Lloyd Evans is The Spectator's sketch-writer and theatre critic
Gethsemane Cottesloe State of Emergency Gate There’s a massive hole in the middle of David Hare’s new play. It’s called Iraq. What an issue that was. What a best-seller. Talk about box-office. For two or three years it seemed that Hare had single-handedly won the Iraq war but his victory proved tenuous and short-lived. Once
It was back to basics at Intelligence Squared last Tuesday as we debated the morality of prostitution. Newspaper executive Jeremy O’Grady proposed the motion by taking us on a graphic tour of Amsterdam’s red-light district which he’d visited ‘in an anthropological capacity’. The spectacle of hungry-eyed men sloping from door to door with their moist
Yard Gal Oval House Lucky Seven Hampstead Last week I saw a little-known play, Yard Gal, which I’m pretty sure is a classic. Written ten years ago by Rebecca Prichard and revived with scintillating and furious energy by Stef O’Driscoll, the play follows the lives of two drug–whore teenagers, Boo and Marie, living in the
To Be Straight With You Lyttelton American Briefs Above the Stag, 15 Bressenden Place, SW1 It’s been said that the Catholic Church has always known how to deal with extremists. It also knows — or used to know — how to deal with homosexuals. Monasteries populated by ‘celibate’ bachelors, nunneries teeming with wimpled lesbians, these
Every new biographer of Shakespeare walks splat into the same old problem. What to say? Since he can’t tell us anything we don’t know, he must either tell us things we do know or things we don’t need to know. Jonathan Bate’s ingot-heavy volume announces, in its lackadaisical title, an intention to take all possible
Blowing Whistles Leicester Square Theatre Faces in the Crowd Jerwood Theatre Upstairs, Royal Court Oh, what a gay play. The exhibitionist bravado of gay culture, its carnival antics and exuberant self-sufficiency convince us straight folk that we have nothing more to learn about this colourful subterranean neverland. Matthew Todd’s comedy is packed with welcome surprises.
Motion: We were wrong to recognise Kosovo’s declaration of independence. Speakers For the motion Sir Ivor Roberts Misha Glenny Dragan Zupanjevac Against the motion Wolfgang Ischinger Paddy Ashdown Veton Surroi The voting tells the story. Before last Tuesday’s Kosovo debate most of the audience were unsure whether we were right to recognize Kosovo’s declaration of
No Jews. No hint of Jewishness anywhere. That was Howard Jacobson’s instruction to himself when he sat down to write his new novel, The Act of Love. ‘I took the restriction very seriously,’ he told Peter Florence in a discussion for Intelligence Squared on 22nd October. ‘I nearly set about writing the book without using
Oedipus Olivier La Clique Hippodrome Here it is. The National’s autumn blockbuster, Oedipus. Of all the plays of classical antiquity this is the best, the most accessible, the least tedious, and Jonathan Kent’s impressive production allows the beautiful and awful symmetry of the storyline to work its magic. Yet Kent and his designer Paul Brown
No Man’s Land Duke of York’s Mine Hampstead Slow, fractured, monumental, ineluctable, No Man’s Land lurches at you like a disintegrating ice shelf. The first act opens with two drunks staggering around a Hampstead mansion downing whisky and making oblique statements of self-revelation. Spooner, a broken-down poet, has been invited home by Hirst, a millionaire
Thomas Friedman, the influential American commentator, addressed Intelligence Squared on his new book, ‘Hot, Flat and Crowded. Why the world needs a green revolution and how we can renew our global future.’ A star turn visited Intelligence Squared on 13th October. Thomas Friedman, Pulitzer prize winning journalist and columnist on the New York Times, came
Girl with a Pearl Earring Theatre Royal Haymarket Waste Almeida Creditors Donmar I don’t know much about art but I know what I dislike. Art history. It forces one to view paintings and sculpture through the medium of literature. Every word spoken in appreciation of art is a step away from true art appreciation, which
The statistics were flying like circling jumbos at the Intelligence Squared debate on Heathrow’s proposed expansion. The News 24 anchorman Nik Gowing introduced a panel of experts led by Tom Kelly, once spin doctor to Tony Blair and now BAA’s head of communications. Heathrow’s problems boil down to capacity, he said. Already it works at
Georgia is still on our minds. August’s short nasty descent into violence triggered the first emergency debate of the season. John Kampfner, in the chair, began by observing wryly that the crisis had disproved the notion that ‘two countries that have Macdonalds don’t go to war.’ Oleh Rybachuk, a leading Ukrainian democrat, proposed the motion
Six Characters in Search of an Author Gielgud Riflemind Trafalgar Studios Pirandello, the master of pretentious bombast, is perhaps the most talent-free of all Nobel laureates. Here he is in the West End with one of his better-known experiments updated by Rupert Goold and his collaborator Ben Power. Playing games with the conventions of theatre
Ivanov Wyndham’s Theatre Now or Later Royal Court Rain Man Apollo Great directors have the power to alter taste. Michael Grandage’s avowed aim with this revival of Ivanov, which opens the Donmar’s year-long residency at the Wyndham’s, is to secure the play a permanent place in the repertory. But even a director as sure-footed as
In at the deep end. That’s how Intelligence Squared likes to kick off, and the first debate of the new season plunged straight into the perilous waters of the Israel–Palestine conflict. David Lindley, the chair, asked each speaker to present ideas for a workable peace. Dan Gillerman, a former Israeli ambassador to the UN, opened
Turandot Hampstead Theatre Do You Know Where Your Daughter Is? Hackney Empire Eurobeat Novello Why the long wait? Brecht completed his last play, Turandot, in 1953 but only now does it receive its British premiere. This spirited, finely acted production provides the answer. The script is all wonky. Taken from the commedia dell’arte fable that
Joan Rivers: A Work in Progress by a Life in Progress Leicester Square Theatre Liberty Globe Sons of York Finborough Let’s hear it for those ageing babes and their one-gran shows. Hip, hip, hip-replacement. Britt Ekland and Elaine Stritch are already at it, and here comes Joan Rivers who wastes no time wasting the opposition.
Lloyd Evans talks to the Donmar’s artistic director Michael Grandage about his Wyndham’s venture It might so easily have gone wrong for Michael Grandage. In 2002 he was appointed to succeed Sam Mendes as boss of the Donmar Warehouse. Mendes would be a hard act for anyone to follow, let alone a director with just
