Igor Toronyi-Lalic

Igor Toronyi-Lalic is arts editor of The Spectator

Politics trumps artistry at the Oscars — full list of winners

There were two possibilities for the 86th Academy Awards, joked host Ellen DeGeneres, either ‘12 Years a Slave wins the best picture Oscar … [or] you’re all racists.’ Luckily for the hall, things went the right way. Handwringing trumped artistic merit, 12 Years a Slave nabbing the top gong of best picture. The most cinematically thrilling movie,

Film-maker who divided critics dies aged 91

One of the greats of French cinema, Alain Resnais (1922 – 2014), has died. His early films, Hiroshima Mon Amour (1959) and Last Year in Marienbad (1961), which experimented boldly with visuals and narrative, were the key inspiration for the French New Wave, dictating the direction Godard and Truffaut headed in. But where some saw

ENO’s Rodelinda: the best and worst of opera

Boy, the crap that opera’s allowed to get away with. The mime, the mugging, the movement, the ideas. Richard Jones’s new production of Rodelinda at the English National Opera seemed to be channelling that heady mix of bullshit and banality that that signer had nailed so well at the Mandela funeral. Theatre wouldn’t have got away with

Spike Lee’s love letter to Ukip

Tell me: does this passage from American director Spike Lee’s recent rant against the gentrification of Brooklyn not sound like a press release from UKIP? ‘I’m for democracy and letting everybody live but you gotta have some respect. You can’t just come in when people have a culture that’s been laid down for generations and

Ethnic diversity higher in the City than the arts

That’s right. The evil scumbags who work in the City appear to be doing a better job at being modern and liberal than the state-subsidised art world. According to last year’s Creative Skillset Employment Census, 5.4 per cent of those working in the arts were from the black or ethnic minorities. In the City, by contrast, figures

Opera takes on Islam

You know how it is. You’re finishing off Friday prayers, wondering what to do with your evening. You notice some women in a cattle truck and decide to engage in a spot of ritual humiliation, bunging the women into burkas and forcing them to distribute petals in front of your feet. Critiques of Islam don’t

The greatest recordings by the oldest pianists

Age has never been an impediment to great musicianship. YouTube is full of extraordinary late musical testaments from pianists who, refusing to retire, hit their stride in their eighth, ninth and, in Alice Herz-Sommer‘s unique case, tenth decades. Here is a selection of the finest: 1. Mieczysław Horszowski gave his first recital at the age of

RIP Alice Herz-Sommer

The 110-year-old pianist and oldest known Holocaust survivor, Alice Herz-Sommer, who was imprisoned in Theresienstadt concentration camp, has died. Her extraordinary life, which included childhood encounters with Gustav Mahler and Franz Kafka, latterly became the subject of several documentaries, the most recent of which, The Lady in Number Six, was this year nominated for an

France’s cultural excess is immoral (but I still love it)

For a committed, if unsuccessful, capitalist, I enjoy French culture an embarrassing amount – every last state-funded drop of it. Give me five-act operas with cast lists the size of a small Chinese city, give me obscenely expensive works of public art, give me inhumane concrete estates, give me unintelligible modernist music and I’ll be

In defence of the hipster

I can see one now. (They’re hard to miss.) Face the colour of mayonnaise, Gameboy dangling from one ear, gerbils for shoes, an alpaca for a hat, glasses the size of a window frame. It’s what we call in the profession an arse. Don’t mock him. Hold that snigger. He may be an arse, but

Welcome to Culture House Daily

From today, The Spectator’s gift for online enlightenment and trouble-making will now extend into the world of culture. Our aim is take the insurgent spirit of Toby Young’s Modern Review, and apply it to the digital world — that is, to provide low culture for highbrows, and high culture for lowbrows  Culture House Daily will be

Anything you can smash, I can smash better

Art is under attack. Another week, another expensive poke in the eye. Last Sunday, Miami artist Maximo Caminero destroyed a $1 million vase by Ai Weiwei in protest at the museum ignoring the work of local artists. Before this, there was Wlodzimierz Umaniec’s defacement of a Tate Modern Mark Rothko in the cause of ‘Yellowism’,

Give Steve McQueen a Nobel prize not an Oscar

Film critic Armond White has been booted out of the New York Film Critics Circle. Officially it was for heckling Twelve Years A Slave director Steve McQueen at a press conference. But they can’t have liked him telling the truth about the movie. Namely, that it’s crap. We should listen to  hecklers. Especially when they’re

Sound and vision | 19 November 2011

The 20th century was a century of musical revolutions. One of the last and most audacious ignited 50 years ago on the east and west coasts of America. And in a small but significant way The Spectator played a part in fanning the flames. In 1968 a young critic and early-music specialist by the name

The art of giving

How will the arts world plug the funding gap? Igor Toronyi-Lalic investigates It’s an idea so simple in concept, so elegant in execution, so bursting with potential, that you kick yourself for not thinking of it yourself. ‘You put your project here,’ explains 28-year-old solicitor and budding internet entrepreneur Michael Troughton, scrolling down the front

Yes to Bach, no to Debussy

The ‘poet of the piano’, Murray Perahia, talks to Igor Toronyi-Lalic about being championed by Horowitz, his rise to fame and how his injury taught him what to play Murray Perahia was 17 when Vladimir Horowitz, perhaps the finest pianist of the 20th century, knocked on the door of his family house in the Bronx.