We live in a strange era in which much of our day-to-day experience is constructed for us digitally on a screen. Even in the ‘real’ world, many objects that inhabit our homes will have been designed on a screen, made by computerised machines, and have that flat, wobble-free digital aesthetic – not only electronics, but
If western philosophy is no more than ‘footnotes to Plato’, so, arguably, is the myth of its founding hero, Socrates. While there is good evidence for certain aspects of Socrates’ life — his preoccupation with ethics, question-and-answer technique and his trial and death in 399 BC — most of it is shrouded in uncertainty. His
‘My spirit moves me to speak of forms changed into new bodies,’ proclaimed Ovid at the beginning of the Metamorphoses: a glorious compendium of classical mythology stretching from the creation of the universe to the Emperor Augustus. Metamorphica is a collection of 53 versions of classical myths as told by Ovid, Homer and the Greek
It was a dark afternoon in November, and the wind was rattling the casements of the bare schoolroom. My small but enthusiastic class of Greek students nibbled chocolate biscuits and listened politely as I ploughed through yet another list of irregular verbs. Suddenly, standing by the electronic whiteboard, I had a sort of minor epiphany
