The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Study the greats. That’s the advice to all budding playwrights. And there are few contemporary dramatists more worthy of appreciative scrutiny than Bruce Norris, whose savage and hilarious comedy, Clybourne Park, bagged the Pulitzer Prize in America before transferring to the West End where it stunned audiences with its macabre revelations about bourgeois attitudes to
Compliance is a small film that says big things rather than one of those big films that say very little, if anything. It’s written and directed by no one you have ever heard of, and stars no one you have ever heard of (I know!; be brave!) yet takes such a rivetingly clear-eyed look at
This year’s London Handel Festival got under way, as usual, with an opera production at the Royal College of Music’s Britten Theatre. Imeneo, a late opera of Handel, is unusual in several respects. While it is concerned with amorous intrigue and frustration, there is no dynastic or other political dimension, a welcome change, and one
Under the stewardship of John Reith, the BBC was godlier than it is today. In fact, when Broadcasting House was first opened in central London, Director General Reith made sure to dedicate the whole thing to Him up there. An inscription was chiselled into the wall of the building’s foyer, which began: ‘To Almighty God,
‘What is your idea about Iran?’ friendly Iranians are heard to ask the few foreign visitors who still come their way. One is never quite sure whether by ‘idea’ they mean ‘impression’, ‘opinion’ or ‘theory’. Inspiring landscapes, fine cuisine and a tradition of hospitality make the first category easy ground. The second pertains to politics,
I live in New York and until this month I had never heard of Victor Gregg, the World War II veteran whose 2011 memoir, Rifleman, was hailed as possibly the most honest and outspoken ever written by an enlisted soldier and ‘an outstanding book that deserves to become a classic’. Gregg is 93, which is
We don’t have an extreme climate, says Richard Mabey in Turned Out Nice Again (Profile, £8.99). We don’t have tsunamis, active volcanoes, monsoons or Saharan duststorms. ‘What we really suffer from is a whimsical climate, and that can be tougher to cope with than knowing for sure you’re going to be under three feet of
The sheer workload. That’s the first big surprise in Matthew Laban’s absorbing history of the Speakership since 1945. Typically, the Speaker rises at dawn and holds several hours of preparatory meetings before parliamentary business starts after lunch. Though helped by two deputies, the Speaker must remain on duty into the small hours. Loneliness and overwork
In the first six pages of Andrea Camilleri’s new novel, Inspector Montalbano drinks at least four cups of coffee and watches a seagull dance to its death in front of his verandah. Its beak pointing at the sky, the bird spins in its last agony. Afterwards, the inspector places its corpse in a plastic bag,
Do men or women of the world still exist? Well-educated, they are from families that value taste, manners and intellectual cultivation, and with enough money to allow their children to acquire these qualities; they attend concerts, look at paintings, travel and meet men and woman of distinction. They could, for example, while still young, watch
The so-called ‘Robben Island Bible’ is one of the holy relics of Shakespeare criticism. It is a copy of a 1970 edition of Shakespeare’s complete works, kept by a political prisoner on Robben Island, the notorious island jail off Cape Town, during the 1970s and 1980s. The possession of such a book was against the
The Emperor Augustus, ruler of the known world, once spotted a man in the street who looked a bit like himself. ‘Did your mother ever work at the palace?’ he asked him roguishly. ‘No,’ the man replied, ‘but my father did.’ Augustus could have had the man killed for this scurrilous (and slightly surreal) insinuation,
Like many posthumous books from distinguished thinkers, this isn’t one. A book, I mean. Not really. The problem is that nobody seems to buy cobbled-together collections of previously published essays, talks and book reviews. The thing to do if you’re a publisher, therefore, is to give it a title that makes it sound like a
It is Budget Day. Prepare for another barrage of “messages” about the virtues or perils, depending on your point of view, of ‘austerity’. From where has this ubiquitous term come? And should it apply to our times? Dot Wordsworth, our language columnist, has some answers: ‘If we are invited to think we are experiencing austerity,
Death Comes For The Poets is an unliterary book with a highly literary subject. It’s usually done the other way around: exquisite quodrilogies about American car salesmen; towering works about bored wives in French villages. Here we have a thriller, but one written by two eminent contemporary poets in which poets are murdered in correspondent
To my Excellent Lucasia , on our Friendship. I did not live until this time Crowned my felicity – When I could say without a crime I am not thine, but thee. This carcass breathed, and walked, and slept, So that the world believed There was a soul the motions kept; But they were all
Peter Lilley MP is the Conservative MP for Hitchin and Harpenden, and has been an MP since 1983. He was a Cabinet minister in both the Thatcher and Major governments, and today talks to us about Waugh, Tolstoy, and his quest for timeless literature. 1) Which book is on your bedside table at the moment?
