The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Simon Baker reviews Andreï Makine’s latest novel In Andreï Makine’s previous novel, The Woman Who Waited (2006), which is set in 1970s USSR, the unnamed narrator sees through his peers’ weak ideologies; he knows that their anti- establishment stance is merely a neat justification for a life of indolence. In Human Love, Elias Almeida, a communist revolutionary,
This magnificent edition of Benjamin Britten’s letters reaches its fourth volume under the auspices of a new publisher, the Boydell Press (despite subsidy, Faber simply couldn’t make it pay), and the first thing to say is that the standards of production, design and copy-editing have not suffered (misspellings of names such as John Lanigan, Roderic
Andrew Taylor reviews the fourth novel in Susan Hill’s crime series The Vows of Silence is the fourth novel in Susan Hill’s crime series. Like its predecessors, it is concerned with murder and its investigation in and around a cathedral city known as Lafferton, and with the lives of those concerned. The central character of the
My 85-year-old neighbour bows to passing magpies, casts spells, and gleefully claims to be ‘a mad old bat’. Eccentric you might say. But she also speaks Mandarin Chinese and sports on her desk a photograph of herself in 1945 carrying a rifle on a hillside above Kunming in southern China where she helped SOE run
At least a couple of times, probably more often, Anthony Burgess declared that Evelyn Waugh wrote ‘too well for a novelist’. ‘Sour grapes’ you may say, remembering that in his own novels Burgess often wrote in clumsy and slapdash style, and that he was perhaps himself a better reviewer than novelist. But it wasn’t just
We’ve just uploaded a new set of culture picks from our arts editor, Liz Anderson. You can access them here.
Don Carlo Royal Opera House Verdi’s Don Carlo is as much of an obsession for me as one of my favourite operas. Though it isn’t perfect, and can’t be made perfect, whatever you include or eliminate from the extraordinary number of options available (including two languages), it has so many prolonged scenes of incontrovertible greatness,
Irina Palm 15, Barbican and key cities The big film this week is, I suppose, The Incredible Hulk but I chose not to see it because, aside from anything else, isn’t this the second Hulk film in about ten minutes? When was the Ang Lee one? I have no idea why it’s come round again
The Goat, they called him; and goatish he certainly was. He was stubborn, self-willed, exceptionally adept at climbing upward over rocky ground — and then there was the other thing, the thing that gives rise to this book. If there was a single force in his life to rival David Lloyd George’s ambition it was
Caroline Moorehead on Daoud Hari’s memoir of Darfur When Daoud Hari was a boy, the villages of northern Darfur were peaceful places. He had a camel called Kelgi, to which he was much attached, and a vast clan of Zaghawa traditional tribal herdsmen as cousins. Sent away to school in El Fasher, he developed a taste
Jason Goowin reviews the memoirs of John Julius Norwich In 1957 John Julius Cooper (later Norwich) was keeping open house in Beirut, ‘the Clapham Junction of the world’s air routes’.Guests were given dinner on the terrace, where the Coopers liked to watch their faces ‘as, promptly at ten minutes past nine, an immense, luminous grapefruit appeared from
The Most Noble Adventure contains a striking pair of photographs of the business district in Hamburg. The first, taken in 1945, shows shattered buildings, clouds of smoke and a virtually empty street. Five years later, the same scene is transformed. The damage has largely been repaired and the sidewalks are filled with well-dressed pedestrians. Was
Petroc Trelawny visits the world’s largest piano factory in the country where under Mao it was dangerous to play the instrument As my plane makes its final approach into the southern Chinese city of Guangzhou, the mountains give way briefly to green paddy fields, and then industry takes over. Beneath are hundreds of vast blue-roofed
MUSIC Proms: Get booking now for this two-month season (18 July to 13 September). Highlights include the Berliner Philharmoniker with Sir Simon Rattle (Brahms and Shostakovich) on 3 September; Handel’s Belshazzar conducted by Sir Charles Mackerras (16 August); Daniel Barbenboim’s West-Eastern Divan Orchestra playing Haydn, Schoenberg and Brahms (14 August); plus endless other goodies. For
‘Mr Pont, may I introduce you to Miss Austen?’ There is something infinitely touching about a creative artist who dies young, not before displaying sure evidence of a glorious gift but without having time to set up the arching parabola of developing genius. One thinks of that magic group at the beginning of the 19th
