The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
If you want to see the very best of Gauguin and Matisse, go east. That was the case in 1914 and it’s still true today. The reason, then and now, lay in the collecting habits, both discerning and extravagantly acquisitive, of two men: Sergei Shchukin and Ivan Morozov. The first of these has already been
Tom Bower explains in his acknowledgements that this is not an authorised biography and he did not seek Boris Johnson’s co-operation. Instead, he followed his usual biographical method of interviewing well over 100 people who knew Boris, some named, some not. Obvious sources are his mother Charlotte, his sister Rachel, his first wife Allegra, his
Is it ever possible to truly see inside the heart of another? To divine hidden intentions and the darkest of thoughts? For a long time — before we all became sourly aware of our own computers spying on us like HAL 9000, and flashing ads for haemorrhoid ointments — this godlike omniscience was ascribed to
Not long ago, if you asked discreetly in the right Hackney pub, you would be put in touch with a character called Syd the Squatbroker. For as little as £150, he would gain access to the roof of an abandoned council tower block with a set of fireman’s keys. Then Syd (nom de guerre of
In 1772 the 15-year-old Mozart wrote a one-act opera set, like The Magic Flute, in a dream world. Il sogno di Scipione was based on an account in Cicero’s Republic of a dream experienced by the Roman general Scipio Aemilianus while serving in North Africa in 148 BC. In the dream the younger Scipio is
If you love Fauda — and of course you do — you’re in for a long wait for season four, which isn’t due to arrive on Netflix till 2022. That’s why I had such high hopes for Tehran, which is written by one of Fauda’s co-authors Moshe Zonder. What, after all, could there possibly be
Southwark Playhouse has revived an American show, The Last Five Years, whose run was cancelled in March. In advance, I received an email outlining the theatre’s new rules, which appeared to exceed the minimum legal requirements. At the venue, I found that the main entrance had become the exit while the side door had become
Nineteen fifty-six: the Suez crisis, the first Tesco, Jim Laker takes 19 wickets in a match. But also: Trinidadian pianist Winifred Atwell becomes the first black woman to have a UK number one with ‘The Poor People of Paris’; Kenneth Tynan announces a playwriting competition in the Observer, which is won by the Trinidadian dramatist
Offenbach at Glyndebourne! Short of Die Soldaten with a picnic break or a period-instrument revival of Jerry Springer: The Opera, it’s hard to imagine a less probable operatic outcome— even this year. I mean, Offenbach: the saucy skewerer of middle-class pretension; the dazzling, vulgar arriviste of 19th-century opera. It couldn’t have been more incongruous had
Mothballed since March when it danced a farewell Swan Lake, the Royal Ballet made a triumphant and joyous return to Covent Garden last Friday, performing a string of ancient and modern works before an invited audience of 400. Meanwhile, around the country (and the world) ballet-starved viewers paid £16 to watch a Vimeo livestream. Jonathan
Rebecca is a new adaptation of Daphne du Maurier’s gothic, twisted, never-out-of-print tale of sexual jealousy. It’s directed by Ben Wheatley, with a script by Jane Goldman, and stars Lily James, Armie Hammer and Kristin Scott Thomas. High hopes? Me too. But though it’s perfectly watchable, it’s not at all daring. Would the second Mrs
Many books claim to describe junctures that changed the world but few examine ones as consequential as Conquistadores: A New History. Hailed by the Romantics as courageous explorers, the Spanish conquerors are increasingly seen as violent and rapacious exploiters. That, says Fernando Cervantes, oversimplifies the complexities of the early modern period. Cervantes, a Mexican historian,
In his latest book, the veteran pop commentator David Hepworth is concerned with satisfaction, its acquisition and maintenance. On record, satisfaction was something the Rolling Stones found notoriously hard to get — ‘an itch you could never quite scratch’. In reality, it was a commodity the groups spearheading the British invasion of the 1960s —
Twenty-five years after making Spartacus, a parable of Roman decadence and rebellious slaves shot in California, Stanley Kubrick made Full Metal Jacket, a ’Nam flick shot in Beckton. Ever the perfectionist, Kubrick had imported palm trees from Africa, the better that the local gas works resemble downtown Hué. Alas, he wasn’t happy. Something about the
