The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
My old friend ‘Posh Ed’ Stourton begins his new book about political correctness (It’s a PC World, Hodder and Stoughton) with an anecdote about the Queen Mother. She told him, in private, that the EEC would never work, because of all those ‘Huns, Wops and Dagoes’. Ed was displeased: ‘I thought that what she had
The only man from Dulwich College I have ever known, or met, was a master at my school, M. H. Bushby. A distinguished cricketer at Dulwich, he went on to captain Cambridge. Here he is described, in later life, as a ‘much respected and much loved housemaster’, so my attitude to Dulwich has always been
Malcolm Lowry liked to quote the Spanish philosopher, Ortega y Gasset, who saw Man’s life as a sort of novel, made up as you go along. Certainly there are times when life aspires to the condition of fiction. The story of Peter Mandelson, George Osborne, Nat Rothschild and the Russian oligarch might have been written
Notes from Walnut Tree Farm, by Roger Deakin, edited by Alison Hastie and Terence Blacker The writer, Robert Macfarlane, said of his friend, Roger Deakin, that everything Deakin had ever said tended ‘towards diffidence, an abrogation of the self’. It was a fierce verdict. Not a denial of the self or even a suppression of
All in the Mind, by Alastair Campbell It was a good idea. You start with a psychiatrist, and not any psychiatrist, but a professor of psychiatry, a man ‘widely viewed as one of the best psychiatrists in the business’, specialising in the treatment of depression; then you give him a caseload of depressives, and not
My Three Fathers, by Bill Patten The mother to match Bill Patten’s three fathers was Susan Mary Jay. The Jays were cosmopolitan and very grand: they sent their sons to Eton and hobnobbed with the likes of the Mouchys and Boni de Castellane. They would have considered their fellow-Americans of The Ambassadors or Portrait of
A Prickly Affair, by Hugh Warwick At a time when most of his fellow-mystics deplored this sinful world and longed to leave it, 17th-century Thomas Traherne ecstatically celebrated the world and confirmed his religious faith by observing its wonders. ‘The Ant is a great Miracle in a little room . . . its Limbs and
The Chicagoan: A Lost Magazine of the Jazz Age, edited by Neil Harris Think quiz. ‘A crescent-shaped town, 26 miles by 15, along a great lake. An unchallenged murder record — a splendid university — hobo capital to the country — and the finest of grand opera. Altogether the most zestful spectacle on this earth.’
The Ascent of Money, by Niall Fergusson New from Niall Ferguson: the book of the film, or rather, of the series. At any moment now his financial history of the world will take to the small screen and emerge on Channel Four. Programmers and publishers have learned to synchronise these things. It will be a
It’s a real shame that Frank Gehry’s pavilion next to the Serpentine Gallery in Hyde Park has just been demolished. It was England’s first built project by this great Canadian-born architect and was a terrific addition to the park. During its three-month lifespan the huge wooden and glass structure was a place for live music
Our live chat with the Booker-nominated author Philip Hensher will be kicking off in about fifteen minutes over at the online Book Club. So, if you’re a fan of Philip’s work, a bibliophile or just stuck for something to do, do come and join us between 19:30 and 20:15. You can take part by clicking
In his latest Life&Letters column for the Spectator, my father has some fun imagining how different novelists might have treated the Curious Affair of Mandelson, Osbourne, Deripaska and Rothschild. For instance: Somerset Maugham, for instance, would have told it straight, dead-pan, through his favourite disillusioned, mildly cynical, narrator — old Mr Maugham himself, scarcely disguised
Miró, Calder, Giacometti, Braque: Aimé Maeght and His Artists Royal Academy, until 2 January 2009 The role played by dealers in modern French art seems to exceed that of their English counterparts. Perhaps this is because the French were more bombastic and self-serving, but we remember the names of the great dealers such as Vollard
Elektra Royal Opera House For You Linbury Studio The revival at the Royal Opera of Strauss’s Elektra in the production by Charles Edwards, who is also responsible for the sets and lighting, is so drastically modified from 2003 as to amount to a fresh start on the piece. It is still modernised, set in a
Yard Gal Oval House Lucky Seven Hampstead Last week I saw a little-known play, Yard Gal, which I’m pretty sure is a classic. Written ten years ago by Rebecca Prichard and revived with scintillating and furious energy by Stef O’Driscoll, the play follows the lives of two drug–whore teenagers, Boo and Marie, living in the
