The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Have you seen that pizza with a cheeseburger crust? If not, just imagine a normal pizza, except where the pizza ought to end — and civilised society begin — there’s a ring of about ten miniature burgers, all encased in dough. On top of each of those burgers is a greasy discharge of cheese. There’s
Another Country was an instant response to Anthony Blunt’s exposure in 1979 as a Marxist spy. Julian Mitchell set out to explain how gay public-school toffs, reared in a system of hypocrisy and backstabbing, could betray their country. At a time when Soviet communism was a potent and growing menace, this issue grabbed play-goers by
God bless the BBC. And I’m not being entirely sarcastic here. There are some things the BBC does very well and one of them, sadly, was The Review Show, its monthly critical round-up of theatre, film, books and new art exhibitions, that it has now, in its wisdom, decided to scrap. Presumably, the decision was
In a dance world that has chosen to dispense with stylistic and semantic subtleties, ‘narrative ballet’ and ‘story ballet’ are often used as synonymous. Yet there are differences — and major ones at that. In a ‘narrative ballet’ it is the choreography that carries the story. Each movement idea is thus conceived in relation to
The Blyth Gallery is situated in the Sherfield Building, deep in the South Kensington campus of Imperial College London. The Sherfield Building is a labyrinth of concrete, linoleum and glass. Its atmosphere is oppressively institutional. You walk around to the percussion of slamming fire doors and the click-clock of unseen footsteps. The air carries the
The day before I’m due to meet Ferdinand Kingsley, actor son of Sir Ben, he sends me a message to introduce himself via Twitter. ‘I’ll try not to be a complete a***hole!’ he quips merrily, for absolutely no reason at all since I hadn’t actually imagined that he would be. Does he normally behave badly
Given the decline of Christian belief in the UK, it’s surprising to discover there’s quite so much about the Easter story on the airwaves this week. You might have assumed that no space would have been found in the schedules for a retelling of the central but yet most difficult Christian narrative. Christmas is easy
There’s a great deal to disapprove of in Gounod’s Faust. It breaks down a pillar of western literature and whisks up what remains into a flouncy French fancy. It turns the hero’s famous striving into mere lust — for a virginal heroine who is cursed by one and all (‘Marguerite! Sois maudite!’, runs the rather-too-catchy
Spoiler alert: this is a review of last night’s episode Anyone watching Game of Thrones for the first time last night would not have been dissuaded of Peter Hitchens’ argument that the show is cruel and will promote cruelty. It opened with Lord Bolton’s bastard Ramsay Snow, who in the last series did that thing with Theon
The suggestion, made by the poet Michael Rosen and others, that Sajid Javid is not sufficiently cultured to be Culture Secretary is as ludicrous as it is pompous. The secretary of state does not write poetry – even bad poetry. He decides how best to make the arts flourish, both as a source of spiritual
How important is William Kent (1685–1748)? He’s not exactly a household name and yet this English painter and architect, apprenticed to a Hull coach-painter before he was sent to Italy (as a kind of cultural finishing school) by a group of patrons who recognised his abilities, became the chief architectural impresario and interior decorator to
When the New York art dealer David Zwirner opened his London gallery in October 2012, observers expected him to make a statement of intent. Zwirner, who the magazine Art Review placed at number two in its 2013 Art Power 100 survey, is one of the art world’s most important three gallerists (the others are Larry
Scarborough 1939 Mum’s slipping on her see-through dress. Outside our council house a chauffered Rolls is waiting. It’s a beautiful summer. There’s been so much yearning. At the Floral Hall violins are fainting and the black-and-white minstrels have ripe red lips. I’ve won third prize for my Bluebird sand- carving. Soldiers are wrapping barbed-wire round
Sunday nights. What are they for? Eggs. Tea. Toast. Nerves about the week ahead. Something comforting on TV. But comfort comes in many forms. For some, it’s twee life at Downton Abbey. For others, it’s the thrill of Homeland. With the BBC’s latest Sunday-night offering, comfort takes on a new guise: one that includes gas
