Lloyd Evans

Lloyd Evans

Lloyd Evans is The Spectator's sketch-writer and theatre critic

A sack of bilge: End, at the Dorfman Theatre, reviewed

End is the title chosen by David Eldridge for his new relationship drama. Clive Owen and Saskia Reeves star as Alfie and Julie, a pair of wildly successful creative types who live in a mansion near Highgate. Both are 59. Alfie is a retired DJ who made a fortune touring the world at the height

The babyishness of Hunger Games on Stage

The Hunger Games is based on a 2008 novel  about a despotic regime where brainwashed citizens are entertained with televised duels between teenagers. Not a bad idea. We go behind the scenes and watch Katniss (Mia Carragher) being selected to fight Peeta (Euan Garrett) who secretly adores her. As soon as the plot starts, it

Lloyd Evans

The art of having no friends

Apparently it’s easy to make money on YouTube by teaching a course in your specialism. Mine is having no friends. And I share my aversion to humanity with a number of very distinguished names. Isaac Newton, Charles Darwin, Emily Dickinson and Howard Hughes were all solitary creatures who didn’t allow social frippery to dilute the

This Othello is almost flawless

Othello directed by Tom Morris opens with a stately display of scarlet costumes and gilded doorways arranged against a backdrop of black nothingness. This is Venice at night with no hint of sea or sunshine. Crimson-robed senators gather to discuss Othello’s alleged abduction of Brabantio’s daughter. And here he comes, David Harewood as the Moor,

One of the best plays about the 1980s ever staged

Alan Hollinghurst’s The Line of Beauty has been turned into a stage show directed by Michael Grandage. We’re in the early 1980s and Nick has just left Oxford with a literature degree. He lodges with his wealthy friend, Toby Fedden, in their family home and he offers to keep an eye on Toby’s troubled sister,

Perfection: Hampstead Theatre’s The Assembled Parties reviewed

The Assembled Parties, by Richard Greenberg, is a rich, warm family comedy that received three Tony nominations in 2013 following its New York première. Hampstead has taken a slight risk with this revival. The cryptic title doesn’t suggest an easygoing drama full of excellent jokes. The Yiddish slang may be unfamiliar to English ears, and

Dominic Cummings: why the elites keep getting politics wrong

Last night, Dominic Cummings was interviewed at the O2 by the activist start-up, Looking for Growth. Cummings walked on stage in his trademark T-shirt and baseball cap and made a series of predictions about UK politics. A general election is unlikely before 2029, he said. ‘It won’t be earlier. The MPs will postpone the nightmare

Why was the 19th century so full of bigots and weirdos? 

Da Vinci’s Laundry is based on an art world rumour. In 2017, Leonardo’s ‘Salvator Mundi’ sold at Christie’s for $450 million but some experts claimed that the attribution was inaccurate. Could the world’s costliest artwork be a fake? Writer, Keelan Kember, considers the provenance of a fictional Leonardo owned by a thuggish oligarch, Boris, who

Tracy Letts’s magic touch

Tracy Letts’s Mary Page Marlowe is a biographical portrait of an emotionally damaged mother struggling with romantic and family problems. Susan Sarandon shares the lead with four other actresses which makes the show a little hard to follow. And the timeline is jumbled up so that the audience has to find its bearings at the

Lloyd Evans

Yoga is slow-motion pole-dancing for grannies

It’s hard work being rich. I gave up trying years ago. You must waste money on everything, even the basics, to advertise your status as a big spender. Food and drink are easy. You buy organic veg from a dim-witted aristocrat at a farmers’ market. And you choose sparkling water filtered through the porous flanks

Stephen Fry is the perfect Lady Bracknell

Hamlet at the National opens like a John Lewis Christmas advert. Elegant celebrations are in progress. The stage is full of dining tables draped in white linen and adorned with flowers and beautiful glassware sparkling in the candlelight. Elsinore is reimagined as the home of a multicultural royal family. Claudius, resplendent in a dark dinner

Obsolete message: Led By Donkeys in conversation, reviewed

The founding members of Led By Donkeys granted a public interview last Thursday at a theatre in Walthamstow. They were questioned by Guardian columnist Zoe Williams. Seated on squashy sofas, the four men looked like an ageing boyband who met at public school. James Sadri, suave and handsome, seems to be the boss. Ollie Knowles is the ebullient charmer.

A dazzling musical celebration of the 1970s

Clarkston is an American-backed production featuring a Netflix star, Joe Locke. He plays a young graduate with a terminal illness, Jake, who works at a Costco warehouse in a failing midwest town. Jake is a brainbox with an IQ of 140 who takes a scholarly interest in early American history. On his first day at

Lloyd Evans

Nutrition is a bogus creed

Time to think about my diet. A test kit arrives from the NHS screening team who want to inspect a stool sample to see if a hostile cluster of cells is growing in my guts. What I eat horrifies everyone – except me. I live on Bran Flakes and Frosties straight from the box, and

When Freud met Hitler

A new play by Lawrence Marks and Maurice Gran, the writers of Birds of a Feather, feels like a major event. This is a period drama that examines an imaginary association between Hitler and Freud and develops into an enquiry about the nature of evil. As Hitler grows into adulthood he gravitates towards the Freud

Inside Zarah Sultana’s ‘Your Party’ rally

The ‘nonce party.’ That’s how Zarah Sultana described the Labour party at a rally in Brixton last night where the independent MP for Coventry South addressed supporters of her new movement, Your Party. She claimed to have posted numerous images of Peter Mandelson and Jeffrey Epstein on her X account, but her warnings went unheeded

Lloyd Evans

David Bowie’s roguish plans for a Spectator musical

David Bowie wrote a musical. Well, nearly. A cache of notes found in his New York apartment after his death indicates that he was planning a new theatre project in the final months of his life. The archive includes the phrase ‘18th cent musical’ among a collection of Post-it stickers filled with ideas and motifs.

Mercifully short: Interview at Riverside Studios reviewed

Interview is a blind-date play. Only it’s not a blind date but a showbiz interview for a journal called the New York Chronicle. The characters (played by Robert Sean Leonard and Paten Hughes) bicker, flirt and get emotionally involved during a 90-minute conversation. Naturally it all starts badly. The interviewer, Pierre, arrives at Katya’s Brooklyn