Deborah Ross

Pineapple Express 15, Nationwide  Pineapple Express is a ‘stoner’ comedy from the seemingly inexhaustible, super-producer Judd Apatow and, in its defence, probably wasn’t made with a middle-aged housewife such as myself in mind. As it is, I’ve only ever done pot once and did not like it (my knees went). Apatow was, of course, also

The Duchess 12A, Nationwide The Duchess is probably no more than a most handsomely mounted costume drama which is no bad thing if you happen to like handsomely mounted costume dramas, and I do, I do, I do! Lavishly directed by Saul Dibb, whose previous work (the gritty London film Bullet Boy; the TV drama

Ben X 15, Key cities August is a hopeless month for movies — it’s when the big studios dump their worst films on us, pretty much — and so there is very little worth seeing, let alone reviewing. I did think about seeing the new Will Ferrell comedy, Step Brothers, but after catching the tail

Elegy 15, London and Key Cities Elegy is about an ageing professor (Ben Kingsley) and a beautiful young woman (Penelope Cruz), and it is based on the Philip Roth novel The Dying Animal, which, in turn, takes its title from Yeats’s ‘Sailing to Byzantium’, in which the poet describes his soul as ‘sick with desire/and

Angus, Thongs and Perfect Snogging 12A, Nationwide Angus, Thongs and Perfect Snogging is a teen movie as may be rather obvious from the title — come on, it was hardly going to explore the terrible reality of Bosnia’s post-war traumas; get a grip — and we are all for teen movies, aren’t we? A teen

It’s easy to see the way opera Inszenierung is going. We are in for a spate of US-located productions, just as we emerge from 19th-century industrial locations and nondescript car parks. Hollywood, Las Vegas, the prairies, Texas oilfields and the omnipresence of TV, something we are hardly likely to forget, are where Poppea, Giulio Cesare,

Mamma Mia PG, Nationwide Mamma Mia has to be the most fun you can have with your clothes on. Or is it off? When you get to my age, it’s such a struggle to remember. Either way, though, if you are now expecting this review to be subtly and cleverly interweaved with punning ABBA song

The Edge of Love 15, Nationwide The Edge of Love, which is based loosely on real events, explores the ménage à quatre that existed for a few years between the Welsh poet Dylan Thomas (Matthew Rhys), his wife Caitlin (Sienna Miller), his childhood friend Vera Phillips (Keira Knightley) and her eventual husband, William Killick (Cillian

Irina Palm 15, Barbican and key cities The big film this week is, I suppose, The Incredible Hulk but I chose not to see it because, aside from anything else, isn’t this the second Hulk film in about ten minutes? When was the Ang Lee one? I have no idea why it’s come round again

Sex and the City 15, Nationwide  I do know that not everyone gets Sex and the City. Bubbles, for example, does not get Sex and the City. ‘I don’t know what you see in this crap,’ he would say, whenever I watched it on television, and before going off to do something pointedly manly in

Indiana Jones and the Kingdom of the Crystal Skull 12A, Nationwide After a 19-year break, Indiana Jones, the world’s greatest adventurer and probably the world’s worst ever archaeologist — listen, even I know you can’t go around ripping open ancient mummies whenever you so fancy — is back. He is back because he has to

Caramel PG, Key cities Caramel is a lovely and engaging film and just what we all need right now. You may well ask: how do I know what you need? Have I canvassed your friends? Your family? Of course. And what they all say is: yes, this is just the sort of film you need

Where in the World is Osama Bin Laden? 12A, Nationwide OK, we’re busy people, so straight to the point on this one, and yet I’m already struggling, because there isn’t any point to get straight to. This is a pointless film. It is sans point, has zilch point, scores nul points in the point department.

Iron Man 12A, Nationwide Iron Man is a Hollywood superhero blockbuster and probably the first of a franchise, even though it already feels like the 64th. These movies are always, in their way, whopping piles of junk, but they can be hugely enjoyable whopping piles of junk. The first Superman with Christopher Reeve, Tim Burton’s

Persepolis 12A, London and key cities Persepolis, an animated feature about coming of age in Iran, is kind of interesting and is kind of original but its telling moments are told so often it’s like going out to dinner and being served the same course over and over. You’ll look at it coming and think,