Books and Arts – 23 March 2017

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Imagine climbing the hills that surround Belfast and stumbling upon this 11-metre-high steel bollock. ‘It will be visible from a number of different points throughout the city,’ coos the Arts Council. Haven’t the people of Northern Ireland suffered enough? ‘Origin’ is the winner of our second What’s That Thing? Award for the worst new public
Two films for you this week, one of which is surprisingly good and one of which does not surprise in the least. Shall we be unsurprised first? OK, Another Mother’s Son, set during the second world war on Nazi-occupied Jersey, is based on the true story of Louisa Gould, who took in an escaped Russian
There was a nasty sound of pens being sharpened last week as Royal Ballet runaway Sergei Polunin prepared to unveil his latest venture. The reviews were as dire as the show but the overriding mood was one of regret that so great a talent should have lost its way. Project Polunin’s triple bill was cannily
As we know from all those newspaper articles and actress interviews, there’s a scandalous lack of high-profile British TV dramas starring women over 40. Indeed, if it wasn’t for No Offence, Unforgotten, Silent Witness, Last Tango in Halifax, The Fall, NW, Agatha Raisin, Broadchurch, Happy Valley and Apple Tree Yard, there’d really only be Vera,
No one should complain that My Country; a work in progress is a grim night out. It’s rare for a good play to be written by royal command. The co-authors are the Queen’s personal minstrel, Carol Ann Duffy, and the director of her Royal National Theatre, Rufus Norris. These inspiring artistes have sent their vassals
Girls creator Lena Dunham has received criticism from all sides. Detractors on the right see her as an exhibitionist provocateur. Those on the left see her as a privileged narcissist, who can’t help but see feminism through a white middle-class prism — and who unforgivably rooted for Hillary Clinton over Bernie Sanders. The HBO show
When Wireless Nights hit the Radio 4 airwaves in the spring of 2012, I was not at all sure about Jarvis Cocker’s particular, not to say eccentric, manner of presentation, butting in, making his presence felt, never letting us forget that it’s his programme, he’s in charge. His coy comments were too self-conscious for my
There’s a moment in the finale of Beethoven’s Appassionata sonata when the frenzied piano writing turns unexpectedly jolly. The late Antony Hopkins described it as a bit of an anticlimax, ‘a little too near to the traditional Gypsy Dance that appears so often in the less probable 19th-century opera’. I’m not sure whether I agree
Ceci n’est pas une Partenope. Forget the warring classical kingdoms of Naples and Cumae: this is surrealist Paris in the 1930s and imminent invasion is the stuff of conversational parenthesis, barely worth interrupting a rubber of bridge for, let alone an embrace. Man Ray, Lee Miller and their androgynous associates slink and affect their way
The centenary of the Russian Revolution has arrived right on time, just as the liberal democratic world is getting a taste of what it’s like to feel political gravity give way. In 2017, Lenin lives. ‘In many ways he was a thoroughly modern phenomenon,’ writes Victor Sebestyen in Lenin the Dictator, the kind of demagogue
The Reformation is such a huge, sprawling historical subject that it makes sense, in this the 500th anniversary of Martin Luther producing his 95 Theses, to break it up into bite-size pieces in order to sample its distinctive local flavours. Eamon Duffy, emeritus professor of Christian history at Cambridge, takes England as his territory, and
Kahlil Gibran was 40 years old, a short — he was just 5’3” — dapper man with doleful eyes and a Charlie Chaplin moustache, and in the first throes of the alcoholism that would result in his early death, when in 1923 he published The Prophet. A collection of 26 prose-poems, written in quasi-Biblical language,
In Yoko Tawada’s surreal and beguiling novel we meet three bears: mother, daughter and grandson. But there will be no porridge or bed-testing here: these are bears with a difference. Tawada has form in animal-linked fiction: The Bridegroom Was a Dog won a major Japanese award. Writing in Japanese and German, she is a prizewinner
Talleyrand was 76 when he took up the post of French ambassador in London in 1830. Linda Kelly deals only with the last phase of Talleyrand’s long and tumultuous career, but this short book brings him marvellously to life. He was not an impressive figure. Little over 5’3” in height, he walked with a limp
