The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Edmund Burke, as a young Irish lawyer in 1756, first made the distinction between beauty and sublimity. Beauty for Burke was about continuity and connectedness. ‘Vegetables,’ he says, in one of the great pre-Romantic sentences, ‘are not sublime.’ Vegetables are beautiful because they are constant and continuous, and because beauty is the quality of perfect
Despite efforts to prevent them, British women formed a part of the Indian empire almost from the start. Although the East India Company warned them off, citing difficulties of climate, disease, morality, religion and culture, a few managed to travel there all the same. By the late 18th century their numbers had increased considerably, making
I thought I knew everything about Sir Roger Scruton. I had already written two books on his life and philosophy and was just about to embark on the last volume in my Scruton trilogy. This was to be a book of conversations that encompassed all facets of his biography and intellectual interests. Over three days
Our relations with cetaceans have always been charged with danger and delight, represented by the extremes of the Book of Revelation’s ‘beast out of the sea’, and the frescoed dolphin-riders of Pompeii. Rare, huge, and unknowable, whales have traditionally been omens, or metaphors for improbability — ‘very like a whale’, Hamlet chaffs the cloud-watching Polonius.
It’s not immediately obvious who the survivors in Tash Aw’s formidable new novel are, or who the narrator even is, or who has been killed. We know there has been a murder, however, or a culpable homicide not amounting to murder, as the narrator quotes the person being addressed as describing it. Details reveal themselves
I cast my Readers under two general Divisions, the Mercurial and the Saturnine. The first are the gay part of my Disciples, who require Speculations of Wit and Humour; the others are those of a more solemn and sober Turn, who find no Pleasure but in Papers of Morality and sound Sense…Were I always Grave,
Have you heard of the Oulipo? The long-running Parisian workshop for experimental writing? Even if you haven’t, you might have heard of some of its members: Georges Perec, Italo Calvino, Marcel Duchamp. The group’s stock-in-trade (so-called ‘constrained writing’) is best illustrated by their most notorious production: Perec’s 1969 novel La Disparition which manages to avoid
God, I wish I was Janet Malcolm. Fifty or more years as a staff writer on the New Yorker, reviews in the New York Review of Books, the occasional incendiary non-fiction bestseller (In the Freud Archives, The Journalist and the Murderer, The Silent Woman: Sylvia Plath and Ted Hughes), even the famous lawsuit. (She was
Surely God, if He existed, would find a major source of entertainment down the ages in the activities of theologians, reaching their climax perhaps in the 19th century, when they involved Him with German idealism, and then the descent from that to the present day, when the sheer naivete of anyone who thinks that God
‘You are what you eat.’ The old phrase always reminds me of Denzil, John Sparkes’s character in the comedy sketch show Absolutely, who quotes it to his girlfriend and then adds: ‘And you have obviously eaten something very stupid.’ Pete Brown, on the other hand, has taken it as the theme of his book about
Like many a 20th-century publishing house, the fine old firm of Faber & Faber came about almost by accident. The inaugurating Faber — Geoffrey — was an All Souls don in search of a livelihood, who began his career in the post-Great War book trade by investing in the Scientific Press, publishers of the Nursing
IN ASSOCIATION WITH THE PRINCIPAL PARTNERS OF SHAKESPEARE’S GLOBE’S 2019 SUMMER SEASON As I noted last week, the dramatic climax of Henry IV, Part Two — that stew of rot and renewal — is reached when Prince Hal casts off the roguish companion of his younger years, ‘the tutor and the feeder of
Timothy Hyde’s Ugliness and Judgment: On Architecture in the Public Eye is not about why we find things ugly. It’s not even about what ugliness is, or why our understanding of what it is see-saws so violently. We don’t learn why people once loathed John Nash’s All Souls at Langham Place, one MP calling it
The deployment of Shakespeare to describe Brexit is by now a cliché. It might take the form of a quotation, be borrowed in a headline, or involve the name of one of the better-known characters; it might turn up in that most hollow of adjectives, Shakespearean. It has two possible modes. There is triumphalism drawn
In this week’s books podcast I’m joined by the journalist and (as one half of the crime writer Nicci French) novelist Nicci Gerrard to talk about her new book What Dementia Teaches Us About Love. The loss of her own father to dementia prompted Nicci to look at one of the most painful and pressing
