The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Grade: A– I’m here to make you feel old. It’s now nearly 20 years since the pleasing, laconic, Stones pastiche of ‘Bohemian Like You’ hit the charts, the breakthrough song of these faux-indie Portland slackers. They were ever a little despised, even then, partly for their pop sensibilities and partly because there is indeed something
Janacek’s upsetting opera Katya Kabanova, which hasn’t been seen in the UK for some time, turned up in two different productions over the weekend, with a third to follow in Scotland. The Opera North production by Tim Albery dates from 2007, when it was conducted by Richard Farnes with the clarity and passion which characterises
All Is True is Kenneth Branagh’s biopic of Shakespeare’s last years and All Is Not Very True, apparently, which we could live with, but All Is Not Very Interesting either, which is harder to endure, particularly at the midway point when you feel a nice doze coming on. I don’t get it. I mean, if
You might well expect a royal documentary on Channel 5 to be unashamedly gossipy. You might also expect it to go for the simultaneous possession and eating of cake — lamenting the endless scrutiny the poor Windsors are subject to, while adding a fair amount of its own. What you mightn’t expect, however, is for
Hampstead has become quite a hit-factory since Ed Hall took over. His foreign policy is admirably simple. He scours New York for popular shows and spirits them over to London. His latest effort, Cost of Living, has attracted the film-star talent of Adrian Lester, who plays Eddie, a loquacious white trucker from Utah. (His ethnicity
It was odd listening to Jim Al-Khalili being interviewed on Radio 4 on Tuesday morning rather than the other way round. In his series The Life Scientific, Al-Khalili has developed his own brand of interviewing, encouraging his guests to talk about their work in science by leading them from personal biography —how they came to
My husband, usually a cool customer, watched Free Solo from behind his fingers, sometimes jumping up from the sofa and backing away from the TV. Audiences at Imax showings have behaved the same way, rising to their feet, clenching their sweaty fists as they watch Alex Honnold, a 33-year-old rock climber from Sacramento, make his
In 2016, after some unseemly back-and-forth between the Commons and Lords, it was decided that Acts of Parliament should no longer be printed on calfskin. Instead, new acts are now recorded on paper, though, in a classic parliamentary compromise, they will still be bound between vellum covers. Since the first paper mills appeared in Britain
This is a fascinating example of a small genre, in which the author decides at an early stage in his adult life that he would like to devote himself to a great figure whom he idolises, but who needs help of one kind or another to continue with his work, or at least for what
It’s unusual for musicians to become writers. The trajectory of yearning is meant to be the other way around. When I was a teenager working at the New Musical Express I was bemused by the number of men there who had won the greatest prize on earth — being paid to write — but nevertheless
The king of crime fiction doesn’t need a crown and sceptre. Every page proclaims his majesty. James Lee Burke has now written 22 books about Dave Robicheaux, but readers will never grow tired either of him, his friend, Clete Purcel, or the bayou. The New Iberia Blues should be greeted with a fanfare of trumpets:
‘If your time ain’t come, not even a doctor can kill you’ — so goes the proverb that best echoes the dilemma of an ageing humankind as we glimpse the harrowing vista of decrepitude to come: a panorama that first takes in the custard-stained wingback chairs of a soul-extinguishing care home, then yaws off nauseatingly
Any memoir is a form of double-entry book-keeping, in which what has been lost is reckoned against what has been gained. It’s always easier to fill in the ‘lost’ column, since boasting is discouraged; sadness gets more attention, too, as it’s generally supposed to be more interesting than contentment. Sophie Ratcliffe includes an actual list
IN ASSOCIATION WITH THE PRINCIPAL PARTNERS OF SHAKESPEARE’S GLOBE’S 2019 SUMMER SEASON Though the new production of Richard II we’ve been discussing here is taking place at the Globe, it’s perhaps worth remembering that the original didn’t. The play precedes the building of the first theatre by half a decade or so. It
