Christopher Bray

Frankly impenetrable

One day in April 1969 Theodor Adorno began teaching a new course entitled ‘An Introduction to Dialectical Thinking’. Feel free, the sociologist-cum-philosopher told the packed hall at Frankfurt University, to ask questions as I go. Two of his charges did so immediately. When was Adorno going to apologise for having set the cops on those

She’s the top

This book is the latest in Yale’s series of Jewish Lives — though in this case Jewish Loves might be nearer the mark. Neal Gabler adores Barbra Streisand. He purports to have written a critical biography, but pretty much the only bad thing he has to say about Streisand’s 50-odd-year career (and counting — who

Reclaiming Nietzsche

Had you been down at Naumburg barracks early in March 1867, you might have seen a figure take a running jump at a horse and thud down front first on the pommel with a yelp. This was Friedrich Nietzsche, midway through his 23rd year and, thanks to a sickly childhood, no stranger to hospitals. Nietzsche

In the wrong club

Groucho Marx was delighted when he heard that the script for one of his old Vaudeville routines was being reprinted in H.L. Mencken’s The American Language. ‘Nothing I ever did as an actor thrilled me more,’ he said. Indeed, argues Lee Siegel in his brief biographical study of the most verbal Marx Brother, Groucho’s ‘greatest

Homage to awesome Welles on his centenary

One day in May 1948 in the Frascati hills southeast of Rome, Orson Welles took his new secretary, Rita Ribolla, to lunch. After eating enough food for ‘a dozen hungry people’ and sinking ‘one glass of wine after another’, all the while enchanting his guest with gossip and conjuring tricks, Welles downed his coffee and

Frank’s world

‘He never went away. All those other things that we thought were here to stay, they did go away. But he never did.’ Who was Bob Dylan talking about earlier this year? Woody Guthrie? Elvis Presley? Or maybe, halfway through the sixth decade of his own career, himself? But no. The man in question was

Fighting fear with fear

‘Do it with scissors’ was Alfred Hitchcock’s advice for prospective murderers, though a glance at these two biographies reminds us that scissors are also the chosen implement of the silhouettist. Hitchcock’s profile —beaky nose, protuberant lips, conjoined chin and neck — is emblazoned on both dustjackets like a logo. A logo is what it was.