You may not have heard of John Boyne, but you’ll almost certainly have come across his most famous book, The Boy in the Striped Pyjamas. A children’s novel about two boys meeting through the barbed wire of Auschwitz, the book was met with heavy criticism for its historical inaccuracies – none of which stopped it
I can only remember one page of any of the dozens of Ladybird histories that I read avidly as a child: an illustration of a scene from the Third Crusade, when Richard the Lionheart, at the head of his Christian army, met Saladin, the leader of the Muslim forces, outside the port city of Acre
In this week’s Books Podcast I’m joined by Professor Cass Sunstein – best known here as co-author of the hugely influential 2008 book Nudge: Improving Decisions About Health, Wealth and Happiness, which spawned a whole transatlantic movement in using behavioural psychology to influence public policy (not least in the Cabinet Office’s celebrated ‘Nudge Unit’). Cass’s
John Buchan was a novelist, historian, poet, biographer and journalist (assistant editor of The Spectator indeed); a barrister and publisher; one of Lord Milner’s ‘young men’, charged with the reconstruction of South Africa after the second Boer war; director of propaganda 1917–18, a Member of Parliament; lord high commissioner (i.e. the king’s representative) to the
Norway doesn’t have a world-class philosopher (Kierkegaard was Danish). Karl Ove Knausgaard declared at the end of his previous book that he is no longer a writer, and it looks as though he’s moving in to fill that space. A very modern space: a selfie space. Nietzsche observed that all philosophy is autobiography, and Knausgaard
Jill Dawson has a taste for murder. One of her earlier novels, the Orange shortlisted Fred and Edie, fictionalised the 1922 Bywaters and Thompson murder case. More recently, The Crime Writer cunningly blended an English episode from the life of Patricia Highsmith with elements of one of Highsmith’s own crime novels. Now Dawson has turned
What do the following filmmakers have in common: Victor Fleming, John Ford, Henry Hathaway, Howard Hawks, Alfred Hitchcock, Ernst Lubitsch, Lewis Milestone, Otto Preminger, Josef von Sternberg, George Stevens, Charles Vidor, King Vidor, Orson Welles and William Wyler? I know, it’s a toughie — and it isn’t much less tough if you consult IMDb. But
What is creativity? Marcus du Sautoy, a mathematician and Oxford professor for the public understanding of science, offers this pert definition in his introduction: ‘Creativity is the drive to come up with something that is new and surprising and that has value.’ This, he argues, is possible in mathematics (he himself invented a new kind
Vasily Grossman’s novel Life and Fate (completed in 1960) has been hailed as a 20th-century War and Peace. It has been translated into most European languages and also into Chinese, Japanese, Korean, Turkish and Vietnamese. There have been stage productions, TV series and an eight-hour BBC radio dramatisation. And Grossman himself — like Leo Tolstoy,
There are more than 100 cathedrals in England, Scotland and Wales of many different denominations (although I for one had been previously unaware of the Belarus Autocephalous Orthodox Church). But, wisely, Christopher Somerville focuses on those great galleons with which we are most familiar: the cathedrals that first rose up above the plains of England
IN ASSOCIATION WITH THE PRINCIPAL PARTNERS OF SHAKESPEARE’S GLOBE’S 2019 SUMMER SEASON And so, as we continue through the Summer Season of history plays at Shakespeare’s Globe — supported by principal partner Merian Global Investors — to Henry IV: Part Two, which opens this week. This is, for my money, the most complex and moving
Say what you like about the efficiency of the Kindle, one day we’re going to wake up and miss the lizards. Among the many lost methods of making an illuminated book in the pioneering days of Renaissance printing, the way we once obtained powdered gold may be the most lamented: ‘In a pot place nine
At a dinner recently I was told the story of a Canadian billionaire (now defined in banking circles as someone withmore than $500 million in liquid assets) who is building an escape destination from the oncoming climate apocalypse: an ersatz Versailles, with two runways, deep in the thawing Canadian tundra. Four hundred years earlier, the
What kind of loyalty do we owe a robot we’ve paid for — one who exhibits a convincingly human kind of consciousness? Less loyalty than we owe to our own children? But what about to someone else’s child? And do we commit murder if we destroy him? These are the questions facing Charlie when he