Far be it from me to utter a word against the patron saint of Dublin pubs, Roddy Doyle. Granted he’s a comic genius, his dialogue comparable with Beckett and that this, his 12th novel, is garnering rave reviews in America. But is not Doyle’s trademark conversation between two men in a pub not just a
During the Spanish civil war of 1936 to 1939, 35,000 men and women from around the world volunteered to fight against the forces of General Franco and his supporters from Fascist Italy and Nazi Germany. When the volunteers were withdrawn in September 1938 after two years of bitter fighting, more than a fifth of them
From Downing Street to Pennsylvania Avenue, history’s powerful inter-family influencers, whether spouses or children, have long operated behind weighty political front doors. With an unerring eye for the revealing detail, Catherine Grace Katz has uncovered a fascinating generational back-story to the Yalta summit of February 1945. The three varyingly spirited daughters of Churchill, Roosevelt and
By my reckoning, this is the 24th outing for John Rebus, Scotland’s best known retired police officer. One of the many pleasures of the series is that Rebus ages in real time. COPD now makes climbing stairs an increasing problem, so he and his dog Brillo are in the throes of moving to a downstairs
Closely inspect No. 23 Leinster Terrace, Bayswater and you might notice the house has no letter box. Push at the door and you might find it stuck; force your way in and you might find you plummet 40 feet through open space down an obsolete ventilation shaft on to the tracks of the District Line.
Some of my happiest fiction-reading hours have been spent in the company of Kevin Barry: two short-story collections, both prize-winners, and three captivating novels. First, the baroque mayhem of City of Bohane, characters exploding on the page flashing knives and fancy footwear, its vernacular veering from Clockwork Orange argot to Joycean dazzle. A world away
Even if you didn’t have an Auntie Dot in Cockermouth (the one who ate a raffia drinks coaster, mistaking it for a high-fibre biscuit), it was impossible not to feel Victoria Wood got you, somehow. Her death in 2016 triggered an outpouring of grief commensurate to her talent, but it also revealed how intimately, how
What Are You Going Through is both brilliant and mercifully brief. Weighing in at 200-odd pages, it can be read in five hours flat and will leave you staring into endless night. ‘Make the audience suffer as much as possible,’ advised Alfred Hitchcock, and Sigrid Nunez, whose subject is emotional extremity, follows suit. The suffering
How much does a Michelangelo cost? It is, as they say, a good question, meaning: nobody really knows. The reason for this odd state of affairs is that almost none of them have ever been bought and sold on the open market, which is how the prices of most things are established. It’s hard to
Curious thing, writer’s block. If you believe it exists. Terry Pratchett didn’t. ‘There’s no such thing,’ he said. ‘It was invented by people in California who couldn’t write.’ He had a point. Writers write, period. But there is a syndrome in my house known as Not Starting Anything New Through Fear Of It Being Not
When Kwame Kwei-Armah took over the Young Vic a ‘Black Lives Matter’ sign was strapped to the front of the building. One of BLM’s aims is the overthrow of capitalism and it’s widely assumed in theatreland that Kwame, who is great fun to meet, has embraced this goal by adjusting the Young Vic’s pay structures so that
Saint Maud is a first feature from writer-director Rose Glass and it’s being billed as a horror film. But it’s not your common-or-garden horror film. There are no chases through woods. No one watches a doorknob being twisted from inside the room. Also, there are no maypoles. (Always bad news, maypoles.) Instead, it’s more of
Dr John called James Booker ‘the best black, gay, one-eyed junkie piano genius New Orleans has ever produced’. Booker died in 1983 at 43, ruined by drugs, drink and madness. Though he appeared on plenty of other people’s records and stages — Dr John, Aretha Franklin, B.B. King — Booker recorded only three studio albums
In the week Jenni Murray left Woman’s Hour, I was listening to Alan Partridge on his new podcast, From the Oasthouse, and imagining what he might have been like as her successor. As I chuckled through half a dozen episodes of awkward Norfolk frippery, it occurred to me that, short of taking him on, the
A woman is eating a pie in her car as it gets an automatic wash. Careful to keep the pie out of shot, she then films herself on her phone pretending to have an orgasm, posts the clip online and drives to work. Once there, she’s constantly distracted by thoughts of domestic chores (‘Whites tonight,