Carmen Maria Machado’s debut collection Her Body & Other Parties (Serpent’s Tail, £12.99) takes a confident straddle across speculative fiction, erotica, fable and horror. In these electric stories, the author explores the challenges and promises of women’s bodies with forceful verve. In ‘Real Women Have Bodies’, a mysterious illness makes women gradually fade away; many
Françoise Frenkel was a Polish Jew, who adored books and spent much of her early life studying and working in Paris. Her passion for French literature led her to open the first French bookshop in Berlin in 1921, a resounding success in spite of the predominantly Francophobe sentiment in Germany following the first world war.
Black Rock White City (Melville House, £16.99) is ostensibly about a spate of sinister graffiti in a Melbourne hospital. ‘The Trojan Flea’ is scrawled across X-ray screens; ‘I am so full of your death I can now only breathe your rot’ on a stairwell; and, on a dead body, ‘cut into the flesh with a
‘I frankly hate Descartes,’ states a character in Nicole Krauss’s new novel, Forest Dark: ‘The more he talks about following a straight line out of the forest, the more appealing it sounds to me to get lost in that forest …’ Like the author, this character is called Nicole, lives in Brooklyn, and is a
In Eureka, Anthony Quinn gives us all the enjoyable froth we could hope for in a novel about making a film in the 1960s — champagne, drugs, threesomes, gangsters, a Silver Cloud Rolls-Royce, hula-hooping girls and Pucci scarves flung over smears of vomit. Underneath, however, lies an intellectual question. The film is an adaptation of
Jon McGregor’s first novel, If Nobody Speaks of Remarkable Things, a surprise inclusion on the 2002 Booker longlist that went on to win the Somerset Maugham and Betty Task Awards, captured 24 hours in the life of a suburban street. Fifteen years later, his fourth novel, Reservoir 13, has a similarly concentrated focus, but this
A preoccupation with death is felt from the start of Margaret Drabble’s new novel, which opens with Francesca Stubbs, in her seventies, considering whether her last words will be ‘you bloody old fool’ or ‘you fucking idiot’. Fran is central to the web of characters that populate the book, linked by varying degrees of friendship
A white van pulls up outside St Giles in the Fields, an imposing 18th century church in central London, around the corner from Tottenham Court Road station, for a couple of hours every Saturday afternoon. St Giles is known as ‘The Poets’ Church’ because it has memorials to Andrew Marvell and George Chapman, but this
I found my first of London’s many lost rivers when I walked across Holborn Viaduct, looked down at the sweep of Farringdon Road below and realised that it had to be the path of a river, not just a road. Indeed, I was soon to learn that the river Fleet runs directly beneath, coursing down
Madeleine Thien’s third novel, recently long-listed for the Man Booker Prize, begins in Vancouver with Marie, who, like the author, is the daughter of Chinese immigrants to Canada. Marie tells us that her father committed suicide in 1989 and that, soon after, the 19-year-old Ai-ming — whose father knew Marie’s father — came to stay,
Holidays are a welcome chance to lose ourselves between the covers of a book, especially for those of us who struggle to find time to read amid the assorted tyrannies of daily life. So the book that ends up in your suitcase had better be a worthy companion. The disorganised need not fear: you could
[audioplayer src=”http://feeds.soundcloud.com/stream/261189280-the-spectator-podcast-the-wrong-right.mp3″ title=”Emily Rhodes and Lara Prendergast discuss the danger of books” startat=1095] Listen [/audioplayer] Who can forget the terrible climax of Howards End, when Leonard Bast is killed by a deluge of books? Death by books holds a horrible irony for poor Bast, as he had thought they were his salvation, seeking to escape
With ‘both arms stretched out like a starfish, her long hair floating like seaweed at the sides of her body’, Kitty Finch swam naked into view in Deborah Levy’s Booker-shortlisted Swimming Home. Similarly, in Hot Milk, Sofia Papastergiadis loves to swim —as, indeed, does Levy herself. Only, whereas Kitty swims up and down the gravelike
[audioplayer src=”http://rss.acast.com/viewfrom22/donaldtrumpsangryamerica/media.mp3″ title=”Emily Rhodes talks to Isabel Hardman about book thieves” startat=1139] Listen [/audioplayer] Notoriously, during the riots in London five years ago, Waterstones was the only high-street shop that wasn’t looted. But that depressing lack of book-pinching belied a thriving -tendency. Think of a bookshop and you think of a musty, hushed spot where
Sikander and I are sitting at a small table in a small shed. The shed is filled floor-to-ceiling with books: chick lit, thrillers and a neat set of Agatha Christies line the shelves, alongside a large atlas, a few dictionaries and grammars, and the thin green spines of children’s learning-to-read books. More books spill out
Jonathan Galassi is an American publisher, poet and translator. In his debut novel Muse, his passion for the ‘good old days’ of the publishing industry is palpable: a time when books were books, with glued or even sewn bindings, cloth or paper covers, with beautiful or not-so-beautiful jackets and a musty, dusty, wonderful smell …
When Sara discovers that her husband died in India, rather than being killed in Afghanistan as she was told, she travels to Delhi to uncover the circumstances of his death. On the surface, Invisible Threads is a novel about an English woman on a personal journey to India, and comes with many of the trappings
Madison Flight is a divorce lawyer, nicknamed ‘the Chair-Scraper’ for the number of times she leaps to her feet arguing in court. She has been contrary since birth, putting her mother through six days of labour before eventually being pulled out by forceps. ‘Is she saying no?’ asks the doctor, perplexed by the distinctive ‘Naaaaaaaaah!’
‘You are like my cat.’ So I was told when eight-and-a-half months pregnant, just before going on maternity leave from the bookshop. I had hauled myself up from putting a book away on the bottom shelf — no mean feat when one is quite so heavily spherical — and this cat-loving young woman had caught
‘The bath is still stained pink,’ said Anna, laughing as we reminisced about those halcyon days, now over a decade ago, when she started a school magazine. Anna and I went to Westminster School for sixth form. We’d both come from St Paul’s Girls’ School, where magazines proliferated, and were surprised to discover that Westminster
