The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
The subject that Sarah Ditum addresses in Toxic is why the early part of this century was ‘such a monstrous time to be famous and female. It’s about how the concept of privacy came undone and why that was a catastrophe for women’. The concept of privacy was actually undone by a judge in Tulsa,
I rather bristle at newspaper column collections. They strike me as a bit lazy, a cheat’s way of getting another book under the belt, often just in time for the gift-giving season. When it comes to Rachel Cooke’s Kitchen Person, however, I have to eat my words. It draws from the 14 years of monthly
The sirens sound in the street. The lockdown order comes. The images on the television are of chaos and illness, total societal collapse. The apocalypse is here, and where are the rich? Already holed up in their survival compounds, ready to ride out the end of the world before emerging to take control of what’s
Once a King is trumpeted as ‘game-changing’, a ‘trove of never-before-seen papers which shed fresh light on the maligned Duke of Windsor’ and will ‘turn on its head long-accepted stereotypes’ about him. These are bold claims, but do they stack up? ‘The lost memoir of Edward Vlll’ actually consists of an early draft of the
Would readers approaching this novel (although novel might not be precisely the right word) without any indication as to the authorship recognise it as the work of Jonathan Lethem? It doesn’t have kangaroo gangsters packing heat, or sentient miniature black holes, or marine drills converted into nuclear-powered limos. It is not set on an alien
I have been reviewing books for nearly four decades – starting in this very magazine – and over the years I have encountered some real stinkers. But this is the first time I can recall being reluctant to pick up the book because of actual physical nausea. Intellectual nausea I’ve had plenty of times. Give
Édouard Manet and Edgar Degas first met in a gallery at the Louvre. Degas was standing, etching plate in hand, copying a picture. How audacious, Manet exclaimed, to work without a preliminary drawing. ‘I would not dare to do the same.’ And thus he revealed the essential difference between the two. Degas was a supreme
What a relief to find ourselves in a non-faddy cook book year. We are not being encouraged to chew only plants, ferment everything, grow burgers in labs or devour insects. It’s not that I don’t look for answers to how we should eat to survive the future, but I know a thing or two about
One Saturday in 1953, the six-year-old Reggie Dwight of 55 Pinner Hill Road went to his first football match with his perennially gloomy father, Stanley. ‘Emerging from the Tube station,’ writes John Preston, ‘Stanley reached down and took his son’s hand.’ Reggie was enchanted by Stanley’s sudden happiness. The only place the two would ever
It’s nearly a quarter of a century since Michael Nunn and William Trevitt bravely left their safe haven at the Royal Ballet to set up BalletBoyz, a company aimed at developing the underused potential of male dancers and exploiting Nunn and Trevitt’s passion for film technology. At the time this seemed like a useful mission
A while ago, a therapist advised me to go out less and stay in and watch TV more. Having avoided the world of block-streaming until then, I took her advice and immediately found great pleasure in my new pastime. There was so much to watch, and it was all so absorbing and pleasantly addictive. The
If chicken soup is balm for the soul, then James McBride’s eighth book, set in 1930s Chicken Hill, a neighbourhood in a small town in Pennsylvania that is home to Jewish, black and other immigrant people, is its literary equivalent. There is something nourishing about The Heaven & Earth Grocery Store, a warm story about
There’s a photograph in Nicole Eisenman’s Whitechapel exhibition of the 28-year-old artist, in 1993, sitting at her easel with a big bow in her hair and a bevy of studio assistants – a feminist piss-take of the trope of the heroic male artist surrounded by adoring acolytes. Her resemblance in the photo to stand-up comic
The ‘ordinary academic mind’, William James wrote, struggles to recognise things which ‘present themselves as wild facts with no stall or pigeonhole’. The Yale professor Carlos Eire has a passion for them. His erudite, wilfully eccentric study of baroque Catholicism glories in the supernatural powers of holy persons. He showcases two kinds of miracles they
The twin poles of the modern imaginarium about technology and society can be represented by two masterpieces of popular culture. In James Cameron’s film The Terminator (1984) and its sequels, a global computer system called Skynet becomes sentient and proceeds to try to exterminate the human race by means of time-travelling Austrian bodybuilders. In Iain
