Recently I’ve been bombarded with emails from people who apparently are keen to promote or market one or other of my children’s books. A few appear to have actually read a book of mine and to know the name of the characters, others clearly haven’t. What they all have in common is that the book
My parents both had false teeth. My mother had all her teeth taken out one winter afternoon. I can remember her huddled by the electric fire with a small bowl of blood beside her, mourning their loss. It was a loss not just of teeth but of youth. She can’t have been much over 40.
As a poet, Ocean Vuong has won every prize going. Now here’s The Emperor of Gladness, his second novel. His first, On Earth We’re Briefly Gorgeous, a coming-of-age story, is currently being filmed. This latest oneis wild, unwieldy and too long. It is fiction/autofiction mixed with 19th- and 20th-century warfare, plus contemporary angst and craziness.
A new novel by Esther Freud — her ninth — raises the perennial but always fascinating question about the use of autobiography in fiction. Since her first novel, Hideous Kinky, Freud has frequently used an underpinning of autobiography, but mostly it’s been discreet. You didn’t need to distinguish what was life, what fiction. But with
All of a sudden, our local stationery shop – the Write Stuff – has grown a shelf labelled ‘Letter Writing & Correspondence: Original Crown Mill’. And there, in ranks, are pads of beautiful writing paper – vellum and laid, cream or white, A4 or A5 – plus boxed writing sets, decorated top and bottom with
As ghosts go, Maria Vaduva, who haunts Enlightenment, is not a patch on the wild, tormented figure who stalks the pages of Sarah Perry’s previous novel, Melmoth. Where Melmoth, in rage and despair, haunts everyone complicit in history’s horrors, Maria is crossly plaintive. The disappearance of this unrecognised 19th-century Romanian astronomer from Lowlands House, a
I like to think of myself as good at making friends. I tend to rank them. There are kindred spirits (rare), very good friends (perhaps five at the most), and good (ten or more). Friendships, like plants, need looking after; they require time and attention. One rank below friends are acquaintances. Acquaintances add warmth and
This year I shall have lived in Edinburgh for a quarter of a century. I fell in love with the city on the 23 bus travelling from the New Town to the Old Town. There was so much architecture. Gothic and Georgian, medieval, baronial. So many turrets and finials, tollbooths and towers. I was drunk
Maeve Brennan (1917-93) was a supremely gifted Irish/American writer, whose work is periodically rediscovered, only to vanish again. It’s as if her literary reputation (she has been compared with Joyce, Flaubert and Chekhov among others) won’t stay fixed and is as homeless as she herself became. Arriving home to Dublin, Anastasia expects a warm welcome
Before the op, I was going to write a jaunty piece about how getting yourself ready to go into hospital is like getting ready to go to a wedding. Both require new clothes – that is unless you feel confident that your jimjams – dressing gown, slippers and, for goodness’ sake, knickers – are all
Mondays and Thursdays are my days. Eight a.m. Before breakfast. The pool opens at seven for those zealous souls who like to swim before going to work. They’re gone by eight when the pool is divided into five lanes with arrows telling you which way up and which down. I like lanes. You know where
In an email from Claire Keegan’s Fiction Clinic, I learned that she’d be delivering three seminars in Wexford on ‘How Fiction Works’, while down the road, at the Write by the Sea Festival, Faber would be launching her new hardback. I was excited. I’m a Keegan fan. I even considered going to Wexford. Keegan’s method
Benjamin Myers had a lucky break with his 2017 novel, The Gallows Pole. First published by a small indie press, it won the Walter Scott Prize for historical fiction, garnered a two-book deal from Bloomsbury and this year is to be adapted by Shane Meadows as a BBC television series. It’s a humble orphan girl,
I used to envy Catholic novelists – Graham Greene, Muriel Spark, François Mauriac – as having that extra point of view, namely eternity. The Irish-Canadian novelist Emma Donoghue doesn’t entirely qualify as a Catholic writer, even though she’s on record as saying she’s currently obsessed with Catholic theology, specifically Purgatory, but there’s a thread of
On page 231 of The Candy House, a sequel – no, a ‘sibling’ says Jennifer Egan – to the Pulitzer prize-winning A Visit From the Goon Squad, we meet a character called Noreen. Wasn’t she in Goon Squad? Quick check and yes, there she is playing a bit-part peeping through a fence. Now she’s older,
It has to be one of the most extraordinary stories of lockdown — how Tom Hanks’s assistant Sooki Raphael, undergoing treatment for recurrent pancreatic cancer, came to be living in the basement of the American novelist Ann Patchett and her husband Dr Karl VanDevender. How it happened is told in the title story of These
Far be it from me to utter a word against the patron saint of Dublin pubs, Roddy Doyle. Granted he’s a comic genius, his dialogue comparable with Beckett and that this, his 12th novel, is garnering rave reviews in America. But is not Doyle’s trademark conversation between two men in a pub not just a
Just imagine: you reach a certain age and you become your own unreliable narrator. Gerald Walker, the protagonist of Richard Francis’s 12th novel, is a retired history professor who fears that ‘chunks of his life might go missing’. Laura Laura describes a year in his life which, in seamless flashbacks, encompasses most of his past.
It was perhaps a mistake to re-read Sebastian Barry’s award-winning Days Without End before its sequel, A Thousand Moons, since the two soon began to swim together in my head — not least because Moons is a kind of mirror image of Days.Winona, the Indian orphan girl adopted by the Union soldiers Thomas McNulty and
Alert to the combination of a controversial issue and a brilliant writer, Serpent’s Tail have bought This is a Pleasure, first published as a short story in the New Yorker, and issued it as a very short hardback novella — 15,000 words, large print, lipstick kisses on the cover. Already described by the Guardian as
