The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Henrietta Bredin talks to the Earl of Harewood about a life in opera In his memoir, The Tongs and the Bones, the Earl of Harewood ruefully quotes his uncle, the Duke of Windsor, remarking, ‘It’s very odd about George and music. You know, his parents were quite normal — liked horses and dogs and the
She’s the broad of all broads and still terrific. If you doubt that then you probably lack heart and soul. Here is Patsy:
I was nervous as I approached the man in Paddington station on Saturday night. We Brits tend to assume that being addressed by a total stranger means one of two things: either they want our money, or they’re mad (and the 48 copies of Ben Macintyre’s Agent Zigzag in my bag might have suggested the
It should no longer come as a surprise when old pop stars keel over and die. Ten years ago, obituary columns were dominated by heroes of the second world war, with the occasional member of the Carry On cast included for light relief. Nowadays, barely a day passes without some old heavy metal singer croaking,
His & Hers is a film (obviously) which, by rights, should be as dull as dishwater, if dishwater is truly dull, which it sometimes is and sometimes isn’t. His & Hers is a film (obviously) which, by rights, should be as dull as dishwater, if dishwater is truly dull, which it sometimes is and sometimes
Two of the most popular operas in the repertoire, works which I adore, but which I’m almost always disappointed by productions of; yet on two consecutive evenings in the Wales Millennium Centre I gained intense pleasure from each of them. Two of the most popular operas in the repertoire, works which I adore, but which
The pantomime, we’re often told, exists in no culture but Britain’s. Maybe we should look a bit harder. The Wizard of Oz is a children’s fantasy, epic in form, comic in idiom, populated by folksy stereotypes, which uses the metaphor of a journey to present a mythical clash between good and evil. It ends with
Christopher Wheeldon’s Alice’s Adventures in Wonderland is to ballet what Pixar and DreamWorks movies are to cinema. Christopher Wheeldon’s Alice’s Adventures in Wonderland is to ballet what Pixar and DreamWorks movies are to cinema. It takes a well-known children’s story and peppers it with references for an adult audience. And, like the Shrek saga or
If at the beginning of the 15th century you’d had to predict who was going to dominate the world for the next 500 years, the answer would surely have been China. If at the beginning of the 15th century you’d had to predict who was going to dominate the world for the next 500 years,
Over the past month I’ve strolled through Berlin’s Alte Nationalgalerie to examine Edouard Manet’s ‘In the Conservatory’ in close detail. Over the past month I’ve strolled through Berlin’s Alte Nationalgalerie to examine Edouard Manet’s ‘In the Conservatory’ in close detail. I’ve taken a look at what’s on offer on the stands of international art dealers
It’s an irony of Western art that our vision of modern metropolitan life was shaped, via Impressionism, by ukiyo-e prints — ‘pictures of the floating world’ of Edo, Japan. It’s an irony of Western art that our vision of modern metropolitan life was shaped, via Impressionism, by ukiyo-e prints — ‘pictures of the floating world’
According to Athenaeus of Naucratis, the 2nd-century AD author of The Sophists’ Banquet, the ancient Sybarites kept the capital of their city-state in southern Italy supplied with wine through a network of ‘vinoducts’ that reached far out into the surrounding countryside. According to Athenaeus of Naucratis, the 2nd-century AD author of The Sophists’ Banquet, the
An encounter with the paintings by the established Berlin-based Swede Peter Frie comes as a breath of fresh and insightful air to the British contemporary art scene. The dozen or so works (large-scale oil landscapes and a few still-lives) are displayed in stunning contemporary settings: a glass gallery and an adjacent artists’ house at Roche
There’s nothing safe or cosy — and, indeed, there shouldn’t be anything safe or cosy —about being an artist. There’s nothing safe or cosy — and, indeed, there shouldn’t be anything safe or cosy —about being an artist. Being an artist means living on the edge, going outside your comfort zone, being challenged. Artists put
Andrew Lambirth talks to Alan Reynolds, who abandoned a lucrative career as a landscape painter to follow his instincts towards abstraction At the age of 85, Alan Reynolds is enjoying a sudden and well-deserved flurry of interest in his work. A superb monograph has just been published on his art, written by Michael Harrison, director
Some nourishment for your soul. Or, if you prefer, a reflection on the hardships of life in Appalachia.
