Lloyd Evans is The Spectator's sketch-writer and theatre critic
Is this the end? The tragedy is that she no longer knows. The Prime Minister’s destiny is in the hands of Britain’s de facto head of state, Donald Tusk. On March 20th, Mrs May told Parliament that ‘as Prime Minister’ she couldn’t countenance delaying Brexit beyond June 30th. If Tusk refuses her request for a
The Phlebotomist by Ella Road explores the future of genetics. Suppose a simple blood test were able to tell us how long we will live and what disease will kill us. If the tests were compulsory and the results publicly available, a new hierarchy based on life expectancy would emerge. Citizens facing chronic illness or
Together at last. Jeremy Corbyn and Theresa May are to meet, a deux, this afternoon to find a compromise on the withdrawal agreement. Hugely risky for both leaders. Last Wednesday, May called Corbyn ‘the biggest threat to our standing in the world.’ This week she wants him to help her write an international treaty. At
Bruce Norris is a firefighter among dramatists. He runs towards danger while others sprint in the other direction. His Pulitzer-winning hit Clybourne Park studied ethnic bigotry among American yuppies and it culminated in a gruesomely funny scene in which smug liberals exchange racist jokes in public. The play was morally complex, dramatically satisfying and an
An astonishing PMQs. Theresa May no longer looks like a sheeted ghost. She’s quit the sick-bay and acquired a veneer of normality. Chipper, brisk, in command. Cheerful even. Jeremy Corbyn gave a lacklustre performance typified by the artless syntax of his opening phrase: ‘Her chaotic and incompetent government has driven our country into chaos.’ He probed
No menace, no Venice. This new production of Pinter’s Betrayal is set on a bare stage with scant regard for the play’s physical requirements. The script specifies a handful of furnished locations: a pub, a study, a flat, a hotel bedroom, a living room. But instead we get an off-white void where three youngish actors
The Brexit kerfuffle has been so much fun that she wants three more months of it. That was the PM’s message to parliament today. At the start of this rowdy session some members seem to think they could terminate May’s career live on TV. Pete Wishart, the first member called, laid into her mishandling of
Nicholas Hytner’s new show, Alys, Always, is based on a Harriet Lane novel that carries a strong echo of Brideshead. A well-educated journalist, Frances, becomes entangled with the wealthy Kyte family (the closeness to ‘Flyte’ is doubtless intentional), and she befriends the silly daughter, Polly, before setting her sights on the enigmatic father, Laurence, a
The Chancellor, Philip Hammond, breezed into the Commons to deliver a languid and greatly abridged Spring Statement. He had the genial air of a president-for-life emerging from his palace to correct the mis-steps of a bungling and soon-to-be-discarded Prime Minister. He dished out a few hundred million quid on various worthy schemes (save-the-hedgehog projects; free
Jesus Hopped the ‘A’ Train by Stephen Adly Guirgis deserves its classic status. This wordy and highly cerebral play pulls off an extraordinary feat by leading the spectator inside the mind of a psychopath. The setting is Rikers Island, where an old lag, Lucius, befriends a younger detainee, Angel, who hopes to be acquitted of
Jeremy Corbyn’s task can rarely have been easier at PMQs. The knife-crime epidemic has filled our morgues with the bodies of youngsters slain for no reason. A lack of cops is behind the bloodletting. The headlines say it. Public opinion says it. The boss of the Metropolitan Police says it as well. All Corbyn had
When reviewers call a work ‘important’ they mean ‘boring’ and ‘earnest’. And in those terms Shipwreck is one of the most ‘important’ shows I’ve ever seen. It’s not a play but a series of monologues and conversations spoken by a group of American liberals stuck overnight in a rural farmhouse. ‘It’s a red zone,’ they
Ten days since the start of the Great February Revolution (as historians are unlikely to call it) and the breakaway MPs must be feeling a bit miffed. The rebels, tagged as ‘TIGs’ in the press, are blessed with every advantage a political movement could hope for – apart from a logo, a creed, a headquarters,
All About Eve is Cinderella steeped in acid rather than sugar. Eve, or Cinders, is a wannabe star who uses a powerful theatre critic (the Buttons character) to help her win fame by overcoming two Ugly Sisters represented by a movie goddess, Margo Channing, and her film-director boyfriend. This fairytale was filmed in 1950 with
It’s Day Three of the great insurrection against the tired, stale old politics. Only this morning, a fresh impetus was added to the movement. Chuka Umunna and his six escapologists have now been joined by four more asylum-seekers, one from Labour, three from the Tories. How these moral pioneers can bear to continue as members
The Dumb Waiter is a one-act play from 1957 that retains an extraordinary hold over the minds of theatre-goers. It’s set in the basement of a Birmingham restaurant where two Cockney hitmen are preparing to execute an unknown victim. A dumb waiter, or shelf on pulleys, descends from above containing requests for two-course meals. Liver
Hampstead has become quite a hit-factory since Ed Hall took over. His foreign policy is admirably simple. He scours New York for popular shows and spirits them over to London. His latest effort, Cost of Living, has attracted the film-star talent of Adrian Lester, who plays Eddie, a loquacious white trucker from Utah. (His ethnicity
It’s all over, folks. This is absolutely the last time you’ll ever see Theresa May live in concert. Until the next time. May has become a bankrupt rock-star taking her tired old hits out on the road yet again. This week’s futile tour includes Belfast, Dublin and Brussels. Futile because the EU won’t grant any
The NT’s new play is an update of Pamela, a sexploitation novel by Samuel Richardson. It opens with Stephen Dillane and Cate Blanchett stranded in a concrete garage dressed as French maids. On one side, a black Audi saloon. Mid-stage, colourful blinking lights. At the edges, four other actors lurking. The main characters have no
Bit of a different day at PMQs. There wasn’t a peep from Remain Corner where Anna Soubry, Nicky Morgan and Sarah Woollaston like to hold court. Perhaps they’re all re-training as Uber-drivers in case a snap-election renders them jobless. And we heard nothing from the Labour party’s Bullingdon Club of Brexit-saboteurs, Yvette Cooper, Stephen Kinnock
