The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Phaidon pioneered the modern art-book in 1936. The formula was: large format, fine production, exceptional plates, and essays by the superstars of German art history. After Richard Schlagmann acquired the imprint in 1990 Phaidon maintained, even enhanced, its reputation for good design, but visual style was prioritised over editorial substance and writers were marginalised. That
Stefan Zweig wasn’t, to be honest, a very good writer. This delicious fact was hugged to themselves by most of the intellectuals of the German speaking world during the decades before 1940, in which Zweig gathered a colossal and adoring public both in German and in multiple translations. It was like a password among the
Jane Ridley 2014 has been the year of 1914. In the same way that Christmas puddings appear in supermarkets in October, many of the contestants in the publishing race for 2014 defied starter’s orders and came out pre-maturely in 2013. What has been striking about the bumper crop of first world war books is the
H is For Hawk (Cape, £14.99) is the most ‘A for Amazing’ book I’ve read in a long while. Helen Macdonald weaves together three separate but related strands to produce a majestic tapestry. No reader could fail to be more interested in its primary subject by the end — or to be impressed by the beauty
As the year unwinds I’m rebuked by hints all around me that a book I comprehensively panned in Literary Review is basically true. The Establishment and How They Get Away With It by Owen Jones (Allen Lane, £16.99) is an intellectual mess, paranoid, partial and partisan; and its central thesis — that we are unwitting slaves of a grand,
On September 6th, 2006, a mortar unit from 3rd Battalion, 3 Para, defending the Kajaki dam over the Helmand River in Afghanistan, spotted an illegal road block set up by the Taliban. The enemy were too distant for the unit’s sniper, Lance Corporal Stuart Hale, and to call in an airstrike would have caused civilian casualties,
I have always loved Arnold Bennett’s The Old Wives’ Tale. I now have an equal fondness for Sathnam Sanghera’s Marriage Material (Heinemann, £14.99), which is a reworking of the Black Country classic translated to a Punjabi corner shop in Wolverhampton. Every bit as rich and sad and comic as the original. Meanwhile, back in the subcontinent, M.J. Carter’s The Strangler
I’ve reviewed only a handful of books in 2014, but have struck lucky twice. Brian Moynahan’s Leningrad: Siege and Symphony (Quercus, £25) is one of the most moving books I’ve read for ages: a brilliant portrait of Leningrad in the Nazi blockade, culminating in the astonishing events surrounding the first performance of Shostakovich’s Seventh Symphony by a
I haven’t read any books published this year —or last year, come to that. That disqualifies me — doesn’t it? Read the other Spectator books of the year
We know what to expect from the Taylor Wessing Portrait Prize. Africans in tribal dress. Flame-haired girls posing with animals. Nudes, generally grotesque: obese hanging bellies, a limb missing here or there. Wizened (but wise!) faces. Low-level child pornography. In 2012 the National Portrait Gallery was fortunate to avoid the wandering gaze of Operation Yewtree.
The Great Grisby: Two Thousand Years of Exceptional Dogs by Mikita Brottman (William Collins, £16.99). I have read thousands of books in my 81 years and this is the only one that has made me happy. Brottman, a psychoanalyst, contends that her French bulldog, Grisby, ‘forms a bridge between my inner life and the real world
Sheridan Morley was an old enemy of mine, so I was thrilled to see him brilliantly denounced and called to account by Jonathan Croall in his first-class book about writing a book, In Search of Gielgud: A Biographer’s Tale (Herbert Adler Publishing, £10.95). Morley is called an ‘arrogant, self-important and spectacularly lazy hack’, whose work was ‘sycophantic
I couldn’t work out whether Caitlin Moran’s How to Build a Girl (Ebury, £14.99) was aimed at mature adolescents or immature adults, but I loved it anyway — even before I came across the very pleasing mention of myself in Chapter 20, and the even better one in Chapter 24. Tamar Cohen’s The Broken (Doubleday, £6.99) was that miracle
Behind the Mask: The Life of Vita Sackville-West by Matthew Dennison (Collins, £25). Brave man to take on the biography of Vita, and he has brought it off superbly. So many facets, so many talents, so rich and full a life. Where do you start? Aristocrat, writer, greatly underrated novelist, garden creator, poet, wife, mother, friend, lover —