If the very first scene of Calvary doesn’t immediately draw you in there’s every chance there is something seriously wrong with you and I would urge you to book an appointment with your GP. It is a terrific opening and it takes place in Ireland, in a Catholic church, within the dark, intimacy of a
It is coming to something when relatively young pop stars die not of drugs or misadventure but, essentially, of old age and decay. Frankie Knuckles, the house DJ and producer, breathed his last recently at the age of just 59, and several ageing ex-clubbers of my acquaintance told me that it was the end of
South Kensington is teeming with butterflies at the moment, or at least the specially constructed tropical enclosure at the Natural History Museum is. Sensational Butterflies (until 14 September) takes you on a journey through the life cycle of, you guessed it, the butterfly: from egg, to caterpillar, to chrysalis, to butterfly. Butterflies had a good
Four could have been dubbed the Frank Radio network this week as the sharp skills of Sue MacGregor, Alan Dein and Fi Glover teased out some stark opinions and revelations. MacGregor was back on Sunday morning with a new series of The Reunion, daring to bring together round the same table in an enclosed studio
The gravestones are laughing. They tilt at each other’s shoulders, droll tears of lichen blotching their honourable faces. Seated in uneven rows in their auditorium they note church-goers squinch the gravel path to the embossed door. Some lean backwards in mock amazement, others forward, study the half-mown grass or slap their thighs, whisper behind their
The arts world will not shed a tear at the news that Maria Miller has resigned. Though it was Jeremy Hunt who wielded the axe to the arts budget, it was Maria Miller who spearheaded a shift in philosophy in the Department of Culture, Media and Sport that arguably annoyed the luvvies even more than
When Chicago DJ Frankie Knuckles died last week, a novelty number by a Brylcreemed Aussie pop punk group had just reached number one. It displaced Duke Dumont & Jax Jones’s I Got U and ended a three week-run of house singles at the top of the charts. I suspect the following statement may piss off
Thanks to BBC1’s new World War One drama The Crimson Field, I know now how to fake the symptoms of syphilis. All you need is a red hot needle, to create a genital blister, and some condensed milk, for realistic-looking discharge. You had to do this if you wanted to get sent home from the
When I was a boy I used to love the stories of the old kings of England, devouring book after book on the subject until I could rather involuntarily memorise all the dates (which has stuck with me, useless though this knowledge is, and stretches back before the Conquest, although once we get to the
‘If you meet anyone in a pub or at a party who says he is an architect,’ advised Auberon Waugh, ‘punch him in the face.’ Typically, the late, great Spectator columnist articulated an important truth: modern architects have scarred our cityscapes with some truly horrendous buildings, none more so than Glasgow’s notorious Red Road flats. What better
Has anything ever been more luvvie than this?
In 1857, the National Gallery’s pioneering director Sir Charles Eastlake bought one of Veronese’s most sumptuous paintings, ‘The Family of Darius before Alexander’. The purchase was met with strident and very personal opposition from a Tory, Lord Elcho, in the House of Commons, but his objections were swatted aside by Lord Palmerston and we were
One of the paintings in Arturo Di Stefano’s impressive new show at Purdy Hicks Gallery is called ‘Santa Croce’ and it depicts the arcaded cloister of the church in Florence where Giotto painted a series of frescoes. Di Stefano has not chosen to paint the obvious view — its famous black-and-white façade — but focuses
It seems suitable that just round the corner from the Zurbarán exhibition at the Palais des Beaux Arts is the Musée Magritte. Surrealism was in the air of 20th-century Belgium, just as much as it was in the atmosphere of Spain. And of course in many cases its leading figures — Buñuel, Dalí, René Magritte
Before we talk fellatio, let me get the boring, snide observations out of the way. It’s great to see the ENO experimenting with space etc – exploring ‘new’ venues, going outside their comfort zone blah, blah, blah – but they really need to do better than this. Ambika P3 is a fantastic industrial box in
