Alexander Larman is an author and books editor of Spectator World, our US-based edition
For all of the noise that Prince Harry has made over the past few days (weeks, months, and years) about his loathing of the British media, he knows – or has been made aware by his publishers – of the necessity of sitting down with journalists in order to promote his book. And so it
Even Prince Harry’s critics must concede that his memoir Spare has been an enormous success. The book is the UK’s fastest-selling nonfiction book ever: 400,000 copies flew off the shelves on its first day. The Duke of Sussex’s recent blitzkrieg of high-profile publicity opportunities, on both sides of the Atlantic, leaves little doubt that he
The epigraph for Spare, Prince Harry’s frenziedly awaited memoir, is from William Faulkner’s Requiem for a Nun. It states simply ‘The past is never dead. It’s not even past.’ As a gesture of authorial intent, it’s a bold one. It suggests from the outset that this is not going to be some backwards-gazing book, but instead that it is going to be fully engaged with the
It’s fair to say that last night’s ITV interview – imaginatively entitled Harry: The Interview – between Prince Harry and his long-standing friend, the journalist Tom Bradby, has been overshadowed by the chaotic leak of Harry’s autobiography Spare. Given the sheer wealth of revelations in the book, what should have been a revelatory teaser for its publication tomorrow has now become almost anti-climatic. Nonetheless, ITV has
After a fair-to-middling 2022, it’s not unreasonable to hope that 2023 will see several stars burn brightly in the literary firmament. Whether what promises to be the most talked-about book of the year, Prince Harry’s Spare (out tomorrow with Bantam), is included in this number remains to be seen. On the plus side, the Prince has the
It was inevitable, with a book as highly anticipated as Prince Harry’s memoir Spare, that there would be a leak of its contents ahead of its release next week. Given the Duke of Sussex’s antipathy towards his family, it is fitting that the newspaper that landed this exclusive is the republican-leaning Guardian. Nonetheless, it is
A new year, a new grudge. Or, at least, a new expression of an old one, which is pretty much all that we’ve heard from the Duke and Duchess of Sussex over the past few years. Yet after the interminable six hours of score-settling that Netflix punished us with last month in the form of
For the first King’s speech since 1951, the King might have been forgiven for striking a downbeat note in his inaugural address to the nation. After all, this year has seen the death of his mother, his continuing estrangement from his publicity-hungry younger son, and, for good measure, the fulfilment of his long-held desire to
It ended, as many things do these days, with a poll. Apparently on a whim, Elon Musk, while attending the World Cup final in Qatar on 18 December, tweeted: ‘Should I step down as head of Twitter? I will abide by the results of this poll.’ Seventeen-and-a-half million people voted, and nearly sixty per cent
Not for the first time, it was Jeremy Clarkson’s fault. The weekend news, which began with a forensic dissection of the fallout from the six unrelenting hours of the Netflix series Harry and Meghan, was soon dominated by Clarkson’s extraordinary column in the Sun, in which he wrote of the Duchess of Sussex: ‘I hate
When you’re sitting on the sofa in the week ahead, stupefied into submission by food and alcohol and relatives and God knows what else, you’ll be tempted to watch something that will divert you from the gluttony. And, yes, the likes of Elf, It’s A Wonderful Life and Love Actually are all available, as they were last year. But
At the end of the sixth episode of the interminable, grotesquely self-indulgent wallow in self-pity and score-settling that constitutes Netflix’s Harry and Meghan, a single thought dominates: we’ve been had. After all the months of hype and expectation, building up to a frenzy over the past few weeks – with every trailer for the show
The first part of the Harry and Meghan show on Netflix was something of a let down. Over three tedious hours, there was a lot of sentiment and half-veiled digs at the Royal Family, as well as some philosophising about racism and Brexit, but millions of viewers got to the end of the third hour
The opening scenes of the eagerly anticipated – or keenly dreaded – Netflix series Harry & Meghan set out the couple’s stall. ‘This is a first-hand account of Harry & Meghan’s story, and told with never before seen personal archive… all interviews were completed by August 2022.’ This hint – that nothing was affected by
This week, in homes across the land, there is one guarantee: somewhere, someone will be watching one of the Indiana Jones films, and it’ll likely be the first or the third in the series. Raiders of the Lost Ark and Indiana Jones and the Last Crusade are little less than perfect seasonal comfort food: witty, exciting, stuffed full of indelible
When the incendiary story about Lady Susan Hussey’s ill-judged remarks broke this week, a detail that many were quick to spot was that Lady Hussey had been the person responsible for giving the Duchess of Sussex ‘protocol lessons’ when she first became part of the Royal Family. Defenders of Meghan Markle (who do exist, if
‘Why did you want to make this documentary?’ That is the question – over portentous piano chords – that begins the trailer for the next instalment in the apparently endless Sussex saga, Harry and Meghan. The answers that the viewer might supply: publicity-seeking on a grand scale; unbelievable narcissism– are not uttered. Instead, over stylised
It’s a story that sounds as if it could have come from half a century ago, rather than today. Ngozi Fulani, the head of the London-based domestic and sexual abuse charity Sistah Space, was at Buckingham Palace yesterday for a reception hosted by the Queen Consort, with the stated aim of stamping out ‘a global
King Charles has announced, to mark his 74th birthday, that he will be asking Parliament to amend the Regency Act to increase the number of counsellors of state who can conduct official public business while the monarch is overseas or otherwise indisposed. He has asked that it now include his sister, Princess Anne, the Princess
Novels about art are often strange, vain affairs. After all, writing about artists, especially fictional ones, can seem like a strained exercise in trying to yoke together two irreconcilable mediums. It is to Anthony Quinn’s credit that his ninth novel, Molly & the Captain, not only succeeds admirably as a centuries-spanning account of the influence
