Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Lloyd Evans

Ill-disciplined and self-indulgent: The Guilty Feminist podcast reviewed

Radio

With theatres shut, radio must lighten the darkness. The Guilty Feminist is a wildly popular podcast performed by Deborah Frances-White and guests. In the episode of 23 March, the presenter hoped the superbug would cure our mania for business trips to ‘Philadelphia for a meeting about key performance indicators… Don’t fly to see people you

Even Anne Tyler can’t make a solitary Baltimore janitor sound interesting

More from Books

Micah Mortimer, the strikingly unproactive protagonist of Anne Tyler’s 23rd novel, is a man of such unswerving routine that his rare moments of whimsy — slipping into a foreign accent on Mondays when the week turns to floor-cleaning and ‘zee dreaded moppink’ — come to seem like unfathomable caprice. Indulging a sudden hankering for a

Bleak humour, resourcefulness and wit: Budapest Festival Orchestra’s Quarantine Soirées reviewed

Classical

There’s a certain merit in bluntness. ‘Quarantine Soirées’ was what the Budapest Festival Orchestra called its response to the crisis, and if the name conveyed a certain bleak Magyar humour, the resourcefulness couldn’t be faulted. Elsewhere, orchestras were still talking optimistically about broadcasting concerts from empty halls, and (even more optimistically) about persuading online viewers

Where would any writer be without a room of their own?

More from Books

If you seek out the home of an admired writer, you might find, as with Ernest Hemingway’s house in Havana, that there’s a pen on the desk, mid-novel, and it feels as though he’s about to return from a day’s fishing. You might encounter, as Hermione Lee did visiting the novelist Elizabeth Bowen’s beloved ancestral

What makes Thomas Piketty so sure he can save the world?

More from Books

The French economist, statistician and polymath Thomas Piketty sprang to fame in 2013 with a daunting tome, Capital in the Twenty- First Century. In it he documented a ‘fundamental force of divergence’ in the capitalist system, which he represented by the equation r>g — the tendency for returns to capital to grow faster than national

The grisly art of Revolutionary France

Exhibitions

There was a basket of thick red wool and two pairs of large knitting needles at the start of University College London’s cleverly curated exhibition, Witnessing Terror: French Revolutionary Prints 1792–94. Visitors were invited to contribute their own lines of stitches before picking up a copy of A Tale of Two Cities, in which Dickens

Gorgeous and electrifying: And Then We Danced reviewed

Cinema

The film you want to see this week that you mightn’t have seen if you weren’t stuck at home is And Then We Danced, a gay love story set in Tbilisi, Georgia, and it is truly wonderful and gorgeous. Every cloud and all that. However, in my area the demand on broadband is so high

A love letter to San Francisco’s mean streets

More from Books

Recollections of My Non-Existence is the Rebecca Solnit book I have been waiting for. I was born four years after the American writer, and on the same continent, and much of what she describes in Recollections feels very familiar: the flamboyant gay scene of the 1980s, swiftly followed by the devastation of the Aids epidemic,

Dominic Green

King Solomon’s lost city will remain lost forever

More from Books

Armageddon began as Har Megiddo, the Hill of Megiddo in northern Israel. The theological aspect is Christian. For Jews, ancient or modern, Megiddo is more existential than eschatological. The name denotes a fortress overlooking a strategic crossroads: Megiddo means ‘strength’. This is where the ancient Via Maris (the ‘way of the sea’, or coastal road)

Male violence pulses through Evie Wyld’s The Bass Rock

More from Books

‘It’s a woman’s thing, creation,’ says Sarah,a girl accused of witchcraft in 18th-century Scotland, in one of the three storylines in Evie Wyld’s powerful new novel. Sarah is pregnant, having been raped and nearly killed. She is looking at a piece of sacking sewn by a sister and mother, and continues: ‘You can see how