The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Professor David Damrosch, the director of Harvard’s Institute for World Literature, fell in love with ‘a fictional realm that I’d never imagined’ in 1968. His English teacher, Miss Staats, gave him Laurence Sterne’s Tristram Shandy. This horizon-stretching Manhattan educator turns up again in another light towards the end of this book. A long-term girlfriend of
In the summer of 1940, after almost 20 years in Paris, Man Ray fled the Nazis for the country of his birth. Disliking New York, where he’d spent his youth, he made for the West Coast. He hoped to get as far as Tahiti or Hawaii. But his trip came to an end when, braced
‘Whether I am a trembling creature or whether I have the right…’ The much quoted words of Rodion Raskolnikov, the protagonist of Crime and Punishment, encapsulate the novel’s main question. Fyodor Dostoevsky first pitched the idea of ‘the psychological account of a crime’ to a publisher in 1865. Three decades earlier, a real-life murderer, Pierre
James Courage is one of those fine writers who, though he enjoyed considerable success in his lifetime, has now more or less slipped from view. None of the eight novels he published between 1933 and 1961 is in print and most of them are impossible to find secondhand. The same goes for a collection of
‘Read slowly, word by word, if you wish to understand what I am saying.’ Despite appearing in Essays Two, the latest non-fiction collection from Lydia Davis, this exhortation is by the Norwegian author Dag Solstad; yet the approach is apt for Davis’s work. This is not because Davis, a feted translator and writer who won
Sixty years ago the Daily Express ran a regular feature entitled ‘Just Fancy That!’ Each short segment highlighted some strange coincidence or weird incident that would hook readers’ interests. Human oddities, unlucky mischances, freaks of nature and improbable statistics were dealt out every day. It made for easy reading, but sometimes gave pause for thought.
Last year I wrote a piece about James Bond for the ‘Freelance’ column of the Times Literary Supplement. All true Bond lovers — of the novels, I mean — know that he lived in a ‘comfortable flat in a plane-tree’d square off the King’s Road’, as Ian Fleming described it in Moonraker. Further internal evidence
Lolita, the Lady Chatterley trial, the pill, Christine Keeler, ‘(I Can’t Get No) Satisfaction’, love-ins, Oh! Calcutta!, the Oz trial — sex, even more than usual, was on people’s minds in the 1960s, that semi-mythical decade which, to stretch a point, lasted from the late 1950s to the early 1970s. That, anyway, is the plausible
On 2 October last year, when he became chief of the UK Secret Intelligence Service (MI6, if you prefer), Richard Moore tweeted (tweeted!): ‘#Bond or #Smiley need not apply. They’re (splendid) fiction but actually we’re #secretlyjustlikeyou.’ The gesture’s novelty disguised, at the time, its appalling real-world implications. Bond was, after all, competent and Smiley had
‘Who,’ asks Stephen Bayley, in one of the ‘S.B’ chapters of this irresistibly spiky co-written book, ‘could countenance working for a man like Terence, a man of such fluid principles, of such day-glo opportunism, of such sun-dried narcissism, guiltless hypo-crisy and Hallelujah Chorus egomania?’ Well, both S.B. and R.M. (the ad man Roger Mavity) did
Truffles smell of sex. Even if we can’t quite say what we mean by ‘smell’ or ‘sex’ in this sentence, the much sought-after underground fungi emit something analogous to the pheromones that subconsciously attract us to other human beings. On the conscious level, these members of the family Tuberaceae release aromas ranging from floral to
Rising professors do well to be controversial if they wish to be invited to contribute to mainstream media. But the elder professor, lauded, loved and telly-tastic, has the privilege of swerving controversy without losing the limelight. And so Mary Beard gives us this rich disquisition on the Caesars’ visual representation (and misrepresentation), from swapped plinths
In his new book on Europe’s cathedrals, Simon Jenkins begins with the claim that the greatest among them are our most important European works of art. Greater than the paintings of El Greco or Berthe Morisot? More momentous than the buildings of Mies van der Rohe or Norman Foster? More important than the organ music
A friend who works in social care speaks to me earnestly about a troubled young colleague: ‘Of course, she’s got a borderline personality disorder…’ I check her there: ‘What do you mean by that?’ She thinks for a moment and continues: ‘Well, she’s very emotional, she can’t maintain relationships, and she’s very defiant…’ I wait
