Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Melanie McDonagh

The best of this year’s children’s books

More from Books

In some children’s books, nothing much happens. In Roberto Piumini’s Glowrushes (Pushkin Press, £9.99), it’s like this: a father, a great Turkish lord, hires an artist to paint his sick son’s rooms for his 11th birthday, and together the boy and the painter create walls of wondrous imaginary landscapes. It turns out that you don’t

Why do the British still dream of bricks and mortar?

More from Books

In Building Soul, Thomas Heatherwick’s recent Radio 4 series, architects are villains. According to the puckish designer of Google’s King’s Cross campus, the profession is in thrall to a ‘cult’ of modernism, intent on forcing us to live in houses that make us ill and work in offices that make us depressed. Is property ownership

Magnificent men in their automobiles: the 1907 Peking-Paris rally

More from Books

The age of the car was a long time coming. The 19th century belonged to the train and, to a lesser extent, the bicycle. Several prototype automobiles were built during this period, but by the end of the century the technology was still primitive. In 1899 a handicap race held in France pitted walkers, riders,

Tea and treachery: Sheep’s Clothing, by Celia Dale, reviewed

More from Books

‘It was a nice way of living,’ huffs Grace, the fiftysomething anti-heroine of Celia Dale’s devilishly dark 1988 novel Sheep’s Clothing, republished by Daunt Books. Recently released from Holloway prison, and using a demure headscarf and twin-set as cover, Grace teams up with Janice, a former fellow inmate, to rob elderly women. Disguised as social

The horror of finding oneself ‘young-old’

More from Books

It’s a familiar tale. Midway through life’s journey, Marcus Berkmann woke to find himself in a dark wood, where the right road was wholly lost and gone. Without a Virgil to guide him through the trials and torments of middle age, he composed a bestselling memoir based on his experiences, A Shed of One’s Own

A bird’s-eye view: Orbital, by Samantha Harvey, reviewed

More from Books

This slender, gleaming novel depicts a day in the life of six astronauts at the International Space Station – but a day isn’t a day for a crew orbiting Earth at more than 17,000 miles an hour. Space ‘takes their 24 hours and throws 16 days and nights at them in return’. Weaving a line

The beauty of medieval bestiaries

More from Books

How to hunt an elephant. Find a tree and saw most of the way through it without felling it. Sooner or later an unwary elephant is bound to lean up against it. Down comes the tree and down comes the elephant, which, since it has no joints in its legs, will be unable to get

Has all the charisma of Chernobyl: Manchester’s Aviva Studios reviewed

More from Arts

There is a (possibly apocryphal) story about William Morris, where he spends most of his time in Paris inside the Eiffel Tower’s restaurant because ‘that is the only place where you can’t see the damned thing’. Aviva Studios risks a similar fate. Designed by architects OMA as the permanent performance venue for the Manchester International

Love and loathing at Harold Wilson’s No. 10

More from Books

If Marcia Williams is thought of at all today, it is in terms of hysterical outbursts, a mysterious hold over the Labour prime minister Harold Wilson and, above all, the ‘Lavender List’ – Wilson’s 1976 Resignation Honours List in which Marcia is believed to have played a significant part. Linda McDougall, the widow of the

Entertaining. Mostly: Dream Scenario reviewed

Cinema

Dream Scenario is a high-concept dark comedy about celebrity and cancel culture. It stars our old pal Nicolas Cage who, blame it on what you will – tax bills, divorce bills, the price of butter – has appeared in some abominable dreck down the years but has never turned in a boring performance. Mad, yes.

Books of the year II: more choices of reading in 2023

More from Books

Ruth Scurr In Ways of Life (Jonathan Cape, £30), Laura Freeman channels the spirit of the art critic and collector Jim Ede. She traces the origins of Kettle’s Yard in Cambridge – not a museum, nor art gallery, more a cabinet of curiosities – through Ede’s own life, his work for the Tate, the other

Jenny McCartney

Joni Mitchell, in her own words

Radio

There’s always been something at once girlish and steely about Joni Mitchell, the stellar Canadian whom Rolling Stone called ‘one of the greatest songwriters ever’. As Radio 4’s Verbatim programme in honour of her 80th birthday reminds us, a stubborn hopefulness has carried her through turbulent times. Perhaps growing up in Saskatchewan, where winter temperatures

The rise of Christian cinema

Arts feature

Author Matthew Vaughan spent much of his life in the church – and even preached the gospel in Pakistan – but never considered himself a fan of Christian media. ‘To be honest, most of the films I saw were pretty corny,’ he tells me over the phone from his home in Birmingham. For Vaughan, that

Not everything in the garden is lovely

More from Books

While I was reading Most Delicious Poison, I visited a herbal garden in Spain which features the plants grown by the Nasrid rulers of Granada hundreds of years ago. They cultivated myrtle for its medicinal uses and jasmine for its fragrance. How did they know of myrtle’s properties? Some ancient ancestor must have figured it

The data-spew about Bob Dylan never ends

More from Books

When it comes to Bob Dylan, Clinton Heylin is The Man Who Knows Too Much. Since publishing his first biography, 1991’s Behind the Shades, he has become the world’s most committed Dylanologist, doggedly untwining the facts from the artist’s self-serving fictions. When he describes Dylan’s wildly unreliable 2004 memoir Chronicles: Volume One as ‘all a

The shocking truth about adulterated wine: it was delicious

More from Books

In 2012 the esoteric world of wine connoisseurship made the news when the FBI raided the Californian home of an Indonesian national called Rudy Kurniawan. They found a factory for creating fake wines with bottles, corks, labels and even recipes. According to Rebecca Gibb in Vintage Crime, Kurniawan’s counterfeit Mouton Rothschild from the legendary 1945