Deborah Ross is the chief film critic of The Spectator
Edmond 18, Key Cities Edmond Burke (William H. Macy) is middle-aged, middle-American, dully employed, dully married. One evening, on his way home from work, a quasi-mystical whim leads him to consult a fortune-teller who tells him, ‘You are not where you belong.’ The consequences of this are felt later that evening when he says to
Oh, for heaven’s sake, now they’ve gone and ruined Shrek, and I hate them for it. Indeed, may those responsible be damned to the eternal fires of hell. Failing that, may they at least wake up one day with their feet on the wrong way round and an elbow for an ear. How dare they?
This is about a mother who takes her son out for dinner for his 15th birthday. Normally the son would not agree to go out for dinner with his mother. Normally the son treats his mother as something of an embarrassment, as well as a middle-aged nag, drag and bore. The mother is perplexed by
Water opens with a beautiful little Indian girl sitting on the back of a cart joyously chewing on sugar cane. She has luscious hair, pinchable cheeks, dark eyes, a nose-ring and tinkling silver anklets. (So cute; Madonna would kill for her.) A middle-aged man is on the cart, too, lying on his back and groaning.
My friend Nick — OK, he’s not exactly my friend, he’s my brother’s friend, but my brother lets his friends be mine, as he knows I’ve always struggled to make any of my own. Anyway, Nick says he’d like to take me to what is possibly his favourite restaurant in London. I like Nick. I
I Want Candy is a British sex comedy, which should already sound alarm bells, but I will plough on heroically, as is my nature. It’s about two lads from Leatherhead — wannabe producer Joe (Tom Riley) and earnest auteur Baggy (Tom Burke) — who are still at film school yet are desperate to break into
I’m due to dine out with a couple of people who I’m sure don’t want to be named, so let’s call them Bob and Jim, even though their real names are Tobyn and Leaf. I let them choose the restaurant. I do this not because it’s one less thing for me to have to think
In this film Sandra Bullock plays Linda Hanson, wife of dishy Jim Hansom (Julian McMahon), mother to two adorable little girls, Megan and Bridgette, and one of those blissfully contented stay-at-home moms who — even though this is very much horses for courses — still make you want to puke a little. It’s a happy,
The Illusionist is one of those films that gains points for trying to be clever and different and ingenious but then promptly loses them all for being not clever or different or ingenious enough. It’s frustrating, really, because you can feel the good film trying to get out — ‘let me out, let me out!’
My partner is a total tea fascist and whenever I make a pot it is never, ever right. It’s: ‘Did you use fresh water?’ Then it’s: ‘You used re-boiled, didn’t you?’ And then, with a sniffy look: ‘How long exactly did you leave this to brew?’ When I give up, think sod him, and just
As far as I can tell, Christopher Guest’s latest film, For Your Consideration, pretty much bombed in America, which must be a recommendation, surely. Listen, I’m only kidding. I have nothing against America. Sometimes, I even think it’s quite the nicest country anyone ever stole and, as for Americans, utterly, utterly charming. Quite fat and
Notes on a Scandal is a fairly nasty book and this is a fairly nasty film — very Patricia Highsmithian is the nearest I can get to it — but this does not mean you should deny yourselves the very great pleasure of it. In fact, don’t, unless you aren’t keen on seeing Dame Judi
This Bosnian film about the devastating emotional consequences of war has all the things you might expect from a Bosnian film about the devastating emotional consequences of war: suffering; pain; Soviet-style concrete estates with stinking stairwells; drab little apartments; dreary knitwear; hard-faced people tramping wearily though the slush and the snow; more suffering; more pain,
First off, I should say I’m no great expert when it comes to Swedish food. First off, I should say I’m no great expert when it comes to Swedish food. Yes, I’ve been to Ikea — so many veneers, so little time! — and, yes, I’ve had the meatballs in the café but, judging by
Honestly, before I took up this beat I had no idea how many new movies aren’t that great and aren’t truly terrible but are simply so-so and when it comes to so-so Stranger Than Fiction is just so so-so, which is a shame because: a) I’d been looking forward to it and b) I have
Look, first off I’d just like to say that what follows has nothing to do with not being either hip or edgy. Look, first off I’d just like to say that what follows has nothing to do with not being either hip or edgy. I am hip and edgy. Some days I’m so hip and
Right, here is a quiz for you. As I have said, again and again, I’m fed up with doing everything around here and, as no one at The Spectator has offered to help in any way at all, I think it’s only fair that you, the readers, do some of the work. Ready? Let’s go,
My son and I are out for a night in the West End. This is unusual as he is a teenager and, usually, he wouldn’t be seen dead with me, not even after I’ve given him my word not to do funny dances in front of his friends or kiss him just as we’re passing
From its very opening scene this film is exquisitely, lavishly gorgeous and on and on it goes, being exquisitely and lavishly gorgeous — oh, the frocks, the shoes, the petit fours, the piled-high candies! — until you start thinking, enough with the exquisitely and lavishly gorgeous already. How much exquisitely and lavishly gorgeous can a
So, to cut straight to what you really want to know without having to wade through several paragraphs of plot-rehash followed by the director’s CV and his favourite seasonal vegetable, will you like this film? Hell, how should I know? I don’t know the first thing about you. But I will say this: OK, The