This exhibition is awash with luscious brushstrokes, but then that’s to be expected: it’s full of Scottish painting. Before the barren era of conceptual art, which most hope is over, people often observed that the Scots could paint while the English could draw. Why is a bit of mystery, but it was true right through
There’s more than a grain of truth in the popular caricature of a curator as a mother hen clucking frantically if anyone gets too near her nest – not that her eggs are about to hatch, let alone run. The recent threat of the British Council to ‘deaccession’ – to put it more bluntly, sell
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This week: On Monday, tents sprung up at Oxford and Cambridge as part of a global, pro-Palestinian student protest which began at Columbia University. In his cover piece, Yascha Mounk, a professor at Johns Hopkins University, explains how universities in both the US and the UK have misguidedly harboured and actively encouraged absurdist activism on
Nobody claims Beryl Cook was an artistic genius, least of all the artist herself. ‘I think my work lies somewhere between Donald McGill [the saucy postcard artist that George Orwell wrote so lyrically about] and Stanley Spencer,’ she once told me. ‘But I’m sorry to say I’m probably nearer McGill.’ She was, as ever, being
In 1983, Damien Hirst saw an exhibition at the Hayward Gallery of the collages of Francis Davison which ‘blew him away’. He spent the next two years trying to emulate them, in vain. As he discovered, although Davison’s works might look casually thrown together, they are in fact immaculately crafted orchestrations of colour, shape and