Michael Fishwick’s new novel tells the story of a young man called Robbie, who has been uprooted from his London home after his mother’s death. He finds himself in rural Dorset, where he inhabits a capacious present that has ample room for the intrusions of the mythic past. Struggling with his loss, Robbie has taken
Trailing rave US reviews, fan letters from Yann Martel and Khaled Hosseini and a reputation as ‘Doctor Zhivago for the 21st century’, comes this outstanding historical saga from debut novelist Sana Krasikov. It’s a dazzling and addictive piece of work from an author born in the Soviet Republic of Georgia whose family emigrated to New
The business of banking (from the Italian word banco, meaning ‘counter’) was essentially Italian in origin. The Medici bank, founded in Florence in 1397, operated like a prototype mafia consortium: it rubbed out rivals and spread tentacles into what Niccolò Machiavelli called the alti luoghi (‘high places’) of local power interests. Undoubtedly, Medici money was
Alone with her father’s dead body, Olive Piper says, ‘I don’t know anything, except what I feel, and how can anyone know more?’ In Susan Hill’s new novel, Olive’s acceptance of the primacy of feeling represents a coming of age. Her maturity is achieved at a cost. As in a number of her recent novels
Boualem Sansal’s prophetic novel very clearly derives its lineage from George Orwell’s Nineteen Eighty-Four. A totalitarian surveillance state, a fundamentalist religious autocracy, is portrayed as being totally intolerant of free-thinkers. This is a powerful satire on an Islamist dictatorship. It is unsurprising that Sansal’s writings are censored in his native Algeria. The religious structure of
I can recall exactly where I was 40 years ago when I didn’t buy the first issue — or ‘prog’ —of 2000 AD. The just-launched sci-fi comic, featuring ‘space-age dinosaurs’, ‘the new Dan Dare’ and a ‘FREE SPACE SPINNER’, i.e. a mini frisbee, looked quite exciting and, at 8p, good value for pocket money; but,
Belatedly, goodnight to Chuck Berry. Almost everything that has been worthwhile in rock music for 60-odd years has derived from his clever, knowing, mix of cracker-country and black blues. Most of the guitar solos you ever heard had their roots in that raucous and effective two string – E and b – chiming of Chuck’s:
Only once did Michelangelo sign a sculpture. It was the ‘Pietà’ of 1497–1500, and he did so using an incomplete sentence in the past imperfect: ‘Michelangelo Buonarroti the Florentine was making…’. The implication was that actually completing a perfect masterpiece was an unattainable goal, so instead he just had to leave off (a great many
Wouldn’t it be nice, in these divided times, for humanity to have a common enemy – preferably an inanimate one. Welcome to the What’s That Thing? Award. We’re in our second year, hunting down the most execrable new pieces of public art that have appeared in the past year in this country and this time we’ve teamed up with the Architecture Foundation.
Creaking doors, rustling leaves and leaky taps make up the soundtrack of Olivier Assayas’ improbable horror film Personal Shopper. But the most unnerving (and grating) sound in this supernatural fashion show are the iMessage alerts that may or may not be coming from the beyond. If that sounds ridiculous, that’s because, like so much else
I don’t think that I have left a theatre many times feeling as depressed and irritated as after the Royal Opera’s Die Meistersinger, in the new production by Kasper Holten. The run of the Royal Opera’s recent productions of Wagner — appalling Tristans, a dire succession of Parsifals, mediocre Rings — hadn’t prepared me for
The exit signs were switched off and the stalls were in utter darkness. One by one, 15 invisible dancers, their joints attached to tiny spotlights, began to colonise the far end of the hall, forming fresh constellations with every pose. The audience smiled in wonder, like tots at a planetarium. Tree of Codes, which had
To cut to the chase, my ten-year-old daughter really liked Beauty and the Beast. And given you’re probably going to be watching this as a child’s plus-one, I’d say hers is the view that matters. Her favourite character was Le Fou, the baddie’s gay sidekick, though I’m not sure she realised. But then the gay
Down the Mighty River with Steve Backshall (BBC2) was perfect Sunday-night TV — one of the most enjoyable adventure travelogues I’ve watched in ages. So I was quite surprised to see it reviewed lukewarmly by another critic. One of the critic’s objections was that the scene where Backshall spots a bird of paradise through his