Lloyd Evans is The Spectator's sketch-writer and theatre critic
The Assembled Parties, by Richard Greenberg, is a rich, warm family comedy that received three Tony nominations in 2013 following its New York première. Hampstead has taken a slight risk with this revival. The cryptic title doesn’t suggest an easygoing drama full of excellent jokes. The Yiddish slang may be unfamiliar to English ears, and
Last night, Dominic Cummings was interviewed at the O2 by the activist start-up, Looking for Growth. Cummings walked on stage in his trademark T-shirt and baseball cap and made a series of predictions about UK politics. A general election is unlikely before 2029, he said. ‘It won’t be earlier. The MPs will postpone the nightmare
Da Vinci’s Laundry is based on an art world rumour. In 2017, Leonardo’s ‘Salvator Mundi’ sold at Christie’s for $450 million but some experts claimed that the attribution was inaccurate. Could the world’s costliest artwork be a fake? Writer, Keelan Kember, considers the provenance of a fictional Leonardo owned by a thuggish oligarch, Boris, who
Tracy Letts’s Mary Page Marlowe is a biographical portrait of an emotionally damaged mother struggling with romantic and family problems. Susan Sarandon shares the lead with four other actresses which makes the show a little hard to follow. And the timeline is jumbled up so that the audience has to find its bearings at the
It’s hard work being rich. I gave up trying years ago. You must waste money on everything, even the basics, to advertise your status as a big spender. Food and drink are easy. You buy organic veg from a dim-witted aristocrat at a farmers’ market. And you choose sparkling water filtered through the porous flanks
Hamlet at the National opens like a John Lewis Christmas advert. Elegant celebrations are in progress. The stage is full of dining tables draped in white linen and adorned with flowers and beautiful glassware sparkling in the candlelight. Elsinore is reimagined as the home of a multicultural royal family. Claudius, resplendent in a dark dinner
The founding members of Led By Donkeys granted a public interview last Thursday at a theatre in Walthamstow. They were questioned by Guardian columnist Zoe Williams. Seated on squashy sofas, the four men looked like an ageing boyband who met at public school. James Sadri, suave and handsome, seems to be the boss. Ollie Knowles is the ebullient charmer.
Clarkston is an American-backed production featuring a Netflix star, Joe Locke. He plays a young graduate with a terminal illness, Jake, who works at a Costco warehouse in a failing midwest town. Jake is a brainbox with an IQ of 140 who takes a scholarly interest in early American history. On his first day at
Time to think about my diet. A test kit arrives from the NHS screening team who want to inspect a stool sample to see if a hostile cluster of cells is growing in my guts. What I eat horrifies everyone – except me. I live on Bran Flakes and Frosties straight from the box, and
What a coincidence. Two plays running in London have the same storyline: an obsessed lover bursts into a family gathering to reclaim the woman who spurned him.The Lady from the Sea, written and directed by Simon Stone, is based on a late drama by Ibsen. Alicia Vikander stars as the neurotic Ellida, who feels repelled
A new play by Lawrence Marks and Maurice Gran, the writers of Birds of a Feather, feels like a major event. This is a period drama that examines an imaginary association between Hitler and Freud and develops into an enquiry about the nature of evil. As Hitler grows into adulthood he gravitates towards the Freud
The ‘nonce party.’ That’s how Zarah Sultana described the Labour party at a rally in Brixton last night where the independent MP for Coventry South addressed supporters of her new movement, Your Party. She claimed to have posted numerous images of Peter Mandelson and Jeffrey Epstein on her X account, but her warnings went unheeded
Born With Teeth is a camp two-hander starring a pair of TV luminaries, Ncuti Gatwa and Edward Bluemel, as Marlowe and Shakespeare. The year is 1591 and the great dramatists are holed up in a tavern working on an early draft of Henry VI (Part 3). Not much writing gets done. It’s all rhetoric and
David Bowie wrote a musical. Well, nearly. A cache of notes found in his New York apartment after his death indicates that he was planning a new theatre project in the final months of his life. The archive includes the phrase ‘18th cent musical’ among a collection of Post-it stickers filled with ideas and motifs.
Interview is a blind-date play. Only it’s not a blind date but a showbiz interview for a journal called the New York Chronicle. The characters (played by Robert Sean Leonard and Paten Hughes) bicker, flirt and get emotionally involved during a 90-minute conversation. Naturally it all starts badly. The interviewer, Pierre, arrives at Katya’s Brooklyn
Last night, Nicola Sturgeon appeared at the Queen Elizabeth Hall to promote her autobiography Frankly. On stage she was questioned by Cathy Newman of Channel 4, who began with J.K. Rowling’s savage review of the book. On her website Rowling described Sturgeon as ‘Trumpian in her denial of reality and hard facts’. Sturgeon fired back: ‘Thank
Chekhov with an English accent. That’s how Andrew Keatley’s play, The Gathered Leaves, begins. The setting is a country house where a family of recusant English Catholics meet for a weekend of surprises and high drama. The audience was on its feet, cheering and clapping, some of them in tears At first, the main conflict
Somebody dies and his friends say ‘he passed’. Passed what? He didn’t pass. He failed. He took the most basic test of all, ‘are you responsive?’, and his answers fell short of the required standard. True, he was awarded a bit of paper, a death certificate, but it’s no use to him on his CV.
Good Night, Oscar is a biographical play about Oscar Levant, a famous pianist who was also a noted wit and raconteur. The script starts as a dead-safe comedy and it develops into a gripping battle between the forces of anarchy, represented by Oscar, and the controllers of NBC who want to censor his crazy humour.
28 min listen
On this week’s Spectator Out Loud: Patrick Kidd asks why is sport so obsessed with Goats; Madeline Grant wonders why the government doesn’t show J.D. Vance the real Britain; Simon Heffer reviews Progress: A History of Humanity’s Worst Idea; Lloyd Evans provides a round-up of Edinburgh Fringe; and, Toby Young writes in praise of Wormwood
