Deborah Ross is the chief film critic of The Spectator
The Book Thief is based on Markus Zusak’s novel of the same name which, although written for young adults, appears beloved by many, judging from the readers’ reviews on the internet, and the frequent declarations of ‘it’s the best book I’ve ever read!’, and there is our first worrying clue, right there. Over the years,
Jim Jarmusch is the noted American ‘cult director’, and if you were to judge him solely on the basis of Only Lovers Left Alive you’d be minded to think the cult can keep him. It’s a take on the vampire genre, which is fair enough, as who hasn’t had a go, but this is so
Although you’ll have heard that Dallas Buyers Club is fantastic and Matthew McConaughey gives the performance of his career, I know you won’t believe it unless you hear it directly from me so here you are: it is fantastic and Matthew McConaughey gives the performance of his career. In fact, it may be the best
Alex Gibney’s The Armstrong Lies is fascinating as far as it goes but it may not go as far as you would like, and may not ask the questions you would like. It’s a documentary portrait of the American cyclist Lance Armstrong: seven-time winner of the Tour de France, worldwide symbol of physical courage (having
If you and your family are bored — if, for example, it’s one of those dull Sunday afternoons that seem to drag on for ever and it feels as if it’s never going to be time for The Antiques Road Show — you could gather together and play your own version of the family drama
Martin Scorsese’s The Wolf of Wall Street will set the cat among the pigeons as a number of films do. 12 Years A Slave set the cat among the pigeons with some critics claiming it was ‘torture porn’ and other people taking to the blah-blah-blah and jabber-jabber-jabber of the Twittersphere to say they had no
Steve McQueen’s 12 Years a Slave goes directly to the heart of American slavery without any shilly-shallying — unlike The Butler, say, or even Django Unchained — and is what I call a ‘Brace Yourself’ film, as you must brace yourself for horror after horror, injustice after injustice, shackles, muzzles, whippings, rapes, hangings. You will
The biopic Mandela: The Long Walk to Freedom is a timely tribute, and an earnest and respectful and well-meaning one, but it does seem like a very, very long walk indeed. It’s a slog, a plod, a trudge uphill, and of all the things you may have wished to say to Nelson Mandela, given the
Powder Room is a small British film all about women and starring only women — boo-hoo, men; my heart bleeds for you all — yet it is almost entirely set in a nightclub, so whether you enjoy this film may depend on how willing you are to spend 90 minutes in such a club along
Saving Mr Banks tells ‘the untold true story’ of the making of the Disney classic Mary Poppins via the stand-offs between Walt and the book’s author, P.L. Travers, and it is not a taxing film. You always know where it’s going and, with its rather melodramatic flashbacks, there is no ambiguity as to where it
The Butler tells the story of an African–American butler at the White House who served eight American presidents over three decades and it plays as a ‘greatest hits’ of the civil rights movement, along with whatever else they decided to throw in, like Vietnam, apartheid, and Lyndon B. Johnson on the can. (Actually, Lyndon B.
Seduced and Abandoned is both a satire on film-making and a love letter to film-making and a joy. A documentary made by the director and writer James Toback, in cahoots with his friend the actor Alec Baldwin, it follows the two as they work their way round the Cannes Film Festival, trying to raise financial
The idea of writing Finding the Plot: 100 Graves to Visit Before You Die first came to Ann Treneman when she was chatting with Tony Wright, formerly Labour MP for Cannock Chase. They started talking about Birmingham and she happened to remark: ‘Did you know the man who invented Cluedo came from Bromsgrove?’ His name,
Philomena is based on the true story of an Irish woman searching for the son stolen from her by the Catholic Church 50 years earlier, and although, as a cinematic experience, it could so easily have felt as if you were being repeatedly slapped round the head by a copy of Woman’s Own, it is,
The Selfish Giant is a British social-realism film in the tradition of all such films from Kes onwards, so it never feels particularly fresh, but it does feel real and true, is superbly performed, and it does pack quite an emotional punch. I had to gather myself afterwards, and I’m still gathering myself, and may
The main thing you should know about Captain Phillips is that it really puts you through the wringer. It’s based on the true 2009 story of the hijacking of a US container ship by Somali pirates, and the Navy Seal rescue mission that ensued — pirates, a word of advice: if you are going to
Just how interesting you find The Fifth Estate may entirely depend on how interested you are in the whistle-blowing site WikiLeaks and its founder Julian Assange, in the first instance. This does not do what Senna did, for example, or what The Social Network did, and grip you in the places you didn’t know you
People are generally saying Filth fully fulfils the promise of its title and is not for the faint of heart or queasy of stomach or lily of liver and, alas, I am all three, in spades. (My liver is, in fact, so lily-ish it may be a wonder of medical science.) Rape. Anal Sex. Violence.
Blue Jasmine is the latest film from Woody Allen who, at various stages of his career, has been declared on-form, off-form, sliding-from-form, returning-to-form and, for all I know, as I don’t follow these matters closely, wearing form like a carnival hat with tinkling bells, but there is no need to bother with any of that.
The easiest thing would be to sneer at Richard Curtis’s new film About Time, and so I will a little, or maybe significantly. It’s hard to know at this point, as I’m up here, at the beginning, and the end is down there, at the bottom, and who knows what will happen in between. It’s