You’re a middle-class Pole living in modest bourgeois comfort in a detached house in the handsome Austro–Hungarian city of Lwow in 1939 when there’s a knock at the door. Two officers from the newly arrived Soviet army of occupation have come to tell you that from now on all bar one of the rooms in
Sam Leith Richard Price’s meaty and fabulously enjoyable police procedural, Lush Life (Bloomsbury, £12.99), is a book I have pressed on a lot of friends. The new Robert B. Parker, Rough Weather (Quercus, £16.99), is bliss, too, because it has Spenser, Hawk and the Gray Man in it. Short stories from Kurt Vonnegut (Armageddon in
Henrietta Bredin talks to Edward Gardner, English National Opera’s music director There is a ridiculously tiny, narrow room carved out of the foyer of the London Coliseum, known as the Snuggery. I think it was originally intended as somewhere for King Edward VII to retire to for a touch of silken dalliance or simply to
W 15, Nationwide W, which should be pronounced ‘dubya’, the Texan way, as in George ‘Dubya’ Bush — but never as in, for example, Dubya. H. Smith — is Oliver Stone’s dramatised portrait of the 43rd American President and it’s pretty much neither here nor there; neither sympathetic enough to be one thing nor, alas,
Overture 2012: Power and Passion Royal Albert Hall Julie Gilbert/Jean-Baptiste André The Place Triple Bill Royal Opera House I have to confess that the idea of 120 children and teenagers dancing to Shostakovich’s 10th Symphony did not sound particularly appealing. I have nothing against children, but their performances bore me to death. The problem is
I watched Russell Brand’s Ponderland (Channel 4, Thursday) if only so that you don’t have to. It’s rather lazy, like the unpleasant message he and Jonathan Ross left on Andrew Sachs’s answerphone and then broadcast on Radio Two. You’d think that if they were going to be offensive to a well-loved old thespian gent they
Wellington, by Jane Wellesley There can never be too many biographies of the Duke of Wellington because, like Churchill’s and Nelson’s, his career path is so extraordinary, uplifting, chequered and involving that it reads more like (slightly overwrought) fiction than fact. The first thing you’d give your mildly implausible hero if you were a novelist
With regard to the previous post, indefatigable commenter NDM has this to say: John Galt’s The Member and The Radical, available in a handy combined edition from Canongate, are also interesting on this topic. Talking of Galt, I was once driving along one of America’s more boring interstates when I saw a bumper sticker with
From Sickert to Gertler: Modern British Art from Boxted House Gainsborough’s House, Sudbury, Suffolk, until 13 December Private collections of art are fascinating, both for the light they shed on the tastes and preoccupations of their owners, and for the otherwise often hidden network of associations they can reveal. Paintings and sculptures made on a
To Be Straight With You Lyttelton American Briefs Above the Stag, 15 Bressenden Place, SW1 It’s been said that the Catholic Church has always known how to deal with extremists. It also knows — or used to know — how to deal with homosexuals. Monasteries populated by ‘celibate’ bachelors, nunneries teeming with wimpled lesbians, these
I Capuleti e i Montecchi Of Thee I Sing Opera North, Leeds Slightly perversely, Opera North has been running a series of ‘Shakespeare operas’ ending with Bellini’s I Capuleti e i Montecchi, which means that the programme book consists largely of articles explaining that the story doesn’t derive from Shakespeare at all. So what? I
The election of Professor Sir Curtis Price as the next Warden of New College, Oxford, is remarkable in two respects: he is (or was) American and he is a musician. The American side of it is just one of those things. Sir Curtis has lived and worked in the UK since 1981 and has been
Let’s focus for a change on what the BBC does best. Take, for instance, a short half-hour programme on Radio Four, buried in the schedules, mid-evening on a Monday, in which the German historian Rainer Schulz took us behind a bit of actualité to expose an otherwise unheard, unseen aspect. In Belsen after Belsen (produced
Earlier this week, we launched the online Spectator Book Club. You can access it by clicking here; clicking on the Book Club tab at the top of any Spectator.co.uk page; or by entering new.spectator.co.uk/books into your address bar. Once there, you’ll find a host of content to satisfy even the most ardent booklover – from a