodcurdling screams from Kirsty? Those long-drawn-out wails that echoed horrifically through the ancient walls of St Stephen’s Church last Thursday — in a strange, unwelcome echo of Nigel’s unfortunate descent from the roof of Lower Loxley in 2011? They were enough to make every woman’s blood run cold. Kirsty, the bride-to-be,
I was so looking forward to Generation War (BBC2, Saturday) — a three-part drama series covering the second world war from the perspective of five young men and women on the German side. Any nation capable of producing the ME-109, the 88mm gun and the Tiger tank, not to mention Das Boot, really ought to
Within the space of a few weeks we have had the rare chance of seeing the two great torsos of Russian opera, Borodin’s Prince Igor, unfinished because the composer was often otherwise engaged, and Musorgsky’s Khovanshchina, unfinished because its composer died of drink. Prince Igor at the Coliseum was musically magnificent, and dramatically utterly absurd,
Blue Ruin is a low-budget yet highly accomplished revenge thriller although whether you have the stomach for it is another matter. I do not have a strong stomach, as we know, and as I braced myself for the next startlingly bloody burst of violence, having yet to recover from the last startlingly bloody burst of
I did not mean to snort so loudly. There I was watching the amazing Simon Russell Beale in King Lear at the National Theatre and things were all getting a bit nasty — what with daughters scheming and people having their eyes gouged out. And then, through a small earpiece, which no one else could
Cripes. How did I get that one wrong? A few issues back I blithely predicted that Harry Hill’s musical I Can’t Sing would run for three years. It closes this month, so I’m a little reluctant to praise another glittering comedy, Relative Values by Noël Coward, which, like Hill’s stricken satire, has received a few
To curate a festival these days is to put oneself in the firing line. There is every chance that all one will earn is the charge of stirring up apathy. It is a risk; and there will be no knowing how it has gone until it is much too late to withdraw gracefully. In the
Flags and flowers: three bloody years worked in silk. At the needle’s eye stand easy, ghost, slip through my fingers your blue, indelible, weightless kisses for the children. Tell Charlie, Min, time is short now. Up to the firing line for night operations — a ‘fabrication française’ where threads unravel, unvarnished truths must be embroidered
The ancients thought that the seat of female hysteria was the womb. My theory (just as credible) is that male charisma resides in the neck. The most magnetic films stars have always had impressive upper spines. Marlon Brando’s neck was so thick it was simply a continuation of his temples with only a jutting chin
A UNESCO World Heritage Site since 1978, Aachen (Aix-la-Chapelle) will this summer become the focus of European attention. From June to September, the Aachen Palatinate, Europe’s best surviving Carolingian palace complex, plays host to three inter-related exhibitions commemorating the 1200th anniversary of the death of Charlemagne. The exhibition entitled Charlemagne. Power. Art. Treasures. occupies three
Some of the greatest minds of our generation have struggled to get to grips with the thorny conundrum of breakfast television. Should it be fluffy, should it be tough, should it do sofas or puppet rats or news? Back in the 1980s, many believed it shouldn’t do any of them, and shouldn’t exist at all.
One of the best things about The Spectator is that it has no party line. As its dauntless refusal to compromise on Leveson Inquiry has shown, it is incomparably committed to the free speech of its writers. So only here could a humble arts blogger announce that this magazine’s editor, Fraser Nelson, was riproaringly, doltheatedly,
It was early evening and I had not yet eaten, so I took a glass of wine and a packet of Haribos into the private screening of I Am Divine: the story of Divine. I touched neither, because early on in the film I felt a little sick. I’m unsure as to whether that queasiness
‘Well, Commissioner, anything exciting happening these days?’ Those were the first words — all seven of ’em — spoken by a new character introduced in the May 1939 issue of Detective Comics. That character was a chap called Bruce Wayne. You may know him better as the Batman. And, if you subtract May 1939 from
The 300th anniversary of George I coming to the British throne on 1 August 1714 is big news in his home town of Hanover in Lower Saxony. Five shows are being put on in Hanover and the Hanoverian country schloss in nearby Celle, an utterly charming town that largely escaped the attentions of Allied bombers
Artists who live long enough to enjoy a late period of working will often produce art that is radically different from the achievements of the rest of their careers. Late Titian and late Rembrandt are two such remarkable final flowerings, but Henri Matisse (1869–1954) did something even more extraordinary: he not only changed direction, he
‘Twenty-six million people in Europe are looking for work. And whose jobs are they after?’ asks the Ukip poster for the euro-elections, beside a Lord Kitchener-style pointing finger. Obviously, Ukip thinks the answer is ‘Ours’. But this isn’t true. Twenty-six million people are not looking for British jobs, but for jobs in general. And even
‘London,’ says Jean Paul Gaultier, ‘was my vitamin. I love the freedom of London…The energy, the character, all the people that are different.’ It was perhaps inevitable, then, that the first major exhibition of his work should come to the city that so inspires him. From the moment you enter the Barbican, you are struck
It’s a shame Dolly Parton has never gone into politics. She’s someone who’s lived her life very much in the public eye and yet has never lost sight of who she is, of her claim to fame as a country singer. You can tell by the way she sings, even now after more than 50
Television executives must be longing to make a programme about estate agents that casts the agents in a good light. There would be a national outrage, and in these Twittering, Facebooking times nothing is more appealing to a producer than a bulging digital postbag. Under Offer: Estate Agents on the Job (BBC2, Wednesday) is, sad