The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
An extraordinary black-and-white photograph of a young black boy taken on the Isle of Wight by Julia Margaret Cameron in 1868 shows him in exotic clothes and a heavy silver-bead necklace, like a chain-of-office or a prisoner’s collar. He looks so sad, reminding me of the caged lions in London Zoo, his eyes heavy-laden, his
The blue sky is Sunni. The white clouds are Shia. The sun is happy. The shops are crowded. The planet is healthy. The oceans are healthy. The oceans have recovered. The economy has recovered. Long ago, when I could sleep the night through Without having to get up to pee, I’d wake at a very
I was riveted to read about Ione Wells, an Oxford student, aged 20, who was savagely attacked on a London street. She then wrote about the experience for her university paper and has now hit the national news, prompting other students to write about their experiences too. Ione has kick-started her career as a journalist,
Bit of Kant, bit of Kierkegaard, bit of motorcycle maintenance. That’s one take on The World Beyond Your Head, Matthew Crawford’s philosophical polemic about how virtual reality is impinging on real reality. Actually, his targets in this book are Descartes and John Locke, with whom, he reckons, the rot started when it comes to thinking
The Green Road is a novel in two parts about leaving and returning home. A big house called Ardeevin, walking distance from an unnamed town on the coastline of County Clare, is home to the Madigan family. At the centre of the family is Rosaleen Madigan, the matriarch: ‘A woman who did nothing and expected
It is ironic that this weighty biography of Hitler’s evil genius of a propaganda minister is published on the day of a general election filled with Joseph Goebbels’s hallmarks: mendacity, media manipulation and the big lie. Seventy years after the spectacular suicide of Goebbels and his wife Magda, and their murder of their six children,
Bicycles — in Britain, anyway — are the Marmite means of transport. I am among the bicycle-lovers, almost religious and certainly addicted in my need to have a daily bike ride. But I can see why people — and drivers in particular — hate some of us: for our smugness, our need to keep on
As a young student, the atheist Alan Turing — disorientated with grief over the death of his first love Christopher Morcom — wrote to Morcom’s mother with an atomic theory of how one’s spirit might transmigrate. Years later, he brought the modern computer age into being by positing machines imbued with consciousness. You can’t help
Moura Budberg (1892–1974) had an extraordinary life. She was born in the Poltava region of Ukraine, and as a young woman she danced at the Sanssouci Palace at Potsdam with the Russian Tsar and the German Kaiser. In her twenties by 1917, she had a well-placed aristocratic husband, two children and several fine homes in
The story is an interesting one. Gunpowder had to be manufactured. In 1916 one of the places dedicated to the dangerous and difficult task was remote Kent. A fire broke out and led to a series of huge explosions. Deaths and injuries were not widely specified at the time for reasons of morale, but 109
The prodigious brilliance, blaring public ruin, dismal martyrdom and posthumous glory of Oscar Wilde’s reputation are almost too familiar. The facts have been rehashed in numerous biographies, and dramatised by such actors as Robert Morley, Peter Finch, Rupert Everett and Stephen Fry. The only way to attack the subject with any hope of surprise is
Carol Ann Duffy, the Poet Laureate, has again refused to write a poem to commemorate the birth of the new royal, Charlotte Elizabeth Diane. Rod Liddle has written his own poem about Duffy, asking why she took the job of Poet Laureate if she doesn’t like writing verse about royals. But this still leaves no one
Our wonderful bisexual poet laureate, Carol Ann Duffy, has decided once again not to write any of her doggerel to commemorate the latest royal birth. I suppose this is a mercy, really. However, here is what she might have written, if she could have been arsed to do so. I can’t abide the Royals, They
Alfred Cortot (1877-1962) was in my opinion the greatest pianist in recorded history. If I had to give one reason – and there are many – it would be the spontaneity of his playing. Above all you hear it in Chopin. His twists of rubato and infinitely subtle shading of phrases sound as if they’ve just