Perhaps unfairly, Marcel Theroux does rather bring to mind Dannii Minogue. Not only does he look very similar to his more famous sibling, but when not writing (pretty good) novels, he’s in the same line of work: like Louis, he makes TV documentaries that feature much brow-furrowing. His latest was a neat fit for ITV1’s
Even if you are suffering from eat-the-rich fatigue (see The Menu, Triangle of Sadness, The Lesson, Parasite, Bait, The White Lotus, Succession etc.) and can no longer work up much of an appetite for wealthy folk being dreadful you must make an exception for the psychological thriller Saltburn. It’s by Emerald Fennell and it’s not
The reason conspiracy theories are so resilient, reproducing themselves from one generation to another, is that they are unfalsifiable. Evidence against them, however solid, has obviously been faked. Anyone who tries to demonstrate that Americans did land on the moon or that J.F. Kennedy was killed by Lee Harvey Oswald is obviously in the pay
The American music website Pitchfork is the journal of record for alternative America. It has became this generation’s Rolling Stone, for both good and ill. Long before it was bought by Condé Nast, however, it was famous for a disastrous jazz review in which the site’s founder chose to employ what he appeared to believe
To Have And To Hold boasts a starry cast and a top-class creative team. Richard Bean’s script is a meditation on ageing, directed by Richard Wilson and Terry Johnson, and it opens with a sight-gag about a wonky stairlift descending into a suburban lounge in Yorkshire. The stairlift is occupied by Flo, a tea-drinking fusspot
London’s two opera houses have been busy staging non-operas. Handel’s English oratorio, Jephtha, is his final exercise in a form that only existed because it was, explicitly, not opera (Georgian theatres needed something to play during Lent). We know better today, and dramatised reboots of Handel oratorios are proliferating, possibly because – unlike his actual
The acronym for Arts Council England is rather unfortunate at the moment. The organisation is being accused of many things: being overly close to government, underfunded and blinkered – but nobody thinks it is ace. Even friendly culture critics are losing patience. As the august arts commentator Richard Morrison recently wrote in the Times: ‘The
Origin stories have always helped humans gain a moral compass. Locked in a tight embrace, the Maori deities Rangi and Papa are separated by their enveloped children, creating the distant father sky and nurturing Mother Earth, bringing light to the world. Mayan gods fashion man from maize after destroying earlier clay and wood versions, who
In some children’s books, nothing much happens. In Roberto Piumini’s Glowrushes (Pushkin Press, £9.99), it’s like this: a father, a great Turkish lord, hires an artist to paint his sick son’s rooms for his 11th birthday, and together the boy and the painter create walls of wondrous imaginary landscapes. It turns out that you don’t
In Building Soul, Thomas Heatherwick’s recent Radio 4 series, architects are villains. According to the puckish designer of Google’s King’s Cross campus, the profession is in thrall to a ‘cult’ of modernism, intent on forcing us to live in houses that make us ill and work in offices that make us depressed. Is property ownership
The age of the car was a long time coming. The 19th century belonged to the train and, to a lesser extent, the bicycle. Several prototype automobiles were built during this period, but by the end of the century the technology was still primitive. In 1899 a handicap race held in France pitted walkers, riders,
‘It was a nice way of living,’ huffs Grace, the fiftysomething anti-heroine of Celia Dale’s devilishly dark 1988 novel Sheep’s Clothing, republished by Daunt Books. Recently released from Holloway prison, and using a demure headscarf and twin-set as cover, Grace teams up with Janice, a former fellow inmate, to rob elderly women. Disguised as social
Among many other prizes for her stunningly original work, Alexis Wright has won Australia’s greatest literary honour, the Miles Franklin Award, for a novel of the highest literary merit representing Australian life. It is ironic, but sadly apt, that her epic Praiseworthy should be published in the year that Australians, offered a chance to give
It’s a familiar tale. Midway through life’s journey, Marcus Berkmann woke to find himself in a dark wood, where the right road was wholly lost and gone. Without a Virgil to guide him through the trials and torments of middle age, he composed a bestselling memoir based on his experiences, A Shed of One’s Own