This week, March 11th, marks the 50th anniversary of the shooting by firing squad near Paris of the last person (so far) to be executed by the state for political offences in France. 36-year-old Lieutenant-Colonel Jean Bastien-Thiry, a brilliant young officer of the French Air Force, was a rocket scientist (he invented the SS-10 anti-tank
Hitchhiking through Salt Lake City as a student in 1976, I asked a local man, who was out shopping, directions to the nearest Salvation Army hostel. Rightly assuming I was down on my uppers, the man gave me his huge bag of groceries and walked off with a ‘bless you’. Say what you like about
The press release blithely informs us that Federico Barocci (1535–1612) is ‘beloved by artists and art historians throughout the ages’, but I must beg to differ. Not by me, nor by any of my considerable range of friends and acquaintances in both fields, has he been loved or even much known. Barocci is one of
‘Gypsies seem to have been born into the world for the sole purpose of being thieves,’ Cervantes begins his story of The Little Gypsy Girl. ‘They are born of thieving parents, they are brought up with thieves, they study in order to be thieves, and they end up as past masters in the art of
Around the country, a roadshow is taking place that could transform the way young people are employed in this country. Bear with me, we are about to enter the strange world of mystifying acronyms and quango jargon, but it just might be worth it. The Creative Employment Programme (or CEP to the initiated) aims to create
A room filled with glowing fog; shadowy figures among glittering LEDs and warm ‘breathing’ columns of light. Welcome to the trip that is Light Show (until 28 April), the Hayward Gallery’s latest exhibition exploring how artists have used the medium of artificial light over the past five decades. With side effects of disorientation, slight panic
The drums roll, hollow and ominously persistent. Then come the trumpets, in a minor key, sepulchral, eerie, penetrating. ‘Just imagine,’ interrupts Donald Macleod, ‘the sense of shock mingled with a kind of disbelieving horror of those who performed that music in November 1695.’ Macleod was introducing his Composer of the Week, which as part of
What would you do if you had a quite extraordinary talent in impersonating everyone, from Al Pacino to Barack Obama to just any random Irish bloke? In TV land, you are probably rather baffled by it all, and unsure what to do about it as you languish in an unfulfilling half-life, until a Series of
Welcome to the Punch is a British crime action thriller and here is why you may wish to see it: it is set in a night-time London so magnificently lit even I wanted to visit, and I live there. And now, ten reasons you can skip it, get on with your life and save 99
George Benjamin’s Written on Skin is a work of compelling fascination, all the more so in that it is elusive and possibly wilfully puzzling. I want to see it again as soon as possible, and of how many new operas can that be said? Actually, of three that have been premièred at the Royal Opera
Peter Morgan has extracted more cash from the royal ‘brand’ than the Buckingham Palace giftshop. He’s at it again with The Audience, a fictional dramatisation of the weekly conversations between the Queen and her first ministers. This is a smart idea carried off with intelligence and plenty of style. Morgan dispenses with a linear parade
I’ve just been reunited with a man whose pungent and patronising views on great composers have haunted me for more than 30 years. His name is Gervase Hughes, and I’ve discovered from Wikipedia that he was an upmarket travel agent who died in 1984. I had no idea, because I knew him only through his