Writers and producers have shown little appetite for putting the coalition on stage. Several reasons suggest themselves. In 2010 wise pundits assured us all that the Rose Garden duo would squabble and part long before the five-year term expired, and theatre folk were persuaded not to gamble on a ship that might sail at any
One evening before the first world war, Henri Gaudier-Brzeska, fired by drink, tried out such then-fashionable dances as the cakewalk and the tango, ‘his eyes burning — his hair wild’. What was funny about this spectacle, his companion Sophie Brzeska confided to her diary, was not so much the dances as the sight of the
The soot sunk clouds have gone — to blacken someone else’s landscape. The tugging, ripping, girl-fight wind that stole the weekend’s peace has been abracadabra’d away as though life’s difficult days never even happened. Sometimes the stirred world stills. The trees refitted and re-greened appear overslept and drowsy. How long have you been sleeping? How
Enter Rufus Norris. The new National Theatre boss is perfectly on-message with this debut effort by Caryl Churchill. Her 1976 play about inequality screams, ‘Vote Ed’ at triple-klaxon volume. Not that anyone in the audience was won over. They’d made up their minds long ago. Which is just as well because the play is hopelessly
Firstly, a message to all Marvel fanboys: there is nothing for you here. Nothing. No CGI, no endless battles, no superheroines with their boobs on show, no deafening soundtrack and no Andy Serkis popping up for reasons I still can’t fathom, and don’t care to fathom anyhow. So go away and heckle someone else, unless
Three staples of the Italian repertoire, performed and seen in very different circumstances, have confirmed my view that they deserve their place in the repertoire, however many other works by their composers or contemporaries may be unearthed. I saw OperaUpClose’s version of Donizetti’s The Elixir of Love in the Mumford Theatre Cambridge, an underused venue
Some years ago I paid a visit to the site of the Gallipoli landings because I was mildly obsessed with the Peter Weir movie and wanted to gauge for myself how horrible it must have been. En route I met up with a young Australian who was training to be an actor (in my false
‘It’s hard to know how to tell this story,’ she said as she began. ‘Because it’s so loaded. It’s so heavy-duty.’ Lore Wolfson was talking about the death of her husband, Paul, or rather about the onset of the illness that led him a year later to take an overdose of heroin, aged 61. He
Tours that start in Mexico have a nasty habit of repeating on one. Of all the British groups touring in the United States at the moment, we were the only one to launch our efforts there. But the upshot is that, two weeks later and safely in New York, I am still directing a sea
Sir John Eliot Gardiner is talented almost beyond measure. His Monteverdi Choir, English Baroque Soloists and stupidly named Orchestre Révolutionnaire et Romantique have notched up one triumph after another over the decades: benchmark recordings of the Monteverdi Vespers and Bach B minor Mass, the finest period-instrument Beethoven symphony cycle and a cantata pilgrimage of live
Midnight to dawn adding one more to the serial tally, love and irritation carried over, borrowed and paid back, all these vulgar fractions seeking to shape a perfection divisible only by one and itself.
John Knox, Cranmer complained, was ‘one of those unquiet spirits, which can like nothing but that is after their own fancy, and cease not to make trouble and disquietness’. Yet this awkward cuss, son of a merchant in Haddington and initially a young Roman Catholic priest, became a pillar of the Reformation in Europe and
Allan Mallinson’s historical series concerning Matthew Hervey, the well-bred, thoughtful soldier, details a world where men are practical and not too clever; where the only sensible vote is Tory; where Moors make ‘uncommonly good cymbalists’. Everything gleams, buffed up to a shining surface: it is a fantasy of empire and glory. Two thirds of the
Lore has it that those viewing naughty books in the British Museum could once do so only with the Archbishop of Canterbury in attendance. Such pastoral care may be advisable for any institution ending up with the private archive of letters, diaries and artwork from which Joscelyn Godwin compiles this eccentric and nicely produced account
Understandably given its bulk, Antony Sher’s Falstaff in the Royal Shakespeare Company’s recent production of Shakespeare’s two Henry IV plays had a long period of gestation before it emerged, fully formed and laughing, from under the covers of a bed also occupied by Prince Hal and a couple of prostitutes. Sher tells the story in