Inside the Dream Palace by Sherill Tippins (Simon & Schuster, £20). We’ve had biographies of great artists and writers, their spouses and children and their children’s pets. Here’s one about the place where most of them, from Jack Kerouac to Sid Vicious, seem to have hung out: the glamorously seedy Chelsea Hotel in New York. Not
Tristram Hunt’s Ten Cities that Made an Empire (Allen Lane, £25) is a stylish history of the British empire, told through its cities in sunny, civilised prose. He begins with the bungling of the American colonies and ends with Britain’s bewilderment as its own cities in turn become ‘colonised’. Constantine Phipps’s What You Want (Quercus, £20) is a verse
Being a slow reader, I first try the shortest, or anyway shorter, works of famous novelists unknown to me. This year, with many misgivings, I read The Confusions of Young Törless by Robert Musil (Penguin, £8.99) and was shocked and impressed by the intensity of the sex and violence he describes at a military boarding school in
Monsieur Dior: Once Upon a Time by Natasha Fraser-Cavassoni (Pointed Leaf Press, £47.50) is the most exotic book I have seen this year. It came in a box, with a slinky silk ribbon. The text, by Antonia Fraser’s fashion-expert daughter, is excellent, but it is the superb photos which make the book. They show Dior dressing
Misery loves company. Anyone who doubts this old adage should pop into their local bookshop, because besides celebrity chefs and Fifty-Shades-of-Grey-style erotica, what keep the tills ringing are misery memoirs. The shelves are groaning with them. Their titles can vary from the merely toe-curling (Cry Silent Tears) to the queasily exploitative (Please, Daddy, No), but
I had the misfortune to meet Lord Richards on probably the darkest day of his 42 years in the military. In July 2009 I went to visit the then Commander-in-Chief UK Land Forces in his office on the edge of Salisbury plain and we spoke about his career, and the army in general. All the
A severed head, argues Frances Larson in her sprightly new book, is ‘simultaneously a person and a thing… an apparently impossible duality… an intense incongruity’. History is ‘littered’ with such heads. Pilgrims visit them: the heads of St Peter and St Paul, for example, are thought to be in the high altar of the Basilica
We live in a world in which nuance is trampled on and cannot survive. Is that true? I don’t know. But the further point is, must authors now preface their novels with introductory letters, in which they carefully explain the central themes of their work? Epistolary prefaces in general are not remotely new: you often
A comet streaked into France in the 1930s, its fallout sending the staid echelons of haute couture into a tailspin. A mere 30 years later a rogue missile blasted into London, blowing dainty English clothes sense to smithereens. Both these thunderbolts shot the stuffing out of cloying conventionality, one with an arrow-narrow silhouette, the other
So Basque is an ergative language! Well, I never. I couldn’t have told you that a week ago. I even know now what that means (more or less). And, well… so much for Basque. Moving along, then… In Lingo, Gaston Dorren speeds around Europe, giving each of his chosen 60-odd languages three or four pages’
Geoffrey Parker is a product of Nottingham and Christ’s College Cambridge, and I think was once a pupil of the unforgettable Jack Plumb. He went to Urbana-Champaign (Illinois) in 1986, Yale in 1995 and since 1997 has been at Ohio State University. Against that improbable background he established himself years ago as the world’s outstanding
Phil Rickman isn’t unusual among crime writers for mingling supernatural elements with earthly crimes. What makes him different is his way of grounding his novels in the real world, and of bringing a wry sense of humour to his other-worldly themes. His latest novel, Night After Night (Atlanti, £18.99, Spectator Bookshop, £16.99) is a wonderful
The moment Waterloo Bridge was planned across the Thames, a new theatre to serve the transpontine coach trade was inevitable. The Old Vic opened in 1818. Originally called the Royal Coburg, it could seat a whopping 3,800. Kean was the first great actor to perform there. In 1831 he played Richard III, King Lear and
A surprise! I took this book from its envelope expecting a fresh collection of Wendy Cope’s poems, and opened it to find prose — a variety of memoirs, reflections, articles and letters. There are literary pieces on poets such as Anne Sexton and George Herbert, and her reviews from The Spectator when she was television
Skulls, femurs, ribs, pelvises, piled on top of each other in a chaotic heap: this, Denise Inge discovered, was what she and her husband John were living on top of in their pretty house in Worcester Cathedral Close, into which they had recently moved when John became the diocesan bishop. The house is on top