I once threw Tony Parker’s Lighthouse across the fo’c’sle of a ship at sea when I read that his characters were composites. Oral history should be historical, or it goes into the ocean. So it is a shame that I sometimes question Xinran’s authenticity in this account of the loves and lives of four generations
The phrase ‘Shakespeare comedy’ is an oxymoron with a long pedigree, one which perhaps stretches back to the late 16th century; and a running joke in Ben Elton’s Upstart Crow is that no one finds the comedies funny except their author, who thinks they’re hilarious. So it is a brave writer who, in a bid
Kristen Roupenian’s debut collection, You Know You Want This (Cape, £12.99), comes hotly anticipated. Her short story, ‘Cat Person’, went viral when the New Yorker printed it in December 2017, becoming the second most read article published by the magazine that year. Told in an apparently simple, confessional voice, it recounts 20-year-old Margot’s courtship with
Somewhere deep in the water-thick layers of Time Song, Julia Blackburn says, funnily, that in Danish, ‘the word for book is bog’.And Time Song itself is a kind of beautiful bog, a memoir-cum-meditation focusing on the stretch of land that once connected Britain to the Continent but was drowned by the rising waters at the
Dau is not so much a film as a document of a mass human experiment. The result is dark, brilliant and profoundly disturbing. For three years up to 400 people, only one a professional actor, lived for months at a time on a city-sized set specially built for the shoot near Kharkov, Ukraine. Modelled on
The joint exhibition of Michelangelo Buonarroti and Bill Viola at the Royal Academy is, at first glance, an extremely improbable double act. Viola is one of the contemporary-art stars of the later 20th and early 21st centuries. He was one of the first to achieve fame in the new medium of video art, and is
The NT’s new play is an update of Pamela, a sexploitation novel by Samuel Richardson. It opens with Stephen Dillane and Cate Blanchett stranded in a concrete garage dressed as French maids. On one side, a black Audi saloon. Mid-stage, colourful blinking lights. At the edges, four other actors lurking. The main characters have no
Grade: B Resident Evil 2 takes the original zombie shooter, which has become a cult classic and, to many, the quintessential horror video game, and gives it a lick of digital paint. Gone are the blocky hallways of the Raccoon City police station, along with the slow moving hordes of undead who, if you squinted,
Can You Ever Forgive Me? is a true story based on the 2008 memoir of Lee Israel, the writer who turned her hand to forging literary letters and who became, as she puts it, ‘a better Dorothy Parker than Dorothy Parker’. So it’s that story, but it also isn’t. That story is here but the
Boy often likes to rebuke me for having impossibly high standards when it comes to TV. ‘Why can’t you just enjoy it?’ he says. This is disappointing. One reason I ruined myself to give him an expensive education is so I wouldn’t have to share my viewing couch with a drooling moron happy to gawp
It’s becoming clear that the travails afflicting all the major players in The Archers, Radio 4’s flagship drama, are intended by the soap’s writers (and new editor Jeremy Howe) to reflect what’s going on in the country at large, Ambridge as a microcosm of our imploding nation. As Home Farm is sold to absentee landlords
Spoiler alert: it’s all a dream. At least, I think that’s what we’re meant to take away from the business with which director James Brining accompanies the overture to Mozart’s The Magic Flute. A little girl in ochre pyjamas is trying to sleep while in an adjacent room braying, guffawing adults sit down to a
It was summer 1981, and the towns and cities of Britain were alight. There had been riots in Brixton, south London, that April and on 10 July there were more — and not just in Brixton. Other parts of the city followed. And so did a long list of other places, from the unsurprising —
Kazakhstan, say signs by the side of the road in this vast Central Asian country, is ‘a land of unity and accord’. Few outside pay a great deal of attention to a state that is almost as large as Europe, and home to eye-popping natural resources, chiefly — but not only — oil. One who
Maggie Gee has written 14 novels including The White Family, which was shortlisted for the Orange Prize (now the Women’s Prize). Blood, her latest, is a bizarrely misfiring black comedy. The setting is Thanet, which was the only Ukip-held council in Britain until March last year, when almost half of its councillors resigned and formed