Lloyd Evans is The Spectator's sketch-writer and theatre critic
Fashion Victim — the Musical!. There’s a title that’s been waiting to be used for ages. The Cinema Museum is a frumpy warehouse, tucked away in a Kennington backwater, crammed with big-screen memorabilia. A cobwebby salon fitted with a catwalk serves as the theatre. Charmingly camp Carl Mullaney kicks things off by introducing the cast
It was damn close. And it scored top marks for effort. Miliband’s plan today was to prove that Cameron’s NHS policy is a disaster. And to prove it with Cameron’s own admissions. Or omissions. ‘It’s four years since his top-down re-organisation of the NHS,’ began Miliband in that quiet, meticulous manner that always foretells a
Nice one, Roy. Across the West End secret toasts are being drunk to the England supremo for his exquisitely crafted belly flop in Brazil. A decent run by our boys in the World Cup has the potential to put a nasty dent in the box-office takings. As a welcome home present the lads deserve free
A mixed case arrives from Corney & Barrow. My orders are to improvise so I pull out a bottle at random. Here it is. El Campesino, a 2013 Chardonnay (£7.13), from Chile, which has a full, direct flavour and a slightly bitter tang that cuts against the sweetness. The Dionysian experts who scour the earth
The pressure was all on Miliband today. With Cameron hurt, he needed to show that he can still press home an advantage. First, we all had to listen to the Speaker, who rather enjoys listening to himself. He began with a long and winding overture about the dangers of prejudicing the Coulson trial. One sentence
‘Oompa Loompa juice,’ says the actor Alex Jennings when I ask if he takes any supplements to preserve his looks. He’s 57 but could pass for a decade younger. We meet backstage in his Drury Lane suite, which boasts a fridge crammed with pink champagne, where he’s preparing to play the lead role in Charlie
Fans of Chekhov have to endure both feast and famine. Feast because his works are revived everywhere. Famine because he concentrated all his riches in just four great plays that grow stale with repetition. For fresh nourishment we turn to Brian Friel, whose stage adaptations of the short stories go some way to appease our
Explosive stuff at PMQs. Question two and Sir Peter Tapsell, the Father of the House, was called. This quaint semi-official title makes him, potentially, the chamber’s most dependable bore. Not today. He called on backbenchers to enact their ‘ancient but still existing power’ to commence procedures of impeachment against ‘the Rt. Hon. Tony Blair’. Not
It’s hilarious. It’s also annoying that it’s so hilarious. Jonathan Munby’s earthy and glamorous production of Antony and Cleopatra goes almost too far to please the Globe’s fidgety, giggly crowds. The Egyptian queen is often treated as a female Lear, a trophy role, a lap of honour for a transatlantic facelift as she enters her
If there’s a problem in Birmingham it’s too gnarled and subtle for PMQs. Easy sling-shots and grabby sloganising are all that’s required. Ed Miliband had found a simple point of entry to the issue. Buck-passing. Who, he asked, is responsible for monitoring schools that incubate extremism? listen to ‘PMQs: Cameron and Miliband’ on Audioboo
Lionel is a king of the New York art scene. An internationally renowned connoisseur, he travels the world creating and destroying fortunes. He anoints a masterpiece, here. He defenestrates a forgery, there. He visits the Californian city of Bakersfield (code in America for Nowheresville) to determine the authenticity of a Jackson Pollock bought for three
Joan Littlewood’s greatest disservice to the theatre was to champion ‘the right to fail’, which encouraged writers and directors to inflict a thousand shades of bilge on play-goers for many decades. But she deserves a place in the pantheon for an inspired decision taken in 1959. Offered a new play about Soho’s underworld, written by
I spend an hour with the theatre director Polly Teale. She’s 50ish with a tall, willowy physique and strong, aquiline features. Her hair is arranged in a combed bob whose flicky fringe overhangs her bright, deep-set eyes. She’s easy-going and so good-natured that at one point she asks me about myself — a courtesy few
How do you write a play? Here’s one theory. Put a guy up a tree, throw rocks at him, get him down again. It’s a good working template. Nick Payne’s latest script, Incognito, uses a different scheme. You put 21 guys up a tree, set them jabbering for 90 minutes and then go home. This
The Silver Tassie is the major opening at the Lyttelton this spring. Sean O’Casey’s rarely staged play introduces us to a group of Dublin sportsmen, and their womenfolk, as they prepare to volunteer for service on the Western Front. They parade the ‘silver tassie’, a newly won football trophy, mistakenly believing it to presage victory
Jean Trumpington’s memoir, published as she closes in on her 92nd birthday, is an absolute blast from the opening page. She was born in 1922 to a posh but poor English father and a loaded but nouveau American mother. ‘The paint business’ filled the coffers. They lived in a Georgian townhouse with ten servants, just
Miliband’s approval rating among Tory MPs has never been higher. They roared with joy as he got to his feet today. A foolish grin spread across his face, and his lips revealed a mouth full of showroom-white teeth. Then he began to giggle, which was unnerving. Either he had a deadly weapon up his sleeve.
Off to the Gate for a special treat: a pious anti-war monologue from the prize-winning American George Brant. Curtain up. And within seconds all my preachy prejudices have fallen apart. The speaker is a female pilot in a jump suit sealed within a see-through cage. Slaying men is her vocation. Interesting! The story moves with
Easy triumphs soften victors. Cameron demonstrated this truism today as he took two unexpected blows from Ed Miliband at PMQs. The Labour leader led on his new policy of rent controls. Cameron, rather weakly, seemed amenable to the reform but offered no concrete proposals of his own. Miliband struck. ‘That was a pretty quick U-turn,
Cripes. How did I get that one wrong? A few issues back I blithely predicted that Harry Hill’s musical I Can’t Sing would run for three years. It closes this month, so I’m a little reluctant to praise another glittering comedy, Relative Values by Noël Coward, which, like Hill’s stricken satire, has received a few
