Christopher Esher

Boom and bust in Sarawak

On stage at Wyndham’s Theatre just now, the curtain for Somerset Maugham’s The Letter is a map of South-east Asia, circa 1920. In the middle lies Sarawak, a slab of northern Borneo about the size of England. This is appropriate because Sarawak, which he visited frequently, was the mise-en-scène for much of Maugham’s work. Less