The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
With Elvis has Left the Building, the longstanding editor of GQ has inexplicably written a book that could serve as a handy, if perhaps overly comprehensive, compendium of bad journalistic habits: from the over-arching flaw of failing to decide what you want to say to such specifics as the excessive use of the phrase ‘American
‘Phlogiston’ is an interesting, if obsolete, word. Of Greek origin, it referred to the ‘fire-making’ quality thought to be present in, among other things, the ashes gathered by London dustmen. In the mid-18th century these ashes were mixed with earth and even ‘excrements taken out of the necessary houses’ to create the vast numbers of
Vladimir Putin calls it ‘the greatest geopolitical disaster of the 20th century’, a viewpoint which explains much of his recent behaviour. Few others anywhere in the world, particularly people who live around Russia’s borders, would agree that the collapse of the Soviet Union was anything to lament. From Riga to Tbilisi and from Kiev to
‘At the Sign of the Cross in St James’s Street, When next you go thither to make yourselves sweet By buying of powder, gloves, essence, or so, You may chance to get a sight of Signior Dildo.’ So wrote John Wilmot, Earl of Rochester, in 1673. But the era of having to go to St
What’s the difference between Kanye West and the space cadets of Speakers’ Corner? Without having access to their bank statements, the biggest distinction between the two parties is that when Mr West (‘Yeezus’ to his friends) played a gig in London on Friday, he was standing on a state-of-the-art stage set rather than a stolen
My Bed, one of the works that failed to win Tracey Emin the Turner Prize (she lost to Steve McQueen in 1999), made £2.2m at Christie’s this week, going to an anonymous buyer. Charles Saatchi, who put it up for auction, had bought it for £150,000 in 2000. It has apparently lost none of its
We may have had the verdicts and the sentences in the hacking trial, but the biggest question remains unanswered: who’s going to play everyone in the movie? There’s one clear and obvious frontrunner for the part of Rebekah Brooks: Bonnie Langford. Sadly, however, Ms Langford has heavy panto commitments and cannot be released for filming.
The illustrator Quentin Blake is uncannily like one of his own creations: tousled, bright-eyed, quizzical, and apologetic about his summer cold. He greeted me warmly and conducted me down a dimly lit hallway into his lair, a studio giving on to a leafy London square, piled high with the tools of his trade: papers teetering
As the boundary between auction house and art dealer blurs yet further, with auctioneers acting increasingly by private treaty as well as taking over commercial galleries, and as West End gallery space becomes ever more expensive, alternative exhibiting venues are being sought with growing urgency. One solution is to move further into corporate territory, and
A court-martial — followed by an execution: not exactly promising ingredients for a musical. But Ross Clark’s new music drama Shot at Dawn turns out to be unexpectedly moving. On the outbreak of the first world war, Adam, a farm labourer, enlists in the army, despite being underage, and is later shot for cowardice; his
Bridges aren’t necessarily something you think of as being beautiful, particularly if you consider them primarily as the means to cross a river, rather than as works of art. London, however, has always been famous for its bridges, many of which are architectural marvels. From medieval London Bridge, piled high with shops and houses, to
Out there in the great ether there’s a whole new world of radio beyond the stations of the BBC and the FM dial. This week I found myself listening to a programme in Danish. I know. It sounds mad. But there I was glued to my computer screen reading the English subtitles while I listened
BBC2’s The Honourable Woman (Thursday) began with a rather portentous voice-over bringing us the unsurprising news that ‘We all have secrets. We all tell lies just to keep them from each other and …pause to indicate psychological profundity …from ourselves.’ Luckily for the viewer, this was accompanied by the sight of man in a restaurant
‘Charlie. E. Powder,’ said the friendly, helpful man working his way through the crowd during the mindblowing Friday-night headline set by the American dubstep DJ Skrillex. I looked wistfully at his man-bag of chemical enhancers. Skrillex was good. Maybe the best electronic act I’ve seen in 24 years of Glastonburies. (‘Slivers of mutant dancehall, booty
