Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Prepare to feel nauseous at this School Dinners exhibition

Exhibitions

If your stomach turns when you walk past a Japanese restaurant with moulded plastic replicas of sushi on display, prepare to feel even more nauseous in the School Dinners exhibition at the Food Museum in Stowmarket, Suffolk. Here, moulded in that same plastic, in (if anything) even more garish colours, you’ll see a sample two-course

Imagine Dua Lipa releasing an album of Victorian parlour ballads

More from Arts

Grade: B+ This is unexpected. A bright young cellist – one of the brightest, in fact – makes his recorded debut with a collection of opera fantasies. In the 19th century, touring virtuosos routinely ransacked hit operas for melodies, then decked them out with every conceivable bit of flummery, dazzlement and top-end-tinsel, the better to

Confusing but highly watchable: Slade in Flame reviewed

Cinema

Slade in Flame was glam-rock band Slade’s first foray into film – and also their last. It was a flop on its release in 1975 and that would have been that, end of story, gone and forgotten, except it has been rediscovered in recent years, with critic Mark Kermode even hailing it as ‘the Citizen

Kingsley goes to the toilet

More from Arts

In 1978, I gave a poetry reading at Hull University. Philip Larkin was glumly, politely, in attendance. I was duly appreciative, knowing what it must have cost him. He was deaf as well as disaffected. Perhaps the deafness helped. The next day, we had a lunchtime drink at the University bar. We talked about Kingsley’s

A fabulously entertaining new podcast about ancient Greece

Radio

How did a myth about the consequences of poor judgment become a parable for aspiration? The question is posed by the Greek writer-actor Alex Andreou in his fabulously entertaining new podcast. His topic is the ancient myth of Midas, king of Phrygia, who was granted his wish to have everything he touched turn to gold.

A triumphant show: Self Esteem, at Duke of York’s Theatre, reviewed

Pop

The most compelling character in the newish documentary One to One: John & Yoko isn’t either John or Yoko. It’s one A.J. Weberman, inventor of ‘Dylanology’ and ‘garbology’. He’s shown practising both in the film, rummaging through Bob Dylan’s bins for clues to the thought process of genius.  Fifty years on, two things struck me.

Worth watching for the dog: The Friend reviewed

Cinema

The Friend is an adaptation of the novel by Sigrid Nunez starring a harlequin Great Dane. If I remember rightly, Naomi Watts and Bill Murray are also in the mix somewhere but I can’t be sure. Who could notice anything but Apollo in all his noble, giant, majesty? Watts and Murray are fine – if

The disturbing ambient music of William Tyler

Pop

One could argue that all musical forms are essentially incomplete until the listener joins the party, but ambient music seems more needily co-dependent than most. Given that a typical sound bed is a blank canvas of amniotic electronica, much depends on the interpretation of whatever is laid over it: the drip and the drift; the

Lloyd Evans

The case for replacing nurses with robots

Theatre

Tending is a work of activism on behalf of the NHS. The script brings together the testimony of 70 nurses in a show spoken by three performers. It’s full of surprises and shocks. All NHS nurses are obliged to annotate their actions as they work. ‘If you haven’t documented it, you haven’t done it,’ they’re

My Marco Pierre White obsession

Radio

Pierre White, Marco. Chef. Michelin stars: five (all handed back). Wives: three (all handed back). Restaurants owned: number unclear. Hours in a cell: 14. Party: Reform. Brands promoted: Knorr stockpots, Lidl, P&O Cruises. Protégé: Gordon Ramsay. YouTube views: hundreds of millions. Current residence: the countryside, somewhere near Bath, far far away from anyone who tries

Sam Leith

Winning little narrative adventure: South of Midnight reviewed

More from Arts

Grade: A– For this winning little narrative adventure we are in the South – all gris-gris gumbo yaya, decaying mansions and ghosts of the underground railway – and it is a bit midnighty, what with the sinister otherworldly beings you fight.  Our protagonist is sassy, cornrowed Hazel, a mixed-race Lara Croft, who sets out to

Devastating: WNO’s Peter Grimes reviewed

Opera

Britten’s Peter Grimes turns 80 this June, and it’s still hard to credit it. The whole phenomenon, that is – the sudden emergence of the brilliant, all-too-facile 31-year-old Britten as a fully formed musical dramatist of unignorable force. W.H. Auden had urged him to risk everything – to step outside his admirers’ ‘warm nest of

Good lawyers make for bad TV

Television

Given that TV cameras aren’t allowed to film British criminal trials, Channel 4’s new documentary series Barristers: Fighting for Justice is a courtroom drama without the courtroom. As for the drama bit, the programme does its excitable and occasionally successful best – but isn’t always backed up by its own participants, who on the whole

Was Sir John Soane one of the first modernists?

Exhibitions

Sir John Soane’s story is a good one. Born in 1753 to a bricklayer, at 15 he was apprenticed to George Dance the Younger and at 18 had moved on to Henry Holland. Later came major commissions, a professorship, a knighthood and gold medals. Fame followed. Along the way he added an ‘e’ to his

Cartier used to be a Timpson’s for the rich

Exhibitions

In the fall of, I suppose, 1962, my friend Jimmy Davison and I, window shopping on Fifth Avenue, bumped into the glamorous Venezuelan playboy-grandee Reinaldo Herrera. Jimmy asked where he was going. ‘I’m just nipping into Cartier. They’re fixing my skis,’ Reinaldo replied. Autres temps, autre moeurs. I doubt anyone today uses the world’s most

Lloyd Evans

Those behind this fabulous new comedy are destined for big things

Theatre

Rhinoceros by Eugene Ionesco is a period piece from 1959. It opens with the invasion of a French village by a herd of rhinoceroses. This paranormal event is never explained. In Act Two, the villagers start to imagine that they’ve become rhinoceroses and changed species. But one plucky sceptic, who defies conformity, refuses to swap

Why is the British Museum hiding its great Orthodox icons?

Arts feature

The long neglected art of Byzantium and early Christianity is returning to the world’s museums. Last November, the Louvre confirmed plans for a 3,000 square metre department dedicated to the Byzantine legacy and more than 20,000 works from Ethiopia to Russia that are currently scattered across the museum’s cabinets. Having been initially shelved a decade

Kate Andrews

Impeccable history of the free market – and from the BBC too

Radio

The launch of Radio 4’s Invisible Hands series has been both blessed and cursed by timing. It tells the story of Britain’s ‘free market revolution’, just as President Donald Trump overhauls the free trade consensus of the past 40 years and world leaders grapple with how to respond. The problem is the hypotheticals posed at