The Rosetta Stone has an awful lot in common with a Kinder Surprise Egg. Hear me out. The actual text of the Rosetta Stone is mainly about some changes to tax rules, and is about as interesting as such things usually are. The one important fact about it, for us, is that it is written
Jan Morris, in all her incarnations, was always able to evoke a place and a moment like no other. As James Morris, the only journalist to cover the first successful ascent of Everest in 1953, he described Edmund Hillary returning from the summit as huge and cheerful, his movement not so much graceful as unshakably
The Italian writer Roberto Calasso, who died in July at the age of 80, was an anomalous and fascinating figure on the international literary scene. In his early twenties he began working for the prestigious publishers Adelfi Edizioni and stayed with them his whole life, eventually becoming editorial director and, when the firm was threatened
James Ivory and Ismail Merchant formed the most successful cinematic partnership since Michael Powell and Eric Pressburger. Between the founding of Merchant Ivory in 1961 and Merchant’s death 44 years later, the company produced 42 films, more than half of which were directed by Ivory himself. Although its range was wider than is often allowed,
Apart from what the title tells us, these stories are about a fundamental difference in cultures. Huma Qureshi writes like a psychotherapist, considering, analysing, explaining, seeking out conflicts, evasions, and discomforts. The clash is between London and Lahore, Britain and Pakistan. The girls who appear in these tales are westernised, but still hostages to their
All the questions around Britney Spears can be condensed into this one: who should we blame? For a long time, there was a comfortable narrative that the pop star’s decade-long descent — from virginal queen of teen in 1998, to junk-food scarfing, twice-divorced single mother, to broken woman being transported to hospital in restraints —
Novelists are leery about letting the buzzwords of recent history into their books. The immediate past threatens to upstage the imagined world with its reality, and at the same time diminish it with the cardboard tang of everyday life. Sarah Moss, by contrast, has never been embarrassed to lend her prose the texture of contemporary
Imagine a new take on the Greek myth of Pygmalion. A love-shy artist makes a woman out of marble who is so beautiful that he falls for her and prays that she will come to life. For a moment he thinks his wish will be granted, but it is only his imagination. Now, in his
The old adage that everyone has a novel in them has a new version: anyone can write a thriller. Celebrity helps, of course, and Bill and Hillary Clinton are exemplars of the trend, though each has had the sense to draw on professional assistance and the grace to acknowledge it. Closer to home, Britain has
Ten years ago, David Graeber was a leading figure of the Occupy Wall Street movement. He and his fellow protesters camped out in Zucotti Park, storing $800,000 of donations in trash bags because they didn’t believe in banks. The American anthropologist and anarchist activist called this an experiment in ‘post-bureaucratic living’. But such politics made
A headline in the Mail on Sunday, taken up eagerly by the BBC’s Today programme, claimed recently: ‘The SAS is getting worried that not enough posh officers are applying for jobs.’ Having hooked those shocked by the thought that the SAS should draw such distinctions, as well as those appalled that oiks are applying at
She’s done it again: J.K. Rowling has written a captivating children’s book. The Christmas Pig (Little Brown, £20) is about a toy pig, Dur Pig (DP for short), a boy called Jack and what happens when DP gets chucked out of a car and is replaced with an unwelcome Christmas Pig. It’s also about how
Thirty years ago the Soviet Union was guttering to its close. Those of us who were there remember the exhilarating hope, the apprehension, the illusion. For everyone else it is a distant echo. Russia was always likely to lose the Cold War competition with America. It was unmanageably large, too poor and too reliant on
This memoir from Sir Richard Needham, 6th Earl of Kilmorey, businessman and former Northern Ireland minister, has a frank opening: ‘I came from a family of barely solvent aristocrats, who distrusted trade and despised politics. For some inexplicable reason, however, I had always been fascinated by both.’ Although generations of Needhams before him had ‘uneventful’
Dan Rhodes’s career might be regarded as an object lesson in How Not to Get Ahead in Publishing. Our man was chosen as one of the Best of Young British Novelists in 2003, but his recent exploits include a spectacular falling out with his one-time sponsors, Messrs Canongate, and the writing of a lampoon about