Mongol 15, Nationwide Mongol traces the early years of the legendary warrior Genghis Khan and does not feature, at any point, the world’s greatest adventurer/archaeologist or four fortysomething women living and loving in New York. Yes, it is probably safe to come out now. They’re all gone! However, having said that, the other morning when
There are going to be plenty more of these, no doubt, even though the Blair administration doesn’t strike one as having been a government full of natural diary- keepers or memoir writers. Still, the incentive of publishers’ lucre presses strongly on those recently deprived of office — John Prescott, in this memoir, remarks guilelessly that
I can’t remember. How many times have we all made a similar response and thought no more about it? But what if those three words start to recur rather more often? Panic. And what if you are under 60 years of age and you know that a family member has already been diagnosed with early-onset
‘This is a work of non-fiction,’ Alexandra Fuller writes. ‘But I have taken narrative liberties with the text.’ She presents a fictionalised account of the life and early death of one man to personify the tragedy of a whole generation in the modern American West, which is no place for John Wayne heroics. With the
Victor Sebestyen reviews Václav Havel’s new book A troika of heroic Slavic statesmen played the key roles in the last great drama of European history — the collapse of Soviet Communism. They were Mikhail Gorbachev, Lech Walesa and Václav Havel. All are still feted in Western capitals and can command high fees on the international
Megan asks for suggestions for a tribute tape to the late and lamented Democratic primary race. A quick glance at my iPod suggests these tunes… “Waiting for the Great Leap Forwards” – Billy Bragg “A Century of Fakers” – Belle & Sebastien “Let’s Get Out of This Country” – Camera Obscura “The Queen is Dead”
This weekend, by chance, brought us television biographies of the two most famous British women of the 19th century. They were very different programmes, for good reason. Queen Victoria’s Men on Monday was made for Channel 4, so of course it had to be in that channel’s long iconoclastic tradition: General Custer, a great tactician;
On a damp spring evening in 1955, Ian Fleming returned home to find his wife, Ann, hosting a salon at their house in Victoria Square. Raucous laughter was emanating from the drawing-room downstairs. One by one, the cream of London’s literati — Cyril Connolly among them — were reading aloud passages from the Bond novels
In exile on St Helena, Napoleon brooded on the cause of the failure of his bid for the mastery of Europe. He confessed that ‘accursed Spain was the primary cause of my misfortunes’. Ronald Fraser’s book of over 500 pages may be seen as a commentary on this confession. Fraser made his name as the
William Leith on Dietmar Rothermund’s account of India If anybody knows about modern India, it’s Dietmar Rothermund. He’s the Professor Emeritus of South Asian history at the University of Heidelberg. He is, as he puts it himself, ‘a witness who has watched India for nearly half a century’. He first visited the place in 1960, and
Andrew Taylor’s latest thriller is set in London in 1934, when Mosley and his Blackshirts were beginning to capitalise on the miseries of economic depression while idealistic young Communists pounced with glee on evidence that the old class hierarchies were cracking. Taylor’s London is a murky, monochrome place of fog and cigarettes, stewed tea and
The new Brideshead Revisited film, out in September, was, like the 1981 television version, filmed at Castle Howard. For Jane Mulvagh, however, the ‘real’ Brideshead was Madresfield Court near Malvern in Worcestershire, a lovely moated house that has been in the Lygon family, headed by successive Earls Beauchamp, for nearly 1,000 years. This new book
British cinema is renowned largely for its spirit of documentary realism. Think Ken Loach, think Mike Leigh, or – more recently – think Shane Meadows. The four-disc, forty-film box set ‘Land of Promise: The British Documentary Film Movement, 1930-1950’ (recently released by the British Film Institute, and available here) represents the primordial soup from which
I watched the entirety of this year’s Eurovision Song Contest, camped out on the sofa with acute sinusitis, dosed up on antibiotics and Sudafed. Every so often some hirsute Balkan hag would appear before me, gyrating and caterwauling as if her life depended upon it, and my ears would begin to bleed. I have never