A young aristocrat and the daughter of a banished duke fall in love at a wrestling contest. Both are forced from court by family intrigue, and take refuge in the same enchanted forest. She recognises him, but not vice versa, since to avert assault she has disguised herself as a boy. Confusions ensue. Stephen Unwin’s
It is some time since any of the masterpieces of Wagner’s high maturity has been staged in London, so ENO’s revival of Parsifal was most welcome, despite memories of the irritations and worse of the production in 1999. It is some time since any of the masterpieces of Wagner’s high maturity has been staged in
The history of Western ballet over the past 40 years can easily be divided into two chapters: the pre- and post-William Forsythe eras. In the early Eighties, the multitalented American-born dance-maker brought Postmodernism into ballet, challenging formulae and tenets that were 400 years old. His radical approach to the old art made some scream with
We critics know everything about the theatre. We see the best shows, we get the finest seats in the house and we’re occasionally treated to a fuming glass of vin ordinaire to lubricate our ruminations. And yet what do we really know? We critics know everything about the theatre. We see the best shows, we
Although I appreciate it is always hard to come down from the Oscars and that special, magical tingle in the air — if I hadn’t turned in after MasterChef, as I always do, I would have certainly stayed up all night to watch — it’s time to get back to business and this week’s big
I had prepared myself for another rant at Comic Relief, a grisly occasion on BBC1 in which every year parades of slebs preen themselves on their good works. What made my teeth curl was the way some comedian would announce that the Twistelton Lions had held a pram race through the town (with the mayor
Another vast exhibition at Tate Britain, but one which will no doubt prove popular with the public. Watercolour is a national pastime, and the English tend to wax proprietorial about it. As a painting medium it appeals greatly to amateurs because it’s nearly always possible to do something passable in watercolour which couldn’t be achieved
Afghanistan has been subjected to centuries of turmoil, yet an astonishing collection of treasures survives and will be on show at the British Museum next week, as the exhibition’s curator St John Simpson explains Afghanistan is often described as the crossroads of Asia and of the ancient world, and a major new exhibition of objects
‘Hi,’ said Patti Smith, giving us a slightly awkward wave. ‘You know it’s really great here, by the sea. The air is so fresh. You guys are really lucky.’ Well, we felt lucky, sitting inside the iconic De la Warr Pavilion in Bexhill of all places, within touching distance of our collective icon. ‘Hi,’ said
Legend has it that when the Romantic ballerina Marie Taglioni gave her farewell performance in St Petersburg a group of wealthy fans bought a pair of her slippers, and cooked and ate them as a token of their admiration. Shoe-fetishism has since reached new heights, thanks to Sex — on heels — in the City.
Richard Bean is a creative nomad, a pix-and-mix sort of playwright who lights on subjects seemingly at random. He’s written about Brussels, racism, agriculture, social mobility and trawlermen. Now he’s taken on climate change and he’s hit the mark with delicious accuracy. This is his best play so far. The Heretic is set in a
The Royal Opera has been both noisy and evasive about Mark-Anthony Turnage’s new opera, Anna Nicole, with words by Richard Thomas of Jerry Springer: the Opera notoriety. The Royal Opera has been both noisy and evasive about Mark-Anthony Turnage’s new opera, Anna Nicole, with words by Richard Thomas of Jerry Springer: the Opera notoriety. I
I was in New York the other week, furtively sneaking into a preview of the doomed new Spider-Man musical, which features music from Bono and The Edge of U2. Just typing the infinitely silly names of those two humour-free and tiresomely bombastic rock stars makes me feel irritated, but not nearly as irritated as the