It seems a very short time since I interviewed Richard Farnes about Opera North’s planned Ring cycle, the dramas to be done one a year, semi-staged in an idiosyncratic way. In fact, it is four years, and now the complete cycle has been performed to universal acclaim, with the loudest cheers going to the conducting
Fashion Victim — the Musical!. There’s a title that’s been waiting to be used for ages. The Cinema Museum is a frumpy warehouse, tucked away in a Kennington backwater, crammed with big-screen memorabilia. A cobwebby salon fitted with a catwalk serves as the theatre. Charmingly camp Carl Mullaney kicks things off by introducing the cast
The Emperor Waltz is long enough at 600 pages to be divided, in the old-fashioned way, into nine ‘books’. Each book has a date, sliding from 1922 to 1979 to next year to 203 ad to last month. This might suggest an overly systematic novel in the mode of David Mitchell’s Cloud Atlas or Eleanor
‘Curious to see Mrs Aveling addressing the enormous crowd, curious to see the eyes of the women fixed upon her as she spoke of the miseries of the dockers’ homes, pleasant to see her point her black-gloved finger at the oppression, and pleasant to hear the hearty cheer with which her speech was given.’ So
It takes a special sort of talent to be able to make drawings of your own 97-year-old mother on her deathbed funny. The person with that gift is Roz Chast. Subscribers to the New Yorker will already be familiar with her marvellous cartoons, which often feature elderly and over-neurotic parents shouting dire imprecations to their
Lillian Hellman must be a maddening subject for a biographer. The author Mary McCarthy’s remark that ‘every word she writes is a lie, including “and” and “the”’ wasn’t far off. Navigating through the hall of mirrors that Hellman left behind, trying to sort fact from self-aggrandising fiction, seems to have worked Dorothy Gallagher into a
At a time when feminism is grimly engaged in disappearing up its own intersection (two transsexuals squabbling over a tampon is the image that comes to mind) Caitlin Moran is to be bravo’d till the sacred cows come home for bringing her super-brightness to bear on this most vital of subjects. Like the rest of
This is the Real Thing, an evocative account of English upper-class life throughout the 20th century. It begins amidst the Edwardian feudal splendours of Belvoir Castle, where Ursula d’Abo spent much of her childhood with her beloved grandfather ‘Appi’. At the coronation of George VI she was a maid of honour to the Queen. During
Few subjects generate as much angst, or puzzlement, among Western policymakers in Africa as China’s presence on the continent. In his new book, China’s Second Continent, the American journalist Howard French recalls meeting US officials in Mali to sound them out on the matter. Instead, he finds himself barraged by questions. ‘It would really be
For most Russians, Boris Pasternak is one of their four greatest poets of the last century. For most Anglophone readers, he is the man who won the Nobel Prize for Doctor Zhivago. The first four chapters of The Zhivago Affair give a full picture of Pasternak’s life and the Soviet literary world up until the
Roger Wright’s precipitate departure from both Radio Three and the Proms came as a surprise. At first the news was that he would go at the end of the season, but then it became apparent he was leaving at the beginning of it. Whatever his reasons may have been — and one sympathises with the
Are you the sort of man – or is your man the sort of man – who’s always meaning to read more novels but never gets round to it? Proper novels, I mean, rather than your John Grisham/Andy McNab stuff. Well the book you’ve been waiting for is soon to be published: A Man Called
Who could possibly choose hay fever, insect bites and heat rash over an open fire, cashmere blanket and hot chocolate laced with brandy? Although I love the bright early mornings and blue sky I can’t bear the heat and all that comes with it. Give me winter over summer any day. But to admit my
In 2010, Brendan O’Neill suggested that Glastonbury had become an authoritarian, corporate pigpen. From the looks of things this year, nothing has changed. Here’s Brendan’s piece: Most people, when they hear the word Glastonbury, think of mud, drugs, drunkenness, moshing, free love, the lighting up of spliffs, and generally harmless experimentation in a field. Well,
We all have what Andy Miller calls a ‘List of Betterment’: 50 or so books that, if read, would surely make us a better person – book clubs, gulp that Pino down, and discuss. Granted, it’s tough being a bastard if your nose is always in a book. And from The Year of Reading Dangerously:
