Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Bloodbath at West Chapple farm

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Fifty years ago, the blasted bodies of three unmarried siblings, members of the Luxton family, were discovered at a Devon dairy farm, set in a lush stretch between the ‘lavender haze’ of Exmoor and Dartmoor. The youngest member of the family, Alan, was 55. He lay in his pyjamas and work boots on the cobbles

My adventures in experimental music – by David Keenan

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David Keenan acquired his craft as a music writer, he says, from reading the crème de la crème of critics who milked rock music for all it was worth during the 1970s – Lester Bangs, Griel Marcus, Paul Morley, Biba Kopf – before deciding that rock criticism was not his bag. In the preface to

Adrift in strange lands: The Accidentals, by Guadalupe Nettel, reviewed

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Borders have always played an important part in Mexican literature. Not only geographical/political frontiers but the more porous boundaries between past and present, the living and the dead. Between what is real and what is not. Carlos Fuentes, Octavio Paz and Juan Rulfo were all drawn to this shifting, unreliable territory. Time moves on and

The benign republic of Julian Barnes

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Not long into this essay I found myself wondering if it would have been published if the author were not Julian Barnes. I also wondered: would I have guessed the author’s identity if it had been withheld from me? Actually, it’s really five little essays, whose subjects are ‘Memories’, ‘Words’, ‘Politics’, ‘Books’, and ‘Age and

The road trip from hell: Elegy, Southwest, by Madeleine Watts, reviewed

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Throughout her quietly compelling second novel, Elegy, Southwest, Madeleine Watts conjures a sense of trundling steadily towards disaster. The narrator, a young Australian woman called Eloise, is recounting a road trip that she and her husband Lewis took through the American Southwest in 2018 – while a deadly fire was sweeping through northern California. The

Olivia Potts

The story of food in glorious technicolour

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Have you ever suffered from museum blindness? A complete overwhelm at the sheer amount of stuff – often quite similar stuff – that prevents you from focusing on any one item? I know I have. Two-thirds of the way around a museum, even one I have true enthusiasm for, I find my eyes sliding off

Time is running out for the world’s great rivers

Lead book review

That rivers have a life of their own is an ancient idea become current again. Shape-shifting, vital and recognisably capable of being sickened or damaged – as the state of our fragile chalk streams so starkly illustrates – there is good reason why fluvial myths have such historic potency and why the flow of water

Devastating: WNO’s Peter Grimes reviewed

Opera

Britten’s Peter Grimes turns 80 this June, and it’s still hard to credit it. The whole phenomenon, that is – the sudden emergence of the brilliant, all-too-facile 31-year-old Britten as a fully formed musical dramatist of unignorable force. W.H. Auden had urged him to risk everything – to step outside his admirers’ ‘warm nest of

The making of Van Gogh as an artist came at a terrible cost

Lead book review

Six months before Vincent van Gogh’s death, the critic Albert Aurier, waxing poetical, wrote an article entitled Les Isolés on the then unknown painter. It raised to sainthood the solitary genius driven to insanity by an uncomprehending world. ‘Is he not one of the noble and immortal race which the common people call madmen but

Why we never tire of tales of pointless polar hardship

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I’m not altogether a fan of what the writer Sara Wheeler has called the Big Willie school of expeditions. ‘To me,’ I once intoned loftily, ‘exploration is not about conquering nature or planting flags or going where no one’s gone before in order to make a mark. Rather the opposite.’ It’s more about a spirit

Is there ever a good time to discuss the care of the elderly?

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Not far into The Life, Old Age, and Death of a Working-Class Woman, Didier Eribon quotes from this balladesque 1980 track by the French singer-songwriter Jean Ferrat: We have to be reasonable You can’t go on living like this Alone if you fell sick We would be so worried You’ll see, you’ll be happy there

The boy who would be king: The Pretender, by Jo Harkin, reviewed

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Cock’s bones! This is a most wonderly historical novel, the very reverse of a wind-egg. It tells the story of Lambert Simnel, the youthful figurehead of a Plantagenet uprising against Henry VII in 1487. The historical Simnel is an elusive figure, and most of what little we know comes through Tudor propagandists. Jo Harkin fills

Magnetic and manipulative – the enigma of Gala Dali

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Salvador Dali’s wife Gala was born Elena Ivanova Diakonova in 1894 in Kazan, on the banks of the Volga. Her father was an abusive alcoholic who vanished when she was ten. Her mother, a midwife, moved the family to Moscow where Elena attended an exclusive school. But in 1913 she started coughing, so was sent

Dangerous games of cat and mouse: a choice of crime fiction

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Psychosis and thriller writing are never friends. Even when told from the psychotic’s point of view, madness is always hard to portray since it involves a form of chaos irreconcilable with the resolutions we find in any thriller worth its salt. Havoc (The Borough Press, £16.99), by the American writer Christopher Bollen, is a remarkable

The mystical masterpiece from Stalag VIII-A

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Olivier Messiaen was a French composer steeped in the solitude and ecstasy of Catholic mysticism: everything he wrote was dedicated to the greater glory of God. He was in thrall to the liturgical works of Stravinsky, but also to the percussive cling-clang of Javanese gamelan music and other eastern sonorities. His thirst for ‘un-French’ music

Good lawyers make for bad TV

Television

Given that TV cameras aren’t allowed to film British criminal trials, Channel 4’s new documentary series Barristers: Fighting for Justice is a courtroom drama without the courtroom. As for the drama bit, the programme does its excitable and occasionally successful best – but isn’t always backed up by its own participants, who on the whole

Was Sir John Soane one of the first modernists?

Exhibitions

Sir John Soane’s story is a good one. Born in 1753 to a bricklayer, at 15 he was apprenticed to George Dance the Younger and at 18 had moved on to Henry Holland. Later came major commissions, a professorship, a knighthood and gold medals. Fame followed. Along the way he added an ‘e’ to his

Cartier used to be a Timpson’s for the rich

Exhibitions

In the fall of, I suppose, 1962, my friend Jimmy Davison and I, window shopping on Fifth Avenue, bumped into the glamorous Venezuelan playboy-grandee Reinaldo Herrera. Jimmy asked where he was going. ‘I’m just nipping into Cartier. They’re fixing my skis,’ Reinaldo replied. Autres temps, autre moeurs. I doubt anyone today uses the world’s most

Lloyd Evans

Those behind this fabulous new comedy are destined for big things

Theatre

Rhinoceros by Eugene Ionesco is a period piece from 1959. It opens with the invasion of a French village by a herd of rhinoceroses. This paranormal event is never explained. In Act Two, the villagers start to imagine that they’ve become rhinoceroses and changed species. But one plucky sceptic, who defies conformity, refuses to swap